Today’s topic is Best Nikon Dx Lens For Landscape Photography. Obviously, you can find a great deal of Best Landscape Lens For D750-related content online. The proliferation of online platforms has streamlined our access to information.

There is a connection between the Best Landscape Lens For Nikon D850 and 12 Best Lenses for Landscape Photography in 2022 information. additional searching needs to be done for Best Landscape Lens For D750, which will also be related to Best Landscape Lens For Nikon D850. Best Nikon Dx Lens For Landscape Photography - The 16 Best Travel Lenses for Nikon • Comprehensive Guide

169 Reference List: Best Nikon Dx Lens For Landscape Photography | Best Wide Angle Landscape Lenses

  • If you mount an FX lens onto an APS-C body, then there are a few things to consider. 1) vignetting is possible; 2) certain lenses will behave differently on certain bodies; and, most importantly 3) the lens’ focal range will be lengthened i.e. a 24mm EF lens mounted onto EF-S camera will behave more like a 35mm lens. - Source: Internet
  • It’s preferred among landscape and travel photographers. But its focal length is a strong option for photojournalism and portrait photography. But the large price tag is an issue for this lens. - Source: Internet
  • A lens that has a focal length of 24 to 35mm are considered wide angle lens. Nowadays you can find great lenses that have a focal length under 24mm. These are considered as being ultra wide. - Source: Internet
  • 1.) Don’t bother with manual focus lenses on digital cameras. Optically they work great, however with most cameras you’ll have no metering or automation. You can use these in a studio but they are almost useless in the field. - Source: Internet
  • APS-C and MFT format users will be familiar with using different focal lengths to achieve the same angles of view as full frame, so the crop factors do need to be taken into account. This will be around 1.5x for APS-C, meaning a 20mm lens would be roughly equivalent to the field of view of a full-frame 30mm lens. For MFT, a 12mm lens and the 2x crop factor means that the equivalent full frame field of view is similar to 24mm. - Source: Internet
  • 3.) Fixed focal length lenses aren’t needed, except for macro or super tele. The faster f/stops of fixed lenses aren’t needed with digital’s high ISOs. Almost all lens development in the past 20 years has been focused on zooms, so as digital dawns there are few things that zooms can’t do better. - Source: Internet
  • Almost every photographer’s first prime lens is a 50mm, or “nifty fifty.” These lenses are popular first choices because they’re almost always a) useful b) effective and c) affordable. Nikon’s own 50mm f/1.8 is no exception to this trend! - Source: Internet
  • Extensive weather sealing from $2,496.95 Buy from Amazon Canon EF 16-35mm f/2.8L III USM Zoom Lens Most Versatile Lens Great all-round wide-angle lens - Source: Internet
  • Lensbaby Omni Filters / Micro-Nikkor 55mm F2.8 You can also look beyond lenses. You’ll get more out of your Nikon SLR with an external flash, a quality tripod, or some audio gear for better sounding vlogs. We’re also keen on the Lensbaby Omni filter system, something creators can use to add visual effects to shots. Pro videographers should also check out the Atomos Ninja V, an external recorder that nets better quality video than your camera can manage on its own. - Source: Internet
  • Everyone asks me what lens to buy. That’s a tough recommendation, since everyone is different. That’s why there are so many lenses! Anyone who recommends anything without knowing what you want to do with it should be ignored. - Source: Internet
  • Finding a lens with Image stabilization is often a good idea. Image stabilization can mean the difference between getting a sharp or blurred shot. This is especially important if you will be hand holding your DSLR camera. - Source: Internet
  • It’s very hard to find complete perfection in SLR lenses, especially wide angles and zooms. The special retrofocus design required for wide-angle SLR lenses makes them very difficult to design well, so most of these lenses exhibit barrel distortion and fuzzy corners wide open. That’s typical for Nikon and even Leitz. - Source: Internet
  • The EF 24-70mm f/2.8L II USM created a new standard for landscape lenses. And it remains one of the best lenses on the market today. - Source: Internet
  • One of Canon’s best selling lens due to it’s low cost, considering it’s high quality. If you see a Canon lens with a red circle around the tip, you know it’s considered better quality (sharper images) than those without the ring. This one is currently priced at $674 USD. However, you do need to take into consideration that this particular wide angle lens doesn’t zoom in as far (40 mm) as the other two listed above. - Source: Internet
  • We’ll explore some of the best landscape lenses for all photography levels in the market. We’ll look at everything from entry-level options to the top of the range. Now let’s take an in-depth look at each option and see if it’s the right lens for you! - Source: Internet
  • Manual focus cameras work with all the AF lenses suggested above except the G series. Please read this section above about film cameras above if you haven’t already, since it all applies here and you need to know about the differences between lens choices if you shoot film or shoot slides. I have more about what lenses work on which cameras here. - Source: Internet
  • The Nikon Nikkor 24-120mm f/4 is made of high-grade plastics. Although these plastics are pretty durable, they are not weather resistant. Those who expose their lenses to elements frequently may be concerned with the Nikon 24-120mm’s ruggedness or lack thereof. - Source: Internet
  • Surface area is the differentiating factor. The APS-C format is about half the size of an analog film frame. The 18-by-24mm format makes for the smaller, lighter cameras and lenses consumers prefer. - Source: Internet
  • Sony E 11mm F/1.8 - Sony E This is a gorgeous little lens, light, compact, easy to handle and giving sharp, lively results for both stills and videography alike. Without a doubt, a very versatile and high-quality lens that can be ‘Highly Recommended’. Interested? Help support ePHOTOzine by using these links. Amazon UK Amazon US - Source: Internet
  • Fujifilm’s multilayer HT-EBC and Nano GI coatings are the best features. They heavily reduce ghosting and lens flares landscape photographers may encounter. Awe-inspiring sunsets are even clearer. - Source: Internet
  • Unsurprisingly, this prime lens has won awards as the best wide-angle lens. It’s compact and lightweight for a lens with these specifications. The 14mm prime lens won’t leave your shoulder sore at the end of the day. - Source: Internet
  • If you want to spend more and carry heavy lenses then feel free to get an f/2.8 or the other lenses I cover under telephotos for film here. Personally I love my 80 - 400 mm zoom as explained below under film. - Source: Internet
  • Aside from the price, one of the best features of the Nikon 10-20mm f/4.5-5.6G is its size. This pint-sized lens is so small that it could fit in a pocket. For those traveling light, the ability to do this is hard to turn down. - Source: Internet
  • A lower number like f/1.8 means your lens can handle dark conditions better, although such lenses will be more expensive. If you’re not planning to shoot in extreme low-light, you can save some money by going for, say, an f/3.5 lens! - Source: Internet
  • DO NOT use manual focus lenses on autofocus and digital cameras. If you already own these lenses as I do fine, but it’s silly to buy a new manual lens because you lose almost all the features you need, like metering, with manual lenses used on modern cameras. I very deliberately titled this section “… for Manual Focus Cameras” because I only suggest these manual lenses for use on manual cameras. - Source: Internet
  • It goes without saying that the Nikon 50mm f/1.8G is very portable, weighing only a paltry 185 grams. The lens doesn’t have the best depth of field markings, which may or may not turn off traditional photographers who like to know their hyperfocal values. - Source: Internet
  • This is a good all purpose lens that goes from ultra wide 17mm, all the way to a normal focal length of 85mm. It’s also not too large and heavy to carry and is priced around $520 USD at the time of writing this article. Another advantage is its image stabilization system that makes taking hand-held shots easier. Fantastic for those photographers who are just starting out and don’t want to spend a fortune, yet still need good quality photographs. You’ll notice many landscape photo’s found throughout this website are taken with Canon EF-S 17-85mm IS USM lens. - Source: Internet
  • Another creative lens for the Nikon D3400 that we’d recommend is the Nikon 10.5mm F2.8. - Source: Internet
  • Without getting into the physics of focal lengths, I will simply say that certain lenses with certain focal lengths are better for capturing certain scenes. Longer lenses, renowned for their shallow depth of field and isolating qualities, are great for portraits. Wider lenses, with their expansive fields of view, are great for interior shots when space is tight or for capturing big vistas. - Source: Internet
  • The Nikon 70-300mm f/4.5-5.6G VR is one of the most surprising lenses on this list. For less than $500, this lens is, somehow, shockingly sharp, very lightweight, and functionally complete thanks to additions like VR and internal zooming. - Source: Internet
  • It’s a well-designed lens, strong in its construction and weather-sealing capabilities. It’s a lifesaver out in places with hazardous weather. These features are backed up by pretty impressive image quality. So this a lens you won’t regret having in your kit bag. - Source: Internet
  • You used to have to decide between a wide aperture and IS. But now, this lens provides both. Of course, this isn’t super relevant for landscapes as the camera sits on the tripod. But this can help when light is slipping away and the golden hour produces that last split second of magic. - Source: Internet
  • The newest version boasts improved mechanics and extra lens coating. But aside from these features, the previous lens is very similar. So, the second version could be the best option for those looking to cut their costs in half. - Source: Internet
  • The sharpness Sony has captured in FE 12-24mm f/2.8 ED G is seriously impressive. I can see this lens for landscape photography having a long shelf life in many loving homes. - Source: Internet
  • 1.) Ultrawide lens. Personally I prefer my rare 20mm f/4 AI for its size and superb image quality. It also takes standard 52mm filters for compatibility with the rest of the suggested lenses. - Source: Internet
  • With the 24-74mm focal range, you have a lens that can tackle many situations. This lens for landscape photography is a brilliant all-rounder for your kit bag. If you are interested in finding a lens that can do it all, look no further! - Source: Internet
  • As is commonplace with Rokinon lenses, there are no electronic components in the 16mm f/2.0, which means that there is no autofocus. Users will have to manually focus this lens like they used to do in the good ol’ days. - Source: Internet
  • 4.) Standardized 52mm filters. You can have every lens from 20 mm to 200mm, including PC shift and macro lenses, take the same 52mm filters. - Source: Internet
  • This lens for landscape photography features Sony’s most up-to-date qualities and design. This large-aperture wide-angle lens is groundbreaking for our time. Optically it’s hard to find a falter. And with all the tests experts have put in place, it’s quite the lens. - Source: Internet
  • The range in its focal length makes it among the top lenses for landscape photography. The Nikon Z 14-24mm f/2.8 is more for specialists who know they need the lower end of this focal range. - Source: Internet
  • With its maximum aperture of F1.8, the Nikon 35mm soaks up to 8 times more light than your Nikon kit lens and its shallow depth of field will enable you to blur your subject’s background into oblivion. Learn more about Aperture - Source: Internet
  • Filters are used in photography to achieve creative effects as well as provide extra protection to a camera. These filters are attached to the front of a lens along a threading that has a unique rating (e.g. 58mm. 77mm, 82mm, etc). - Source: Internet
  • Wide angle lenses can also be used to give more depth to an image, especially if you are standing or laying at a height lower than the landscape you are photographing. The wider the focal length of the lens, the greater the effect will be. Take this image below for example: - Source: Internet
  • 85mm lenses are some of my favorites because, aside from their useful focal length and portable size, they almost always have near-perfect optics. The Nikon 85mm f/1.8G is such a lens. - Source: Internet
  • Time to look at what Sony offers with the FE 12-24mm f/2.8 ED G. It’s an ultra-wide-angle lens. And it’s part of the G Master collection, Sony’s range of top lenses. It boasts extremely high resolution through its handling of lens bokeh. - Source: Internet
  • Resolution-wise, the Nikon 10-20mm does pretty well. Center sharpness is great throughout the zoom range while the corners catch up once the lens is stopped down. 15mm appears to be the sweet spot as well as 10mm and 20mm are both admirably sharp as opposed to being excellently sharp. - Source: Internet
  • Reduction in chromatic aberration with new lens coatings from $1,999.00 Buy from Amazon Sony FE 14mm f/1.8 ED GM Prime Lens Best Prime Lens Award winner for best wide-angle lens - Source: Internet
  • Construction-wise, the Nikon 70-300mm f/4.5-5.6G VR is made from high-grade plastics that are assembled very well. The lens feels robust in your hands yet still light. - Source: Internet
  • The biggest secret to success in shooting landscapes is to have the right kit. But more importantly, you must have the best lens for landscape photography. It will save you time negotiating the landscape. And more time means more fun and freedom with your photography. - Source: Internet
  • Lenses produced by the Korean company Rokinon, or Samyang as it’s sometimes referred to, are very popular with astrophotographers mostly due to their excellent performance and price. The Rokinon 20mm f/1.8 AS ED UMC is one of the best lenses from this company. With an ultra-wide angle and super fast aperture, you can capture the night sky in all of its splendor and not have to break the bank in the process. - Source: Internet
  • Incredibly sharp from edge to edge from $1,598.00 Buy from Amazon Canon RF 28-70mm f/2.0L USM Zoom Lens Great All-Rounder Option A lens that functions superbly in a number of environments - Source: Internet
  • Optically, there’s not a lot that the Nikon 85mm f/1.8G could improve on. Images are very sharp even at the widest aperture. Corners are a bit soft at the widest aperture but these will probably go unnoticed since this lens is primarily a portrait lens. When the lens is stopped down, images are tack sharp from corner to corner. - Source: Internet
  • We have chosen the Tamron 10-24mm f/3.5-4.5 Di II VC HLD as the best lens for landscape photography. It is an inexpensive lens that you can buy for any camera mount! - Source: Internet
  • For photographers who may like this but don’t have a mirrorless camera? Sigma also produces the Sigma 14-24mm f/2.8 DG HSM for DSLRs. This lens still packs a punch when placed on full-frame cameras. - Source: Internet
  • Nikon makes so many lenses because peoples’ needs and budgets vary. Since I don’t know your specific predicament, I can only be so helpful. With these caveats let me make suggestions aimed at the photographer with general needs. - Source: Internet
  • If your camera bag has limited space and/or you like larger, higher-grade lenses, you’ll have to pick and choose your equipment wisely. Be very conscious of how much a lens weighs and how it measures. Be sure to think hard about how much you’re willing to carry. - Source: Internet
  • Oddly I’ve heard a few complaints about inaccurate focusing at the 200 mm setting of the AF 80-200mm f/2.8D ED w/tripod collar at f/2.8 on a D70. If you plan to use this particular combination check this carefully. Other than that observation by others this lens has worked remarkably well for me. - Source: Internet
  • The normal focal length (41mm) of the lens, emphasized the background elements more so than the lily pads in the foreground. This helped to create a more natural look and feel. However, when compared to the photograph of the Goose Ponds, this image didn’t horizontally get in as much of the landscape. - Source: Internet
  • Optically, the Nikon Nikkor 24-120mm f/4 performs very well. Images are super sharp, particularly in the center, from the widest aperture. The corners are bit soft but improve dramatically when the lens is stopped down. - Source: Internet
  • Vignetting and distortion are all present in the Nikon 10-20mm f/4.5-5.6G but no more than what should be expected from a wide angle zoom. Chromatic aberrations are the most obvious optical blemish with this lens and will have to be addressed in post-processing. - Source: Internet
  • Optically, the Rokinon 20mm f/1.8 AS ED UMC performs very well. Sharpness is great but CA is noticeable at wider apertures. To alleviate chroma, try stopping the lens down a tad to eliminate CA but not so much too much to cause diffraction, which sets in about f/11. - Source: Internet
  • Are you a traveling portrait photographer who wants some creamy bokeh? Then get the Nikon 85mm f/1.8! Do you want a DX lens that is optically flexible but affordable at the same time? Perhaps the Sigma 17-50mm f/2.8 will be right up your alley. - Source: Internet
  • For landscape photography, you generally won’t need a lens faster than an f4. Furthermore, a fast lens is often very large and heavy to carry. Considering many landscape photographers will hike or bike into beautiful areas, the last thing you want is a lens that weighs a ton. - Source: Internet
  • Control ring on lens allows you to control camera settings from $1,999.00 Buy from Amazon Nikon Z 14-24mm f/2.8 Zoom Lens Best Nikon Mirrorless Option Excellent optical performance, great sharpness from edge to edge - Source: Internet
  • Not only is it optically wonderful, but it is also even smaller than the kit lens whilst delivering far superior image quality. Once you mount this lens to your camera, you may never take it off. See full review here - Source: Internet
  • Do not feel handicapped by what kind of lens you own though. With a bit of creativity and skill, you can make a lens do whatever you want. Remember: a lens is only as good as the photographer that uses it. - Source: Internet
  • There’s little to begrudge of the Nikon Nikkor 16-35mm f/4G ED VR in terms of image quality. From f/4.0, center sharpness is superb and by f/8.0 the entire frame is crisper than a fresh set of bed sheets. Corners do show a bit of softness when the lens is used wide-open but this is to be expected from an ultra wide angle. - Source: Internet
  • Nikon Z range of lenses has had a great reception from the market. The Z 14-24mm f/2.8 ultra-wide-angle lens has a constant aperture. This wide aperture won’t help much with traditional landscape photography. But it will help with astrophotography or other nightscapes. - Source: Internet
  • Depending on what you want you may not even want a 35mm Nikon. Read my film format page before you waste any money on Nikons if you want to do landscape photography, for instance. People forget that personally I shoot 4 x 5" or at least 6 x 7 cm for the photos you see on my site. 35mm film died in 1999 with the introduction of the Nikon D1 for newspapers; today you should be using larger format film or digital. - Source: Internet
  • Like a lot of Nikon lenses, distortion and vignetting are present in the Nikon AF-S FX Nikkor 24-70mm f/2.8G, but to a much lesser degree. Many photographers will not notice these imperfections. Those that do can easily fix them with post-processing software as always. - Source: Internet
  • Lens Name Why We Love It Buy From Tamron 10-24mm f/3.5-4.5 Di II VC HLD Zoom Lens for Canon EF-Mount Our Top Choice Amazing landscape lens for its price - Source: Internet
  • The Rokinon 16mm f/2.0 is made from high-grade plastics and has a solid metal mount. Those who are apprehensive of buying plastic lenses should feel good about the Rokinon 16mm f/2.0 as it feels very sturdy. - Source: Internet
  • You also get an impressive f/2.8 aperture. It spans the whole focal range, putting this lens in a league above the rest. Not surprisingly, this won awards for the best wide-angle zoom lens! It’s up there as a competitor for the best landscape lens. - Source: Internet
  • Sony FE 24mm F/2.8G - Sony FE What a delight to have such a light and compact lens that handles superbly and delivers excellent sharpness both centre and edge. The lens is a real joy to use and is ‘Highly Recommended’. Interested? Help support ePHOTOzine by using these links. Amazon UK Amazon US - Source: Internet
  • For the price you pay, the AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR is a total diamond in the rough and certainly one of the best lenses for Nikon shooters who like wide angles! - Source: Internet
  • The Nikon 24-85mm f/3.5-4.5G ED VR does suffer from quite a few optical blemishes. Distortion, both the barrelling and pincushion varieties, is noticeable throughout the focal range. Vignetting and corner softness are also strong when the lens is used wide open. - Source: Internet
  • Manual focus isn’t so bad. Landscape photographers will hardly miss autofocus as it’s not like their subjects are moving all that fast. Astrophotographers will not sweat the exclusion of it either as they usually just leave the lens set to infinity to capture those stars. - Source: Internet
  • Fujifilm Fujinon XF 16-80mm f/4 OIS WR - Fuji X With the partial caveat regarding edge sharpness under some circumstances, overall the Fujifilm Fujinon XF 16-80mm f/4 R OIS WR lens put in a pretty sparkling performance. Above all, it has proved to be an incredibly useful range of focal lengths and I could easily imagine this lens staying firmly on the camera almost all the time. Interested? Help support ePHOTOzine by using these links. Amazon UK Amazon US - Source: Internet
  • We are looking in this article at the wide-angle lenses that have been reviewed by ePHOTOzine and might be considered for wide-angle landscape photography. The idea of what represents “wide angle” has changed over the years, mirroring the changes in style and format of cinematography and wider shots becoming more mainstream. In full frame terms, a 35mm lens was once considered a wide angle but is now more of a wide standard lens. The once ultra-wide 28mm is offered as a fixed lens on many compact cameras, becoming a new even wider standard lens than the 35mm. So the ultra-wide 24mm perhaps becomes the first true wide angle lens and focal lengths down to even 14mm and beyond become affordable as lens design and manufacture become ever more capable. - Source: Internet
  • 5.) Much better mechanics. The manual lenses are works of mechanical art with their very high quality metal construction and flawless precision. The focus rings can be operated with a single finger and work at all temperatures. The manual lenses feel much better than AF lenses when used manually. - Source: Internet
  • The Sigma 17-50mm f/2.8 EX DC OS HSM performs very well. Sharpness is overall very good though the edges can be a little soft when the lens is used wide open. Vignetting is present at wider apertures as well but chromatic aberrations and distortion are both well-controlled. - Source: Internet
  • Many wide angle lenses also give you the option of using a normal focal length.Normal focal lengths are considered as those being within the range of 28mm to 50mm. This focal length is good for times when you want the main emphasis to be on an object in the background, giving the photo a more natural look and feel. - Source: Internet
  • These lenses are also compact and lightweight, making it travel-friendly and convenient to carry around. For the Nikon D3400, our top 50mm lens of choice is the Nikon 50mm F1.8 G. - Source: Internet
  • Nikon Nikkor Z 14-24mm f/2.8 S - Nikon Z This Nikon lens does not disappoint with what it delivers – it is clearly splendid and yet another example of Nikon being right at the top of its game. An amazing performance, with outstanding sharpness, and lovely handling. Interested? Help support ePHOTOzine by using these links. Amazon UK Amazon US - Source: Internet
  • Sigma claims the 14-24mm f/2.8 Art DG HSM is the “definitive lens for astrophotography.” So I couldn’t leave it off this list of lenses for landscape photography. - Source: Internet
  • The lens is bigger and bulkier than many Fuji lenses. Fuji users tend to buy very light, accessible, and versatile cameras. (Fujifilm generally offers light equipment.) - Source: Internet
  • There is a lot to like about the Nikon 70-300mm f/4.5-5.6G VR. Optically, this lens impresses, beginning sharp at its widest aperture and staying respectably sharp throughout its entire range. - Source: Internet
  • While your camera is an important tool in capturing landscape shots, the lenses you use play a bigger role. The most important factor is the focal length you choose, and going with an extremely wide angle will allow you to capture so much more in your frame and show your viewers more of the situation. The best lenses for landscape are either extremely wide or completely the opposite, in the telephoto range. - Source: Internet
  • This landscape lens is for Canons more professional end of the market. It also goes from one wide angle extreme (24mm) to a higher 105mm focal length. It’s currently priced at $1046 USD. Similar to the one above, it also has the option of image stabilization. - Source: Internet
  • At the end of the day, what makes the Nikon 50mm f/1.8G so great is its unbeatable price. For around $200 new, you can have an extremely useful lens that sacrifices little in the way of performance. - Source: Internet
  • The ultra-wide-angle Nikon AF-P DX 10-20mm f/4.5-5.6G VR Lens is a fantastic lens for landscape photography. - Source: Internet
  • The same range offers a Nikkor Z 14-30mm f/4 S. It comes at half the price and almost the same size and weight. This landscape lens is almost as beautiful as its new specialist brother. But it lacks attention to the ultra-wide details that make the 14-24mm unique. - Source: Internet
  • We have a full spectrum to choose from with this range of lenses for landscape photography. With so many specialist options, it is hard to say which is the best lens for landscape photography. Hopefully, it has made it easier to find the perfect landscape lens. - Source: Internet
  • The body of the Rokinon 20mm f/1.8 AS ED UMC is built from high-grade plastics while the mount is metal; both are quite sturdy. The whole lens can feel quite bulky, though not as much as some other full frame lenses. - Source: Internet
  • Canon has stepped up its game in releasing the 15-35mm f/2.8L IS USM for its mirrorless camera series. It’s Canon’s most progressive landscape lens. So you can expect nothing less than excellent image quality. And you won’t be disappointed! - Source: Internet
  • Sigma 24mm F/1.4 DG DN Art - Sony FE The 24mm lens is a terrific lens in use and is capable of really dramatic results if used well. The Sigma is well made, delivers high quality and handles beautifully, so is high on the list of possibilities if we are looking for a high-quality full-frame 24mm lens, and is Highly Recommended. Interested? Help support ePHOTOzine by using these links. Amazon UK Amazon US - Source: Internet
  • Award winner as best wide-angle lens from $2,700.00 Buy from Amazon Nikon AF-S FX 16-35mm f/4.0 ED VR Zoom Lens Best Nikon Landscape Lens Wide-angle with great vibration reduction - Source: Internet
  • Vignetting and corner sharpness are present in the Nikon 50mm f/1.8G when it’s shot wide open. Most will hardly recognize these faults since the background will probably be thrown out anyways and lost in the lens’ bokeh, which is gorgeous by the way. Distortion is a bit heavy for a prime lens but this can easily be fixed in post-processing. - Source: Internet
  • All and all, the Nikon AF-S FX Nikkor 24-70mm f/2.8G strives to be a perfect lens and, for the most part, comes close. As is the case with pro medium zooms though, the question is “what doesn’t this lens have?” - Source: Internet
  • The innovative optics make it one of the better lenses for landscape photography. This includes the largest made XA (extreme aspherical) glass for a lens. There is sharp resolution throughout, which is important on an ultra-wide angle. - Source: Internet
  • AutoFocus Lock button can be assigned with various functions from $1,167.00 Buy from Amazon Canon EF 70-200mm f/2.8L IS III USM Zoom Lens Best Telephoto Option Zoom option to get a cropped landscape view - Source: Internet
  • The Sigma 17-50mm f/2.8 EX DC OS HSM is an overall lightweight lens, more so than many of Nikon’s other zooms. This is due to its all-plastic construction, which is great for cutting weight but does make the lens feel a little more fragile. - Source: Internet
  • In zoom lenses, constant apertures are much more important as these definitely lead to higher quality images. The most common constant aperture ratings are f/2.8 and f/4.0. Both offer excellent quality of images. - Source: Internet
  • Nikon Nikkor Z 28mm F/2.8 - Nikon Z This lens has yet again proved that it is possible to produce really high-quality results at a very affordable price. With superb performance and slick handling, it’s a wide-angle lens Nikon Z fans will be happy to have in their kit bags. Interested? Help support ePHOTOzine by using these links. Amazon UK Amazon US - Source: Internet
  • Rokinon lenses are cheaper because they do not use a lot of expensive electronics that are usually included in modern day lenses. As such, most if not all of Rokinon lenses do not have autofocusing capabilities. This means that you’ll have to focus the Rokinon 20mm f/1.8 AS ED UMC manually. - Source: Internet
  • Forget the film 18 - 35 film lens since it costs more and does less than the 18 - 70. Of course if you have one use it, just don’t buy a new one for digital. Zooms starting at 17 or 18 mm give the same results as a zoom starting at 26 mm on a film camera, very useful indeed. - Source: Internet
  • Canon flaunts its new optical lens elements, advanced coatings, and a 9-blade aperture. It has a whopping f/2.8 aperture throughout its focal range. And most importantly, it has image stabilization (IS) to back it up! - Source: Internet
  • Samyang AF 12mm F/2 X - Fujifilm X It’s ultrawide, it’s fast, it has crisp AF performance and it offers a very high level of performance. There is huge potential in such a lens, especially as it fits seamlessly into the operation of the Fujifilm camera body. A compact, fast ultrawide lens with weather sealing and excellent performance. Interested? Help support ePHOTOzine by using these links. Amazon UK Amazon US - Source: Internet
  • Ultra-wide angles lenses with fast apertures are usually very pricey. You can get the Rokinon 16mm f/2.0 for around only $300, which should be a convincing price. Granted, you don’t have autofocus but who needs it anyway? - Source: Internet
  • When we think of landscape photography, it is quite likely that the wide, dramatic vista produced with wide-angle lenses is the one that springs to mind. The great landscape photographers delivered these images and we can too, with just a little care and thought as to how they are composed. The wide vista, with distant mountains rising into a broiling sky, will look very distant and small if we just shoot a straight wide-angle shot. The composition will need foreground interest and a great viewpoint, or we need to move much, much closer, something repeated again and again when thinking of wide-angle lenses. - Source: Internet
  • 28 - 200 mm lenses are NOT useful as a do-everything lenses on digital, since they only start at the equivalent of 43mm. In digital one needs an 18 - 135mm lens too cover the same range. An 18 - 200 lens covers the equivalent of 28 - 300. - Source: Internet
  • Canon’s RF 28-70mm f/2L USM is definitely in the top tier as an all-around lens. As it’s a standard zoom lens, it isn’t a specialist landscape lens. And because it’s from Canons’ new RF range, it only fits Canons EOS R Cameras unless you have an adaptor. - Source: Internet
  • Using the Nikon 50mm f/1.8G primarily as a portrait lens also limits its flaws, as the inherent corner softness and vignetting become less noticeable. All-in-all, the Nikon 50mm f/1.8G is just as impressive on a DX if not an improvement. - Source: Internet
  • When the Nikon 50mm f/1.8G is mounted on a DX body, it makes for a great alternative to the classic 85mm. With a new, equivalent length of 75mm and without sacrificing any optical quality, the Nikon 50mm f/1.8G is a very capable tool and one of the best travel Nikon lenses for portrait photographers. - Source: Internet
  • The vibration compensation works well, too, as a new addition to this lens. It makes off-the-cuff shots easier to take. This lens is perfect for the hiker who doesn’t want to keep their troop waiting for long. - Source: Internet
  • For example, landscape photography usually requires a large depth of field. Meaning, photographers will normally want the whole scene in focus. Therefore, it’s not that important to have an expensive fast lens. If you look on the box your lens came with when you make a purchase, you’ll notice an f number. The lower the f number, the faster the lens, the more expensive it usually is. - Source: Internet
  • Its developments in optical performance make it a top option for crop sensor cameras. The best part is that Tamron makes lenses compatible with both Nikon and Canon. So make sure you get the right camera mount. - Source: Internet
  • Everyone’s needs vary. That’s why Nikon makes so many lenses. With these caveats let me make suggestions aimed at the beginning photographer with general needs. - Source: Internet
  • Much in the same way every full frame owner needs a “nifty fifty,” every owner of an APS-C camera should own 35mm prime lens. The best 35mm prime lens that a DX owner can buy is the Nikon AF-S DX NIKKOR 35mm f/1.8G. - Source: Internet
  • Canon has a great EF version of this lens. It is still expensive but half the price of the RF version. The Canon EF 24-70mm f/2.8L II USM is a zoom lens that covers a similar focal length to the RF lens. - Source: Internet
  • The Sigma Art 18-35mm f/1.8 is made from various alloys and feels very robust, perhaps tank-like. Topping out at over 800 grams, this lens is definitely on the heavier side. Many photographers enjoy the weightiness though and find that it adds a nice balance to the lens. - Source: Internet
  • Like its 18-300mm cousin, the Sigma 17-50mm f/2.8 EX DC OS is a well-performing piece of equipment that is made unignorable by its low cost. For only $300 (!!!!), you can own a fixed aperture medium zoom lens that performs admirably. - Source: Internet
  • One of Canon’s most successful lenses from $1,699.00 Buy from Amazon Sony FE 12-24mm f/2.8 ED GM Zoom Lens Best Sony Landscape Lens Extreme aspherical lens elements ensure outstanding resolution - Source: Internet
  • Samyang AF 14mm f/2.8 RF - Canon RF 14mm lenses for full frame cameras are not the easiest to handle from a compositional point of view, but once mastered they can certainly help to make very dramatic, powerful images. This offering from Samyang is well-made, offers excellent sharpness and is available at a price that can’t be ignored. Interested? Help support ePHOTOzine by using these links. Amazon UK Amazon US - Source: Internet
  • The Nikon SLR system is beloved by enthusiasts and serves as the workhorse for many professionals. And it’s been around for decades, so there’s no shortage of compatible lenses. When shopping for new glass today, you have access to hundreds of options from Nikon and third parties. - Source: Internet
  • Though every once in a while, a superzoom comes along that doesn’t give away too much, and is able to perform up to and beyond the call of duty; the Sigma 18-300mm f/3.5-6.3 DC Macro OS HSM is one such lens. - Source: Internet
  • Nikon released it a while ago, and it hasn’t had a revamp. So you can find this lens a bit cheaper than its original price. The fact that it hasn’t had an upgrade speaks volumes about the sharp image quality provided by this lens. - Source: Internet
  • In terms of optics, the Nikon 50mm f/1.8G barely changes at all when mounted on a DX body. This lens is still as sharp, responsive, and useful as ever. - Source: Internet
  • So what lenses are best for landscape photography? The answer is purely preferences in style. You can capture environments on a wide focal length lens. Or you can capture a slice of it using a telephoto. - Source: Internet
  • The Sigma 20mm F1.4 Art is the best portrait lens for the Nikon D3400. It delivers superb image quality with beautiful bokeh and does really well in low light. - Source: Internet
  • We recommend the Tamron 10-24mm f/3.5-4.5 Di II VC HLD as the best lens for landscape photography. But as always, lens choice ultimately comes down to preference. So we hope our list has covered options relevant to you and your budget. - Source: Internet
  • Sharpness, contrast, color, composition; all of these aspects are influenced greatly by the quality of your lens. As one photographer once aptly put it: “you don’t invest in cameras; you invest in good glass.” - Source: Internet
  • It has two ultra-low dispersive (UD) lenses and one Super UD lens. They greatly reduce chromatic aberration. And they also help with reducing color blurring around the edges of your subject. Plus, optimized lens coatings help with exceptional color balance while reducing possible ghosting. - Source: Internet
  • The Sigma 18-300mm f/3.5-6.3 DC Macro OS HSM offers commendable image resolutions. Sharpness is excellent at wider angles but does drop marginally as the lens is zoomed in. This lens also produces some excellent colors and contrast but not so much a pleasing bokeh. - Source: Internet
  • Prime lenses aren’t usually a landscape photographer’s best friend. But sometimes restrictions can work out in your favor. The Sony FE 14mm f/1.8 ED GM is for photographers willing to hop into a bush or wade in the waters for the perfect shot. If that’s you, you’ll be over the moon with the performance of this wide-aperture lens. - Source: Internet
  • One big reason to consider filter sizes has to deal with costs. As you buy more lenses you may end up with multiple filter threadings and, in turn, have to invest in filters for each one. This can be frustrating, especially when you know that filters behave in the same regardless of their size. Who wants to spend more money on the same? - Source: Internet
  • I’ve personally tested almost all of these lenses out of my own curiosity. I post the results here so I could remember them all. This is the core of what started this website. - Source: Internet
  • Though somewhat unimpressive on paper, the Nikon 10-20mm f/4.5-5.6 offers excellent image quality, packability, and even vibration reduction, which is a bit of treat considering this lens is than $300! - Source: Internet
  • Optical stabilization technology has become extremely commonplace in modern-day lenses. This tech is found in all sorts of lenses, from cheap pieces of shit to luxurious, professional-grade glass. It is, at the end of the day, a very useful feature to have in your lenses as it can allow for some very crisp images. - Source: Internet
  • Best telephoto Lens Sigma 50-150mm f/2.8 The Sigma 50-150mm f/2.8 features excellent autofocus, stabilization, and fantastic build quality. It’s a great telephoto lens to start with if you’re interested in this field! Check Amazon USA - Source: Internet
  • Control ring on lens for direct setting changes from $3,099.00 Buy from Amazon Sigma 14-24mm f/2.8 Art DG HSM Zoom Lens for Sony E-Mount Best Sony Mirrorless Option “The definitive lens for astrophotography” - Source: Internet
  • Not only are both lenses cheaper than their zoom counterparts, but both primes are also smaller, lighter, and optically superior. With a maximum aperture of F1.8, both lenses can blur backgrounds into oblivion whilst capturing more light in poorly lit conditions. - Source: Internet
  • This third iteration is one of Canon’s heavyweights. So it has a pretty heavy price tag. It’s worth considering if you’ll use this lens for low light or more active scenes. If the answer is yes, and you have the money, the Canon 16-35mm III is an excellent investment. It arguably takes the title for the best landscape lens. - Source: Internet
  • If you are shooting classic portraiture and can control the distance between you and your subject, you are best looking at full-Frame lenses such as the Nikon AF-S 50mm F1.8G or Nikon AF-S 85mm F1.8G. - Source: Internet
  • Nikon 10-24mm f/3.5-4.5G ED – The best Nikon wide DX lens, lots of reach, relatively affordable - Source: Internet
  • It includes Sigma’s unique nanoporous coating. They are tiny holes in the outer layer that reduces lens flares and ghosting. These can be a landscape photographer’s biggest enemy in certain situations. - Source: Internet
  • The Canon EF 24-70mm f/2.8L II USM is a superb lens that excels in landscape photography. It is part of Canon’s “red ring” L-series, known for being the cream of the crop. You can expect brilliant optics as well as high-end durable construction. - Source: Internet
  • It has provided great landscape photography images for many years. And everyone talks about the lens’s sharpness. It has earned its place in many photographers’ camera bags. - Source: Internet
  • Recent DX models include the D3500, D5600, D7500, and D500. We’ve broken out the lenses made for the APS-C format in a separate section. You can use full-frame lenses with these models, too. - Source: Internet
  • Zooms starting at 24 mm or 28 mm are NOT useful as mid range zooms on digital. 24 or 28 mm is great for film camera, but the smaller sensors of digital cameras require shorter lenses to get the same effect as they do on film. For instance, a 28mm lens on a digital camera has the same angle of view as a 40mm lens on a film camera. 40mm isn’t wide; it’s normal. For instance, my favorite 24 - 85 mm film lens used on a digital camera gives similar views as a 37 - 122mm lens does on a film camera. - Source: Internet
  • This buying guide covers lenses made for Nikon SLRs. You can pair many of them with a Nikon Z mirrorless too, using the Nikon FTZ adapter. If you own a Z camera, we’ve put a separate story together to help you find the right Z lens. - Source: Internet
  • Construction-wise, the Nikon 85mm f/1.8G is small and well-built. Overall, it’s a sturdy lens and should hold up quite well although its plastic construction may not appease photographers that don’t care for the material in the first place. - Source: Internet
  • Of course my favorite, and the lens I use most of the time as of 2006, is my 18 - 200 VR. It costs more than any of these above, but focuses faster and, except for correctable distortion, is better still than any of the others. It adds VR, focuses to a foot and a half and zooms out to wide angles, too. - Source: Internet
  • These two lenses cover almost everything I shoot. For a normal lens I use a 35mm, not 50mm, lens. My favorite 35mm lens is the - Source: Internet
  • Since the Nikon 70-300mm f/4.5-5.6G VR has a slower aperture, it’s not very adept at shooting in low-light situations. The normally responsive autofocus tends to get lost and shutter speeds can become dangerously low. Vibration reduction tech is thankfully included in the lens, which helps a lot when the light is dim. - Source: Internet
  • The DSLR lenses also feature dust- and splash-proof builds. But they don’t have the nano-coating. And the rear filter slot is only available with the Canon mount lens. - Source: Internet
  • Sometimes a fraction of the landscape can speak volumes. When used properly, you can play around with a telephoto lens to control the scale of the landscape. You can capture the feel of those daunting mountains over that lonely tree in the distance. For this, I recommend the Canon 70-200mm f/2.8L IS III USM telephoto lens. - Source: Internet
  • I love super wide lenses. Before I got my 18 - 200 a month ago my Nikon 12 - 24 was what I used 75% of the time. If you want a super wide lens of course I suggest the 12 - 24. - Source: Internet
  • This lens is part of Sigma’s mirrorless range. As you may know, Sigma produces lenses for various top camera manufacturers. For this mirrorless option, you only have the option to get it in Sony’s E range as well. - Source: Internet
  • There really isn’t such a thing as a proper filter threading. Most filter sizes have become standardized and there is almost always a full set of filters for each threading. No matter your lens, there’s a filter that will fit it. - Source: Internet
  • Pros Ridiculously sharp at all times. Extremely fast. Very few optical blemishes (CA, distortion, vignetting, etc) Cons Pricey. Big and fat. Pretty limited focal range for a travel lens. - Source: Internet
  • Landscape photography is one of the most challenging genres, but also one of the most rewarding. It is about the viewpoint and composition, but also very much about the light. The truly great landscape photographers wait for the light, perhaps only shooting a few frames when that magic moment arrives and landscape photography becomes action photography, as we catch that fleeting moment that makes a good image a great image. - Source: Internet
  • Then there is the Nikon AF-S DX 17-55mm f/2.8G IF-ED. Although an older lens, the 17-55mm features a constant F2.8 aperture making it marginally brighter than the 16-80mm and perhaps a better option for portraiture. - Source: Internet
  • A sturdy lens body to hold on to from $1,026.95 Buy from Amazon Fujifilm XF 16-55mm f/2.8R LM WR Zoom Lens Best Fujifilm Landscape Lens Fast and quiet autofocus - Source: Internet
  • Astrophotographers will rejoice over the extra stop. This allows photographers to take the ISO down. So it reduces noise and other aberrations astrophotographers often deal with. It’s a fast lens that provides sharp star images. - Source: Internet
  • 6.) Easier focusing. The AF lenses are a little skittish when focused manually, since they are designed for speed on AF cameras. By comparison the manual lenses are a joy to focus by hand. Also fixed lenses are easier to focus manually, since zoom lenses focused manually usually focus too slowly at wide and too fast at tele. - Source: Internet
  • Lens Name Why We Love It Price Tamron 10-24mm f/3.5-4.5 Di II VC HLD Zoom Lens for Canon EF-Mount Our Top Choice Amazing landscape lens for its price - Source: Internet
  • It’s hard for me to be unbiased about this lens. I have the previous lens model, the Canon 16-35mm II USM. I use it for nearly 90% of all the images I take on my DSLR. - Source: Internet
  • One of the best overall lenses for the D3400 has to be the Nikon 18-300mm f/3.5-6.3 DX. This standard zoom lens is made for all sorts of uses, giving you an all-in-one photography solution. - Source: Internet
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