Today’s topic is Best Lenses For Sony Full Frame Mirrorless. Obviously, you can find a great deal of Sony Fe Lenses List-related content online. The proliferation of online platforms has streamlined our access to information.

There is a connection between the Must Have Sony Full Frame Lenses and Sony Fe Lenses List information. more searching has to be done for 19 Best Sony Lenses in 2022 (E-Mount & FE Lens Reviews), which will also be related to The Best Lenses for Your Sony Mirrorless Camera. Best Lenses For Sony Full Frame Mirrorless - Sony Full Frame Lenses With Image Stabilization

108 Shocking Facts About Best Lenses For Sony Full Frame Mirrorless | The Best Lenses for Your Sony Mirrorless Camera

  • Sigma 28-70mm F2.8 DG DN Lens: Now if you are not a fan of heavy lenses, and trust me I know how you feel as I travel with big lenses all the time, one of the lighest all-purpose zoom lenses with a fast aperture you can get is the Sigma 28-70mm F2.8 DG DN lens. - Source: Internet
  • The Sony FE 90 mm f/2.8-22 is one of the best macro lenses on the market. At this focal length, it is also useful for close-up portraiture. The wide aperture with nine rounded diaphragm blades gives you a sharp look with terrific background bokeh. - Source: Internet
  • Lenses are less at risk from the elements than camera bodies, but still can be negatively impacted by dust, moisture, and all of the things that can happen while shooting in extreme environments. Sony doesn’t specifically advertise their lenses as being completely weather sealed, but they do have a certain level of dust and moisture resistance built in. Typically, the more expensive the lens is, the higher quality the build will be, which often translates into it being more weather resistant. Zeiss lenses in particular are known for being able to withstand the elements. - Source: Internet
  • The Sigma 70mm F2.8 DG Macro lens for Sony E-mount (full-frame) is the first macro lens from Sigma that has been adapted to Sony E-mount. However, the word adapted here is very important since the E-mount version of this lens has been adapted from their Canon and Sigma versions that were originally designed for SLR cameras and not mirrorless. - Source: Internet
  • Sony mirrorless cameras are wide-ranging both in price and features, generally offering something for every level of photographer, and are also capable for nearly every type of photographic pursuit, be it landscape photography, portraiture, sports and wildlife or astrophotography. But, the key to capturing stunning photos (or video) of your desired subject is getting the right lens for the job. While your kit lens may be pretty good, making a small investment in additional lenses can dramatically boost the creative flexibility of your camera – and the quality of your photos. - Source: Internet
  • GM stands for “G Master.” These are Sony’s top lenses. They have a beautiful image quality. But are often heavy and expensive. - Source: Internet
  • The Sony compact trio lenses consist of 3 lenses, the 24mm F2.8, 40mm F2.5, and 50mm F2.5 and they are all extremely versatile in their own rights with a fast aperture, an almost identical form factor, and a size as small as a pancake kit lens. - Source: Internet
  • Vintage lenses are usually not optically perfect, but they have characteristics that give them certain charm. The aforementioned Helios 44-2 for example is famous for it’s swirly bokeh. It is not sharp, but it is quite unique and fun. But for peak performance or sharpness, better to go for one of the lenses listed above! - Source: Internet
  • Sigma’s long-awaited Art lenses with Sony FE mounts finally hit the market, and the results have been strong. One of our favorites is the 85mm f/1.4, which is extraordinarily sharp, creates beautiful bokeh, and stacks up competitively to Sony’s f/1.4 GM in terms of image quality. When you factor the significant discount, serious portrait photographers should have a lot to like about this lens. - Source: Internet
  • Recommendation: After the release of the Sigma Art 35mm 1.2 DG DN and the Sony FE 35mm 1.4 GM used prices took a severe hit and they now reflect this lens’ actual value. And don’t buy one of these new at full retail, get one of the better 35mm lenses available now. - Source: Internet
  • STF – Smooth Transition Focus. Lenses that employ special APD lens groups that get thicker towards the edges and, because of that, reduce the amount of light passing through. These lenses are designed to deliver extremely smooth, silky out of focus bokeh. - Source: Internet
  • If you’re going to buy a wide-angle prime for Sony mirrorless, Zeiss is the way to go. In terms of options, the biggest point of differentiation between the Loxia and Batis series is that the former is manual focus only. This may be a deal breaker for some, but those who try manual focus often find that it’s relatively easy, accurate, and fun. - Source: Internet
  • Many of the high-end lenses have a Focus Hold button. This button is not labeled. You can customize the button’s function in the camera’s menu system for what you want it to do. - Source: Internet
  • When it comes to photographing the night sky, astrophotography isn’t really tied to any one focal length lens, technically, but oftentimes you want to capture a broad, expansive view of the night sky, stars, galaxies and the like. To do that, one needs a wide-angle or ultra-wide-angle lens, something very short, often less than 24mm, in order to capture a wide perspective. Additionally, another key factor for a good astrophotography lens is a wide or bright maximum aperture – the brighter, the better in order to gather as much light as possible and keep the ISO levels down as much as possible. So while astrophotography compositions can come in all sorts of framing and perspectives, we’re going to recommend a couple more common types of lenses: ultra-wide-angle lenses with bright apertures. - Source: Internet
  • This lens produces beautiful bokeh as you can come to expect from a lens with such a wide aperture. It is also considerably sharper in most use cases compared to other 85mm lenses, even sharper than the Sony 85mm F1.4 GM lens, and best of all, it is almost 700 USD cheaper! - Source: Internet
  • For astrophotography this lens will suck in a lot of light! You will see some signs of coma from f/1.8 to f/2.5 and you might even see traces of coma at f/2.8 if you have very bright stars at the edges of the frame. However, coma is still not as prominent as on many other wide-angle lenses. - Source: Internet
  • The Sony 2x teleconverter (SEL20TC) is currently only compatible with the Sony FE 70-200mm F2.8 GM, Sony 100-400mm GM, Sony FE 200-600 G, Sony FE 400mm F2.8 GM and Sony FE 600 F4 GM lenses. It will not physically fit any other Sony E-mount lenses. - Source: Internet
  • When it comes to recommending a landscape lens for a Sony mirrorless camera, there are several options to consider, ranging from the ultra-wide 12-24mm range to a more versatile 24-70mm. Our top pick for a Sony mirrorless landscape lens, one that offers a classic ultra-wide to wide zoom versatility, high image quality and a solid value, is the Sigma 14-24mm f/2.8 DG DN Art lens. - Source: Internet
  • The Sony E 70-350 mm f/4.5-6.3 G OSS is the most expensive APS-C lens on this list. This G lens has many features of mid-level, full frame lenses. But it remains an affordable lens option for all photographers. - Source: Internet
  • Despite being called a macro lens, the Sony FE 90mm f/2.8 Macro G OSS lens is also an excellent portrait lens and one of the sharpest lenses that Sony has ever built. DxOMark reviewed this lens and said that its outstanding, scoring higher marks than both the Canon and Nikon equivalents. - Source: Internet
  • The bokeh is silky smooth and possibly the best of all the current 24mm f/1.4 lenses available. Autofocus is fast, quiet and super accurate. I own this lens myself and absolutely love it. I’ll be writing a review for it just as soon as I get a little free time. - Source: Internet
  • In recent years, Sony has pushed to include faster telephoto lenses in its lineup. The a9 camera bodies and fast telephotos have made the system attractive to more sports and wildlife photographers. Most recently, Sony has focused on lenses for video. - Source: Internet
  • Many of Sony’s best lenses have a constant aperture. You can use the widest aperture at all focal lengths. If the lens has a range of apertures, the widest aperture becomes smaller as you zoom. - Source: Internet
  • However, one thing that most street photographers will agree on is that wide-angle lenses below 35mm are generally more difficult to use for street. If you are shooting people with a lens under 35mm then you will literally need to be in their face to get the photo. That said, some street shooters like to use a 24mm to allow them to include more of the surrounding environment in their photo. - Source: Internet
  • Amateur photographers often are attracted to the convenience of all-in-one lenses, and rightfully so. It takes most decision making and lens switching out of the equation. In other articles we recommend all-in-one lenses more highly, and particularly for APS-C cameras, but it’s more difficult for such a stellar system like Sony FE. - Source: Internet
  • The Sony FE 14mm f/1.8 GM is one of those lenses that make one grateful to be photographing at this time. Those photographing architecture, real estate, large products, or other subjects in a confined space, those photographing the great outdoors, including landscape and night sky photography, and those who simply want to get creative with ultra-wide-angles will want the Sony FE 14mm f/1.8 GM Lens in their kit. - Source: Internet
  • Finding the best Sony lens can be difficult these days. Sony makes some of the best lenses on the market. But their lens catalog has grown, and it’s difficult to find what you need. But don’t worry. We’ve found and organized the best Sony lenses in 2022. - Source: Internet
  • The Sony FE 90mm F2.8 Macro is one of the best macro lenses in the photography world and the Sony FE 400mm F2.8 GM is a superb telephoto lens for shooting sports or wildlife. - Source: Internet
  • The Sony FE 90mm f/2.8 Macro G OSS lens is one of the sharpest lenses that Sony has ever built. DxOMark reviewed this lens and said that its outstanding, scoring higher marks than both the Canon and Nikon equivalents. - Source: Internet
  • Unfortunately like many ultra-wide lenses, the Sony 12-24 has a bulbous glass front element, meaning that it protrudes from the front of the lens. This makes it difficult to attach filters and there is no filter thread. However, thankfully there are now several companies making filter holders for this lens. - Source: Internet
  • Sigma 16-28mm F2.8 DG DN Lens: Again, the G Master lenses are not cheap and it might not be reasonable to buy them especially if you are just starting out so for those of you who are looking for an excellent but affordable architecture/landscape wide-angle lens for your travel, I highly recommend you take a look at the Sigma 16-28mm F2.8 DG DN lens. - Source: Internet
  • If you prefer your telephoto lenses to be black rather than bright white then the Sony FE 70-300mm F4.5-5.6 G OSS is currently your only option in this focal range. Although I’d recommend that you don’t allow the color to dictate your lens choice, and lens covers can also be purchased if you prefer a little more discretion. - Source: Internet
  • We are a team of five photographers who all use the FE system and this blog is focused on lens reviews. So we have an in-depth knowledge of these lenses not only because we use them all the time but also because we have reviewed many of them in detail. We are also independent from any lens manufacturer and when you check our reviews you will see that we do not hesitate to name any shortcomings of a lens. To easily compare specs check out our Sony FE-list. - Source: Internet
  • The first section looks at Sony lenses for APS-C cameras. We then move on to lenses for full frame cameras, with sections for prime and zoom lenses. We look at each set of lenses with various types of photography in mind. These include sports, macro, and portrait lenses. - Source: Internet
  • Third-party lenses abound for full-frame DSLRs, including from brands like Sigma and Tokina. For Sony’s full-frame mirrorless cameras, Zeiss dominates the landscape and calling that “third-party” is stretching it a bit (the relationship between Sony and Zeiss is quite close). However, Sigma recently released Sony FE mount versions of many of their “Art” lenses (our favorite is the 85mm f/1.4 Art) and plan to continue rolling more out. This development has caused quite a stir in the market due to their remarkable sharpness, low light capabilities, and competitive pricing. - Source: Internet
  • The Sony FE 16-35mm f/4 G is a power zoom lens (PZ). It is one of the best landscape lenses you can buy. It is also great for real estate and indoor photography. - Source: Internet
  • Length: 105.8mm | Diameter: 71mm | Weight: 562g | Filter Thread: 49mm | close focusing distance (1:1): 70mm | Price (July 2020): $469 | review (EF-version) | User Report on mirrorlessons.com - Source: Internet
  • Sony FE 90mm F2.8 Macro G OSS Lens: A macro lens can really give your photos a unique perspective that you can not get from any other lenses and the best macro lens you can get for your Sony camera is the Sony FE 90mm F2.8 Macro G OSS lens. - Source: Internet
  • Wide-angle lenses make good choices for astrophotography because they have a larger field of view (FOV). This allows you to capture much more in one shot, such as the Milky Way and also some foreground interest. Also the wider the angle of your lens the longer you will be able to expose for before star trails become a concern. - Source: Internet
  • Sony FE 70-200mm F2.8 GM OSS II Lens: To complete our trinity of fast zoom lenses for your Sony cameras, the best telephoto lens you can get to go with your Sony 16-35mm F2.8 and Sony 24-70mm F2.8 is the Sony 70-200mm F2.8 GM II lens. - Source: Internet
  • Many Sony lenses are sharp. The sharpest full frame (FE) lens may be the Sony FE 135 mm f/1.8 GM. - Source: Internet
  • Similar to Canon’s “L” series, Sony “GM” lenses are the best of the best. You can expect pro-grade image quality including excellent sharpness, minimal distortion, and lifelike bokeh. In addition, the build quality of GM lenses is superb, with premium elements and weather sealing (outdoor and travel photographers make up a big part of Sony’s constituency so this makes a lot of sense). - Source: Internet
  • The Sony FE 24-70mm F2.8 GM is one of the very few zoom lenses that can keep up optically with many of the best prime lenses. It’s extremely well built, weather sealed from dust and moisture, and the autofocus is fast and accurate. - Source: Internet
  • Compared to Canon’s EF-mount lenses or Nikon’s F-mount lens offerings, there still are fewer FE options of both types at this time (Sony is catching up, however). The result is that you should choose your zoom carefully and probably avoid some of the older models like the 28-70mm f/3.5-5.6 and 24-70mm f/4. Sony’s six “GM” Grand Master lenses are particularly strong and the collection of primes is growing including the recent addition of Sigma Art lenses, which is a very exciting development. - Source: Internet
  • This is one of the Sony lenses that receives mixed reviews. Some people love it whilst others don’t rate is so favorably. I own this lens myself and although it’s certainly not as sharp as the GM version, the images it produces are sharp enough unless you really enjoy a good pixel peeping session. - Source: Internet
  • Tamron 28-75mm f2.8 G2 Lens: For the most affordable all-purpose zoom lens, the Tamron 28-75mm F2.8 G2 lens is also highly recommended for those of you who are looking for a great all-around travel lens that is affordable while retaining 85% of the quality of what you get from premium lenses like the Sony G Master lenses. - Source: Internet
  • Without doubt, the Sigma 14mm f/1.8 Art is one of the best ultra-wide angle lenses ever made to this date. This lens has been available in both Canon, Nikon and Sigma mounts for some time, but now Sigma has adapted this lens for Sony E-mount. So you are basically getting an SLR designed lens with an adapter bolted on, this means that it does retain its considerable size and weight. - Source: Internet
  • Recently Sony has added features to the barrel on lenses designed for video. A lens may have a de-click button and an aperture ring. This lets the photographer change aperture and depth of field smoothly. - Source: Internet
  • Here are the 19 best Sony lenses. On our list, you will find a variety of focal lengths—wide-angle, mid-range, and telephoto lenses. We also have prime and zoom lenses. We’ve broken our list down so you can find exactly what you need. - Source: Internet
  • Still, despite this lens being adapted from their SLR versions, it is a beautiful lens that costs almost half the price of the Sony FE 90mm F2.8 G OSS macro lens. The images that it produces are razor sharp across the frame, chromatic aberration is well controlled as is distortion. The bokeh is silky smooth and the lens feels like all Sigma Art lenses do, extremely well built! - Source: Internet
  • Aside from the common complaint of Sigma lenses being bulky and heavy, the major concern with the 35mm f/1.4 Art is the speed of the autofocus. You’ll get more hunting than with Sony’s native lenses and the Sigma can have a hard time locking in, which can be quite frustrating when shooting moving subjects. Reports on this topic are mixed, however, and the cost savings is significant enough that the value and image quality may outweigh any autofocus concerns. - Source: Internet
  • When it comes to picking a lens for portraiture, you’ll most likely want something with some telephoto reach. Wide-angle lenses, on the other hand, can distort and accentuate facial features in an unflattering way, whereas a longer standard-focal length or short telephoto lens will capture a more natural, more pleasing representation of your subject. Traditionally, an 85mm prime lens has been a classic portrait go-to, offering a good focal length for natural-looking portraits and good subject isolation thanks to the wider aperture than what you typically find on a kit zoom lens. The wide aperture helps blur out the background of your shot and help your subject stand out more. - Source: Internet
  • The Sony FE 100mm F2.8 STF GM OSS lens is a very unique lens in the Sony FE lenses line-up since it includes a built in apodization (APD) filter. This is a clear glass filter that progressively darkens similar to a neutral density filter as you get further away from the center of the lens. - Source: Internet
  • The Sigma 105mm f/1.4 DG HSM Art Lens for Sony full-frame E-mount is an exceptionally sharp lens even when shooting wide-open at f/1.4. Autofocus works almost as fast as Sony native lenses in good lighting, but in poor light autofocus starts to struggle a little more. There is very little in the way of vignetting and almost nonexistent chromatic aberrations. - Source: Internet
  • Autofocus technology has changed and improved on the newest lenses. The Direct Drive Super Sonic (wave) Motor (DDSSM) is currently the best autofocus system in Sony lenses. It is precise, quick, and quiet. - Source: Internet
  • Interestingly, Sony mentioned in its GM press release that these lenses, “will inspire and ‘wow’ photographers and videographers for years to come.” People in the industry report that Sony is working on an 80-megapixel camera next that shoots 6K video, and that GM lenses have been tested on and were built to match that powerful of an image sensor. If all that is true, it means that with GM lenses you are future-proofing your purchase in a way—it takes a very precise piece of glass to match that magnitude of an image sensor. - Source: Internet
  • The Sony FE 100-400mm f4.5-5.6 lens is not a small or compact lens in any sense but relative to the reach it gives you, this is as small as it gets. The lens is also one of the sharpest Sony lenses out there allowing you to capture crisp and clear images of wild animals like birds or the big five during a safari trip. - Source: Internet
  • Before the 24-105mm f/4, the Sony lineup felt like it was missing that reasonably priced, Swiss Army Knife of lenses. The old 24-70mm f/4 below left most shooters feeling underwhelmed, and particularly given the ultra-high resolutions of Sony’s latest mirrorless camera models. And realistically, the large focal length range of the 24-240mm means that it’s lacking in pro-level optics. But with their 24-105mm f/4, Sony has a winner. At just under $1,100, this lens offers versatility and impressive corner-to-corner sharpness for everything from wide-angle photos to portraits. - Source: Internet
  • A few lenses in the regular lineup give these top-quality lenses a run for their money. ZA means the lens is made with Zeiss glass. Zeiss is a legendary German lens manufacturer. And Zeiss glass is considered some of the best in the world. - Source: Internet
  • When buying lenses for your Sony full-frame camera, keep a close eye on the title and the blue Zeiss logo on the barrel. Lenses with both “Sony” and “Zeiss” in the title are co-branded, while lenses with “Batis” and “Loxia” are exclusively Zeiss. It’s also worth noting that Sony’s GM series of Grand Master lenses described above are not associated with Zeiss, although they are regarded as being some of the finest zoom lenses for the FE system. - Source: Internet
  • Image quality from this super-zoom lens is outstanding, offering very sharp performance across the zoom range. The narrower and variable aperture design helps maintain the lens’s smaller size but at the expense of low-light performance. That said, modern Sony cameras do very well with high ISOs, so the dimmer aperture it probably a tradeoff that most will overlook. The build quality is also excellent, with rugged, weather-sealed construction, and the internal-zooming design keeps the lens balanced and avoids lens creep that we often see with long-zoom lenses that extend. All in all, one of our favorite Sony lenses for wildlife photography! - Source: Internet
  • In this article we mainly list lenses which have electronic contacts to communicate aperture and focal length to the camera. There are also quite a few lenses which have an E-mount but no electronic contacts. Most of these are SLR-lenses with a modified mount and we decided against covering these because we think that most of them are not very attractive lenses. We do however cover some of the attractive ones that have been specifically designed for E-mount. - Source: Internet
  • Sony themselves do not (yet?) make macro lenses higher than 1:1 mag. ratio, and generally, most of these high-powered macro lenses are manual-focus only. For our recommendations, we will stick to the more common and more versatile lenses that offer autofocus. Not only can they be used for macro photography, but they also work for more general-purpose photography, even portraiture. - Source: Internet
  • As a team we have bought and sold hundreds of lenses. Some we used a lot more than we anticipated and others a lot less. Based on that experience here are a few tips on how to choose the right lens fro your needs. - Source: Internet
  • As you can come to expect with the Sony GM lenses, the image quality produces with this lens is extremely sharp from corner to corner. The F2.8 aperture allows you to use the lens in any conditions which is great for travel as you are often shooting in an uncontrolled environment. - Source: Internet
  • Sony offers lenses at a range of focal lengths. Some are prime lenses fixed at one focal length. Others zoom, letting you choose from a range of different focal lengths. - Source: Internet
  • Like many ultra-wide lenses, it has a bulbous front element. This means you cannot screw a filter onto the front. But you can place gels behind the lens. With the 4x XD linear motors, autofocus is fast and precise. - Source: Internet
  • With the introduction of the FE mounts, Sigma has eliminated the need for adapters that compromised performance—each lens has an autofocus drive control program that enables them to match the capabilities of the Sony bodies (in theory, at least). So far, there have been some complaints about the speed and accuracy of the autofocus in a few of the Art series lenses, but that likely will be mitigated by Sigma in future firmware updates. It’s also worth noting that Sigma lenses generally are bulky and heavier than the field, but the cost savings and performance are what catches most people’s attention. - Source: Internet
  • It also comes with optical stabilization that will be extremely handy when shooting close-up shots of a very small moving subject like insects. You can also use this for other kinds of subjects like flowers and food which makes it one of the most versatile prime lenses to get for your Sony cameras. For the latest price of this lens, be sure to check it out with the link below: - Source: Internet
  • – Completely manual lenses. You need to use the focusing ring and the aperture ring on the lens to focus and set the desired aperture value. Exif data is still submitted though. (no electronic contacts) – These lenses do not feature electronic contacts so they do not communicate things like focal length or current aperture value to the camera - Source: Internet
  • The Sony FE 200-600mm F5.6-6.3 G OSS lens has already proved itself to be one of the most popular lenses for wildlife shooters. - Source: Internet
  • Time and again, this amazing lens is listed as one of the top portrait lenses on the market. The FE 135 f/1.8 G is sharp, with edge-to-edge clarity. And the AF motor is fast, smooth, and quiet. It’s a specialist portrait lens that delivers incredible results every time. - Source: Internet
  • For such a compact size and an affordable price point, it is hard to beat the Sony FE 85mm F1.8 lens when it comes to price-to-quality ratio. If you want to save some money, I highly recommend you go for the Sony 85mm F1.8 lens and use the money you saved to invest in other lenses instead. - Source: Internet
  • To help you decide on the best lens for your intended use, I’ve categorized the lenses into the following groups. Please note that there is a little duplication between the groups but this should hopefully make it much easier for you to find the lens that you are looking for. You can click any of the below links to jump to the type of lens that interests you the most. - Source: Internet
  • Many photographers buy mirrorless cameras to reduce the size and weight of their equipment. But they are then surprised by the heaviness of the lenses. Size and weight may be an issue if you are traveling or hiking. - Source: Internet
  • – Lenses which have been developed in cooperation by Sony and Zeiss and are produced by Sony. The outer barrel is made from metal which looks nice but scratches easily. (manual focus) – Completely manual lenses. You need to use the focusing ring and the aperture ring on the lens to focus and set the desired aperture value. Exif data is still submitted though. - Source: Internet
  • Now, we go through our picks for the best Sony prime lenses for full frame cameras. While prime lenses might not have the versatility of zoom lenses, these primes are well-made with crystal-clear optics. And each one has been selected for its specialist qualities. - Source: Internet
  • Recommendation: a really great lens which was unfortunately a little late to the party as many of us already bought lenses like the Zeiss Loxia 21mm 2.8 or Sony FE 24mm 1.4 GM before. If you don’t have any of these (or similar) lenses already – but you are looking for one – the 20mm 1.8 G should certainly be on top of your list of lenses to consider. - Source: Internet
  • This lens does show signs of coma from f/1.8 to f/2.5 and you might even see traces of coma at f/2.8 if you have very bright stars at the edges of the frame. However, coma is still not as prominent as on many other wide-angle lenses, and also you are unlikely to have very bright stars at the edge of the frame, so I still think it’s a very good choice for astro shooters. - Source: Internet
  • With some lenses, you can get close to your subject. With other lenses, you have some distance for the focusing system to work. It is worth looking at a lens’s minimum focusing distance if you like to get close to your subject. - Source: Internet
  • Sony made a big splash with the release of the speedy a9 camera body, but they needed the telephoto lenses to match. Enter the 100-400mm f/4.5-5.6, which is another premium lens in Sony’s heralded G Master lineup. For professional sports and action photographers, it represents a viable telephoto zoom option for Sony mirrorless, and will be depended upon to perform during big events from the Super Bowl to the Olympic Games. - Source: Internet
  • Sony FE 24mm F1.4 GM Lens: For those of you who prefer traveling with prime lenses, the lens you must have in your backpack at all times is the Sony FE 24mm F1.4 GM lens, an incredibly fast wide-angle lens that offers excellent image quality while keeping the form factor small and compact. - Source: Internet
  • Sony’s full-frame mirrorless cameras have created a lot of buzz in the photography world. It’s true that the FE lens options for Sony still are more limited than the offerings for Canon and Nikon cameras, but the collection is growing and far more impressive in 2020 than even a year ago. Below we break down the best Sony FE (full frame) lenses, including zooms and primes from wide angle to telephoto. Given Sony’s strong relationship with Zeiss, there are plenty of high-end options that should make even the most discerning photographers happy. For more background information, see our Sony FE lens comparison table and buying advice below the picks. - Source: Internet
  • Sony makes faster lenses, but this lens has versatility. It’s a premium-quality Sony lens. And it could be your go-to lens! - Source: Internet
  • The Sony Sonnar T* FE 35mm F2.8 ZA and Rokinon/Samyang AF 35mm f/2.8 FE are also both great lenses for street photography. I’m going to cover these two lenses next under pancake lenses. - Source: Internet
  • If you want more information about Sony lenses, we have an extensive section at the end of the article. We go into detail about them and what features to look for. And there’s an FAQ section if you need quick answers. - Source: Internet
  • The first section of our list is dedicated to the best APS-C lenses for Sony cameras. Sony APS-C (crop-sensor) mirrorless cameras have the Sony E lens mount. This section includes prime and zoom lenses. - Source: Internet
  • As such, our other top recommendation for an upgrade pick is the Sigma 14mm f/1.8 DG HSM Art lens, the only other full-frame format lens with a 14mm focal length and an f/1.8 aperture. As an Art-series lens, the Sigma 14mm f/1.8 offers excellent and robust build quality as well as fantastic image quality performance, just like we’ve seen from most, if not all other Sigma Art-series lenses. - Source: Internet
  • E-mount lenses work on Sony full frame cameras like the Sony a1. They work equally well on a crop-sensor body like the Sony a6600. On crop-sensor cameras like the a6600, the focal lengths are 1.5 times those printed on the lens. - Source: Internet
  • Now, much like the other categories on this list, you also have a choice of prime (single focus length) or a zoom lens. Prime wildlife lenses can often be quite large and expensive, with some of the benefits there being fantastic optical quality and brighter apertures, which let them perform in lower light and have gorgeous shallow depth of field. That said, it’s hard to look past the versatile of a zoom lens, which is why we’re focusing on zoom lenses here for our recommendations. - Source: Internet
  • – “Optical Steady Shot”: Sony’s marketing name for lenses that feature an image stabilizer. ZA – Lenses which have been developed in cooperation by Sony and Zeiss and are produced by Sony. The outer barrel is made from metal which looks nice but scratches easily. - Source: Internet
  • The Zeiss Batis 18mm f/2.8 is a small lightweight autofocus lens designed for mirrorless cameras. It’s well built and is weather sealed to help keep dust and moisture out. - Source: Internet
  • Yes. Sony lenses labeled with a “G” are higher-quality lenses. G Master (GM) lenses are top-of-the-line flagship lenses. - Source: Internet
  • The Sony 1.4x teleconverter (SEL14TC) is currently only compatible with the Sony FE 70-200mm F2.8 GM, Sony 100-400mm GM, Sony FE 200-600 G, Sony FE 400mm F2.8 GM and Sony FE 600 F4 GM lenses. It will not physically fit any other Sony E-mount lenses. - Source: Internet
  • Sony cameras and lenses have some of the best auto-stabilization technology on the market. OSS indicates the lens has “Optical SteadyShot.” This is Sony’s image stabilization system. - Source: Internet
  • For crop-frame shooters, with cameras such as the A6600, A6400, or A6100, using a native APS-C-format lens for landscape photography and other wide-angle shooting is important. You can, of course, use full-frame “FE” format lenses on a crop-frame Sony camera (they all use the same lens mount). The crop-factor introduced by the smaller sensor will reduce some of the wide-angle field of view if you use a full-frame lens. - Source: Internet
  • One of the key characteristics of a typical landscape lens is a wide-angle or ultra-wide-angle focal length, which for full-frame cameras is generally 24mm or shorter. These types of lenses let you capture more of the scene, which makes them ideal for landscape photography. Imagine a dramatic mountain vista, a wide-open field or a massive waterfall: A wide-angle lens is a good choice for all of these shooting scenarios. Wide-angle lenses are also great for emphasizing a foreground subject. Shoot wide and get in close, and your subject will dominate the frame. - Source: Internet
  • Recommendation: One of the best corrected f/1.4 lenses for optical aberrations, but this correction came at a price in terms of size and weight. If you allergic to loCA this is your lens, otherwise we rather recommend the Sigma Art 35mm 1.2 DG DN. - Source: Internet
  • Though Sigma already released an 85mm f/1.4 HSM Art DSLR lens some years back, this “DG DN” version has been redesigned for mirrorless cameras, namely Sony E-mount and L-mount cameras. The lens has been redesigned for mirrorless, utilizing a new optical formula and a new AF system powered by a stepper motor. All in all, the updated 85mm f/1.4 DG DN Art is a stunning portrait prime for Sony (or L-mount) mirrorless cameras. - Source: Internet
  • The 1.4x will extend the reach of the 70-200mm GM lens to 280mm and the 100-400mm GM and 400mm GM lenses to 560mm on a full frame camera like the a7iii, but it will do so by sacrificing one stop of light. Fortunately this does not slow the autofocus speeds of these lenses, however you will notice increased vignetting in the corners wide-open and also a little more software in the images. - Source: Internet
  • The Sony/Zeiss marriage is somewhat unique in the world of photography and has been going on for two decades and counting. A large number of FE-mount and E-mount lenses are co-branded (called “Sony/Zeiss”). In addition, Zeiss has created another bunch of its own lenses for Sony FE-mount cameras (“Batis” and “Loxia”). Because of Zeiss’ stellar reputation in optics, these are highly regarded lenses that can go head-to-head with just about anything on the market. - Source: Internet
  • A full-frame mirrorless camera like the Sony a7R IV is a super attractive option for serious landscape photographers, with a low weight and high-resolution sensor. And although the 16-35mm f/2.8 below may be the most versatile wide-angle option for FE, the Zeiss Batis 18mm f/2.8 is the premier prime. At this focal length, it’s a dream pairing for the a7R IV. - Source: Internet
  • Recommendation: What has been written about the Sony GM 2.8/24-70 above applies here as well. Which of these two lenses is sharper at what focal length seems to depend more on sample variation than anything else. The Sony might have an edge when it comes to bokeh and AF though, whether this is worth the premium you can only decide for yourself. - Source: Internet
  • The crop-sensor 50 mm f/1.8 OSS is one of Sony’s lightest lenses. It is the perfect balance of focal distance and aperture. - Source: Internet
  • The zoom vs. prime distinction varies by camera type, and Sony now has a strong batch of FE zooms (the f/2.8 trifecta of 16-35mm, 24-70mm, and 70-200mm is now covered). In general, zoom lenses are more versatile covering a range of focal lengths, while primes often are superior optically with faster maximum apertures and less distortion. Primes usually are smaller as well, but you may need to carry multiple lenses to cover your desired focal lengths. - Source: Internet
  • According to Rodger Cicala at LensRentals.com the Sony FE 24mm F1.4 GM is the sharpest 24mm prime lens ever made and he should know since he’s tested hundreds of lenses. - Source: Internet
  • Sony labels lenses designed for full frame cameras “FE.” Sony labels APS-C lenses with an “E.” This can be confusing at first. One of the first lenses I purchased for my full frame Sony a7 II was an APS-C lens. I simply did not know the difference. - Source: Internet
  • Now we’ll get into the best Sony full frame zoom lenses. There are some excellent choices here, with something for everyone. There’s a variety of prices. And we have a lens that suits every type of photography. - Source: Internet
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