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549 Shocking Facts About Best All Purpose Lens For Sony A7Iii | Best allaround lens for Sony A7III

  • The focal length range also makes it a versatile lens. It’s perfect for landscape photography at the ultra-wide end. And it’s a great street photography lens at 35 mm. This is the best 35mm lens for Sony a7III on our list. - Source: Internet
  • Sony FE 85mm F1.8 does not come with image stabilisation. However, thanks to the IBIS (in-body image stabilisation), this is not a big deal for Sony a7iii shooters. - Source: Internet
  • The Rokinon 50mm F1.4 Lens for Sony E Mount is a great budget version of a similar Sony lens that costs quite a bit more. This is an autofocusing lens that produces sharp and accurate photos. - Source: Internet
  • Bear in mind, though, that not all lenses are compatible with the best teleconverters. By using them, you’ll also be reducing the maximum aperture of your lens, and sometimes, the general image quality of your shots. Here are the best two teleconverters for the Sony a7III. - Source: Internet
  • The FE 12-24mm f/2.8 GM lens is the world’s widest1 full-frame constant F2.8 wide-angle zoom lens for Sony E mount cameras. - Source: Internet
  • The a7III is one of Sony’s most critically acclaimed mirrorless cameras of all time. It’s a stellar choice for photographers and filmmakers alike thanks to its full-frame sensor, cutting-edge processor, and commendable low-light performance. Such an accomplished camera deserves to be paired with only the finest lenses, wouldn’t you agree? - Source: Internet
  • I advise buying a Sony lens for optimal image quality and compatibility. But that’s not always the best option. Third-party lenses made by Sigma and Tamron are often significantly cheaper. - Source: Internet
  • A 35mm lets street photographers take people shots without getting too close. Choosing a 24-70mm or 28-75mm gives you much more flexibility. So you might be able to avoid buying another lens. - Source: Internet
  • The Sony FE 1.4x Teleconverter extends the reach of some of the best Sony a7III telephoto lenses to the following lengths. Keep in mind, though, that it’ll do so by sacrificing one full aperture stop. - Source: Internet
  • Overall, Sony FE 16-35mm F/2.8 GM is a premium wide lens for Sony a7iii, producing stellar sharp images at all zoom ranges with the ability to create a beautiful bokeh effect. It also comes with a premium price tag, but it is proportionate to the superb performance. - Source: Internet
  • Tamron demonstrates a high level of expertise with their ergonomic ‘Human Touch’ design. With a polycarbonate body for security and a matte satin black finish, the lens meets your needs for both style and strength. There are no buttons to avoid dirt accumulation, while the environmental seals and moisture-resistant construction provide further protection against harsh weather conditions. It is small, light, and easy to carry around- much to travelers’ content. - Source: Internet
  • The only possible knock on this lens (and pretty much any other wide-angle) is that you’ll have some distortion at the widest 16mm end. It’s hard to call that a true knock though, as it’s to be expected when you’re shooting that wide. Either way, it’s easy to correct in post. - Source: Internet
  • The lens produces razor-sharp images with good contrast at all aperture speeds and corner to corner, especially at the higher f/stop settings. It also has excellent autofocus that focuses accurately and fast on photographed subjects. There is a manual focus ring that is easy to use and moves smoothly, allowing for a precise adjustment. - Source: Internet
  • Aperture is a major consideration when getting any lens, budget option or not. That refers to how much light the lens will let in, and most photographers have a variety of lenses with different apertures for different situations. The smaller the number you see in front of the ‘F’ in a lens description, the more light it lets in. Higher aperture lenses tend to be cheaper but they won’t be as good in low light situations. - Source: Internet
  • This lens is not only 2mm wider than the previously mentioned Sony 16-35mm f/2.8 GM; it’s also a lot more affordable too. Moreover, its image quality is absolutely outstanding. - Source: Internet
  • The best portrait lens for Sony a7iii has to be the Sony FE 85mm f/1.8, which is portable and sharp, offering a surprising quality for its relatively lower price. This is for those who want both a high performance portrait lens and the best value for their money. - Source: Internet
  • Also, with a wide aperture of f/1.8, this lens is a stellar performer in shooting with low light and indoors, allowing for sharper images thanks to low ISO settings and faster shutter speed. You can take Sony FE 85mm F1.8 to shoot in museums, hotels and at sunset. Excellent low light performance is also helpful for freezing objects in motion. - Source: Internet
  • This Sigma lens also delivers smoother and rounder bokeh than the Tamron 28-75mm f/2.8. Because of all these advantages, this lens is a little bit pricier than the Tamron lens. - Source: Internet
  • You will appreciate that unlike most other lenses, this one performs amazingly well. This is mainly when you shoot in broad daylight or parts of very dense scenes in front of a showery background. Once you have your hands on it, then only can you see the details clearly with this sharp telephoto zoom lens for your Sony A7iii. - Source: Internet
  • Wildlife photographers often take their best pictures with their shortest and longest lenses. Wide-angle lenses are best for close-range encounters with large animals. These can be elephants and rhinos. Telephoto lenses are best for close-ups or bringing distant animals within range. - Source: Internet
  • The focal length and wide aperture of this lens will allow you to take amazing casual portraits, too. However, if you’re serious about portraits, check out the Sony FE 85mm f/1.8 as well — it’s an even better budget portrait lens for the Sony a7III. - Source: Internet
  • The Sony 85mm F/1.8-22 is a flawless short-telephoto lens aimed to be used for full-frame mirrorless cameras with E-mount. The f/1.8 aperture with 9 blades provides a blurred background effect. - Source: Internet
  • Compared to the Tamron 28-75mm f/2.8, this Sigma lens has a more robust build and delivers even sharper results. Additionally, it’s an even better lens for videos as it allows you to switch focus much more smoothly while filming. - Source: Internet
  • Sony FE 90mm F2.8 has an aperture ring that can be turned smoothly while shooting a video providing a seamless transition from in-focus to a blurry background. Some of the best lenses for a7iii come with optical image stabilisation, and Sony FE 90mm F/2.8 also comes with it. - Source: Internet
  • If you’re looking for a budget wide-angle lens for your Sony A7iii, the Samyang SY14M-E is a great option. This is a 14mm ultra wide-angle lens that has a F2.8 aperture and boasts a 115.7-degree field of view making it awesome for landscape shots. This is also a good lens for shooting stars at night thanks to its ability to shoot clear and sharp images with minimal distortion. - Source: Internet
  • The Sony FE 70-300mm F4.5-5.6 G OSS is made for those wanting a multi-purpose telephoto lens with incredible zoom range, but won’t be shooting in low light. - Source: Internet
  • The Tamron 70-180mm f/2.8 Di III VXD is the best lower-priced alternative to the previously mentioned Sony 70-200mm f/2.8 and the top value f/2.8 telephoto zoom lens in the market. - Source: Internet
  • Sigma 24-70mm f/2.8 ART lens is a solid choice for all in one lens for shooting videos. It is incredibly versatile and can be used for shooting landscapes, people, close-ups and vlogs. - Source: Internet
  • This highly versatile lens features a constant ƒ/2.8 and is perfect for traveling abroad, capturing wildlife, sports events, and other photographic pursuits. Use it on Full-Frame sensors too! - Source: Internet
  • best wide-angle lens Sony 16-35mm F2.8 If you plan on shooting landscapes with your Sony a7iii, then this is the perfect lens for you. silent, accurate and super fast autofocus is coupled here with stunning edge-to-edge quality. Leading to stunning landscape photos all day long. $1,998 at Amazon$1,998 at B&H Photo - Source: Internet
  • Let’s look in detail at the best lenses for the Sony a7III. I’ve sorted the list by minimum focal length, from the shortest to the longest. It includes the best zoom lenses for Sony a7III. But first, I recommend the best teleconverter for Sony lenses. - Source: Internet
  • The two main problems with the lens are the lack of image stabilization and a filter thread. Again, though, solutions do exist. The Sony a7III comes with in-body image stabilization (IBIS), which should do the trick on its own. - Source: Internet
  • A zoom lens is a type of camera lens that offers the photographer a range of different focal lengths in one. This is in comparison to a prime lens, which only offers one focal length. A zoom allows for quick and easy re-framing without ever having to move from your physical position. - Source: Internet
  • If I had to pick only one lens to travel with my A7III, the Sony 16-35mm f/2.8 G Master would be it. Hands down. - Source: Internet
  • I’m a wildlife photographer, and I used to take two-thirds of my shots with a Nikon 800mm lens. Sony doesn’t (currently) make anything that long. That meant I had to buy the Sony FE 600mm f/4 GM OSS lens and attach my 1.4x teleconverter if I wanted more reach. - Source: Internet
  • Today we have put together a list of the five best Sony lenses that work magically with the a7iii. Each lens is a little different, and each lens varies in price. But what they all have in common is the ability to enhance your performance. The a7iii is great on its own, but with any of these lenses, it becomes the pinnacle of perfectionist photography. - Source: Internet
  • To help you decide on the best lens for your intended use, I’ve categorized the lenses into the following groups. Please note that there is a little duplication between the groups but this should hopefully make it much easier for you to find the lens that you are looking for. You can click any of the below links to jump to the type of lens that interests you the most. - Source: Internet
  • This one is a great alternative to the slightly more expensive Sony 85mm F1.4 G Master. While it’s not as sharp, this 85mm F1.8 lens is much smaller and lighter. In fact, it even has a faster autofocus. - Source: Internet
  • Sony FE 135 mm F1.8 produces stellar sharp images at superb contrast with minimal lens distortions. This lens is a star at creating a super creamy bokeh effect (narrow depth of field). It also has an excellent autofocus function that focuses super fast and is precise even on moving subjects. - Source: Internet
  • Image stabilization. Good low-budget telephoto zoom lens. Cons No weather sealing. View on Amazon - Source: Internet
  • However, one thing that most street photographers will agree on is that wide-angle lenses below 35mm are generally more difficult to use for street. If you are shooting people with a lens under 35mm then you will literally need to be in their face to get the photo. That said, some street shooters like to use a 24mm to allow them to include more of the surrounding environment in their photo. - Source: Internet
  • If you want a lens that can “do it all”, then look no further than the Tamron 28-200mm f/2.8-5.6 Di III RXD. This powerful multipurpose lens is essentially a wide-angle, standard zoom, and telephoto lens all at once. On top of that, it’s also very lightweight and compact. - Source: Internet
  • Another factor to consider when choosing a lens for video sony a7iii is the materials that it is made from. You want to make sure that the materials are durable and will last. Be sure to read the lens for video sony a7iii description to learn about the materials before you make your purchase. - Source: Internet
  • I bought my Sony FE 400mm F2.8 GM OSS telephoto lens after watching an unboxing video by Tin Man Lee. At one point, the wildlife photographer showed how light the lens was by picking it up with his finger and thumb! - Source: Internet
  • First things first, this lens is ultra-sharp edge-to-edge throughout the zoom range, even wide-open at f/2.8. It delivers photos with extreme detail. It also focuses very fast and accurately without making any noise, which is especially handy for wildlife shots. - Source: Internet
  • Mirrorless cameras have a different design than DSLRs. That means their lenses are often smaller and lighter than the DSLR equivalents. This is especially true with lenses for Sony a7III. Lenses such as the 24-70mm and the 400mm prime lens are incredibly light. - Source: Internet
  • The lens is sharp across the frame even when wide-open at f/2.8. It’s well built and despite its heavy weight (1480g) it handles well on the Sony a7iii body. The autofocus is extremely fast and it will rarely miss the shot. - Source: Internet
  • The Sony FE 28mm f/2.0 is a spectacular vlogging lens thanks to its wide 28mm focal length, close minimum focusing distance, and bright f/2.0 aperture. - Source: Internet
  • Best telephoto lens Sony FE 70-200mm F2.8 GM OSS If you’re looking for stunning up-close shots of faraway subjects, then this is the best lens for you. With incredibly fast autofocus, it is super versatile and offers edge-to-edge sharpness. - Source: Internet
  • The ZEISS Batis 2.8/18 is an extremely lightweight and compact lens with excellent optical performance. Its ultra-wide field of view makes it perfect for landscape and architectural photography. - Source: Internet
  • A lens is a device that can be inserted into a camera to change the way the camera sees light. Lenses come in all shapes and sizes, but they’re usually made of glass or plastic. They are used to control the depth of field, which is the distance between the nearest and farthest objects in a photo that appear in focus. - Source: Internet
  • For a comparison with the Sony 24-70 F2.8 GM lens and the Tamron 28-75 F2.8 see this video from Gerald Undone. - Source: Internet
  • The Sony FE 24mm f/1.4 GM Lens is a force to be reckoned with. There were only two reasons why it was sold out across the market soon after its release: stellar image quality and outstanding performance. Moreover, the price and compact design made it famous amongst enthusiasts and travelers alike. What else does one need in a lens? - Source: Internet
  • The best reason to buy a Sony FE 24-70mm F2.8 GM II zoom lens? Like all G Master lenses, Sony designed it with the highest image quality in mind. The lens offers phenomenal sharpness at all apertures and distances. - Source: Internet
  • Overall, this lens is truly a must-have if you’re serious about portraits. You’ll essentially get the same value as the premium Sony 85mm f/1.4 GM while paying much less and dragging around 450 g (15.8 oz.) less weight. - Source: Internet
  • Sigma designed the 14-24mm F2.8 DG DN Art wide-angle lens from the ground up for mirrorless cameras. It’s weather-sealed. And the build quality is excellent—although it weighs only 1.8 lb (795 g). - Source: Internet
  • Best prime lens Sony FE 24mm F1.4 gm Finding an excellent quality wide-angle lens with such a low aperture number is rare. But in this case, the Sony FE 24mm F1.4GM lens excels and is excellently priced at the same time. - Source: Internet
  • To make your experience with this camera even better, you should definitely think about upgrading your camera with the best lens for Sony a7iii. The difference a quality lens will make in your photography is undeniable. With the right E-Mount lens, you can turn ordinary photographs into real works of art. If you are thinking about becoming a professional, there is no way you can do it without a good lens. - Source: Internet
  • For an affordable lens with a lot of great qualities, take a look at the Meike 50mm F1.7 Full Frame Lens for Sony FE E Mount. This delivers quality results at a low cost. - Source: Internet
  • The Sony FE 100mm F2.8 STF GM OSS lens is a very unique lens in the Sony FE lenses line-up since it includes a built in apodization (APD) filter. This is a clear glass filter that progressively darkens similar to a neutral density filter as you get further away from the center of the lens. - Source: Internet
  • However, choosing the right lens is not child’s play. Photographers must consider their job, shooting location, camera specifications, and budget, along with many other factors. Fortunately, the market is full of cheap lenses that deliver exceptional performance similar to their higher-end counterparts. - Source: Internet
  • It’s without a doubt one of the best zoom lenses on the market for overall image quality. Where other zooms drop off, the GM shines. And the best part: the 16-35mm GM’s sharpness is evident throughout the entire zoom range. It doesn’t matter if you’re shooting at 16mm or 35mm, you’re going to get crystal clear images. - Source: Internet
  • Many professionals opt for the Sony 16-35mm F2.8 because of its superb sharpness. Another advantage is a weather-proof build of the lens. - Source: Internet
  • You don’t have to spend an outrageous amount of money to get a quality lens for your Sony A7iii camera. The options you’ll find on this list are all affordable and make for a great value with their quality performance at a budget price. If you want quality that won’t break the bank, it’s hard to do better. - Source: Internet
  • It’s not stabilized and weighs 1.5 lb (695 g). But that shows how well-built and weather-sealed it is (as it should be for the price!). There is a cheaper Sony F4 version of this lens, but it’s not as good. There’s best, and there’s second best… - Source: Internet
  • This is a prime lens, and F1.4 blurs that background. It’s also fantastic in low light. So this is giving you that extra stop of light. - Source: Internet
  • Telephoto lenses allow for capturing sharp images of objects that are very far away. They are great for capturing animals that are at a distance. If you’re a wildlife lover and do many animals watching or going on a safari trip, you could benefit from a telephoto lens for Sony a7iii. Generally, anything with a focal length of 60 mm or more is considered to be a telephoto lens. They can either be prime or zoom. - Source: Internet
  • If you are looking for a dedicated macro lens, or a lens that can combine both macro and portrait photography roles, then look no further than the 90mm F2.8 Macro G OSS lens. I own this lens myself and have no plans to let it go anytime soon. - Source: Internet
  • Price-wise, this lens also offers incredible value for money as it’s even cheaper than the shorter Sony 100-400mm f/4.5-5.6 GM (mentioned above). It also has an impressive weather-sealed build. - Source: Internet
  • Indeed, you won’t find another lens at this price range with a more stunning performance. The Sony 24-70mm f/2.8 GM, for instance, is great but very heavy and expensive. - Source: Internet
  • The Sony Sonnar T* FE 35mm F2.8 ZA is a small beautiful lens that really excels at environmental portraiture and street photography. This 35mm f/2.8 lens is very sharp even when wide-open at f/2.8, bokeh is very pleasing and distortion is very well controlled. - Source: Internet
  • Sony G-Master Lens 24 mm F1.4 is one of the professional and best prime lenses for Sony a7iii. It is a wide angle lens that produces super sharp images with a wide angle perspective. It is a little pricey, but you get what you pay for. - Source: Internet
  • The 1.4x will extend the reach of the 70-200mm GM lens to 280mm and the 100-400mm GM and 400mm GM lenses to 560mm on a full frame camera like the a7iii, but it will do so by sacrificing one stop of light. Fortunately this does not slow the autofocus speeds of these lenses, however you will notice increased vignetting in the corners wide-open and also a little more software in the images. - Source: Internet
  • This specialized macro lens is super user-friendly, versatile, and one of the sharpest Sony lenses out there. It’s perfect for close-ups of tiny subjects and doubles as a portrait lens, too. CHECK PRICE ON AMAZON - Source: Internet
  • Due to its fast aperture of f/1.8, this lens takes excellent images in low light scenarios with relatively low ISO settings and faster shutter speed. If you’re looking for a fantastic lens to take photos of the city by night, this lens is a perfect choice. High max aperture also means that you will be able to achieve with this lens lots of creative freedom, being able to take photos with a narrow depth of field (smooth and blurry background). - Source: Internet
  • This lens is razor-sharp edge-to-edge, even when shooting wide-open at 400mm. Autofocus is incredibly fast, accurate, and silent. It also has no trouble tracking moving subjects, which is quite important for wildlife and sports shots. - Source: Internet
  • Are you an owner of a Sony a7III? A lot of experts have ranked it as the best full-frame mirrorless camera ever produced by Sony. It is quite clear, that a good camera deserves to be used with the best lens. Below, you will find a brief review of the best lenses for Sony a7III. - Source: Internet
  • Zooms are good general-purpose lenses. And it helps if the zoom range is in the middle—not too short and not too long. You can always carry a specialist wide-angle or telephoto lens with you, too. - Source: Internet
  • This wide-angle Sony G Master FE 24mm f/1.4 lens is the perfect kit addition for everyone from astro and landscape photographers to documentary filmmakers and wedding videographers. The f/1.4 aperture guarantees low-light capabilities with stunning corner-to-corner clarity. And, with a compact and lightweight body, this handy wide-angle lens travels easily, too. - Source: Internet
  • If the Sony 24-70mm F2.8 GM is out of budget or simply far too large and heavy for your style of photography, then the Sony 24-70mm F4 Vario-Tessar T* FE ZA OSS lens may be what you are looking for. The lens is very well built and weighs in at only 426 g which is half the weight of the GM version! - Source: Internet
  • The Sony FE 12-24 F2.8 GM has not long been announced. As soon as reliable information about this lens is available this section will be updated. - Source: Internet
  • The Sony FE 35mm f/1.8 is the best option for you if you want a wide-angle prime lens with a medium-wide focal length. This is typically useful for medium-wide landscapes or architecture that doesn’t require an ultra-wide focal length. - Source: Internet
  • It has a compact and light body, and it is made of durable materials. If you’re looking for something entry-level for portraits that won’t break the bank, Sony FE 85mm F1.8 is one of the best lenses for Sony a7 iii. - Source: Internet
  • I can either use it on its own or pair it with my 1.4x teleconverter to get the equivalent of an 840mm lens. That flexibility is ideal as you can’t zoom in and out with a prime lens to help with your framing! - Source: Internet
  • The Sony FE 16-35mm f/2.8 GM is the absolute best wide angle lens for Sony a7III. It’s razor-sharp at every setting, focuses super fast, and has a practical zoom range that’s suitable for a large variety of wide-angle settings. - Source: Internet
  • There is very little distortion. The lens hood is provided, which adds to the overall quality. Cons Concentration should be gradual. - Source: Internet
  • Even at an f/1.4 opening, pictures came out quite sharp. The bokeh effect is fantastic, which was expected since the matter’s lens is a fast prime. - Source: Internet
  • The Sony FE 200-600mm F5.6-6.3 G OSS Super Telephoto Zoom lens is one of the best lenses for Sony A7iii because it’s a handy option among sports photographers and those who plan on doing wildlife photography (check out list of best lenses for wildlife photography). - Source: Internet
  • Unfortunately like many ultra-wide lenses, the Sony 12-24 has a bulbous glass front element, meaning that it protrudes from the front of the lens. This makes it difficult to attach filters and there is no filter thread. However, thankfully there are now several companies making filter holders for this lens. - Source: Internet
  • Sigma’s Art line is known for impressive image quality and robust builds and this 105mm macro is no exception. With a strong, slimline profile it has weather seals all-round to protect it from the elements. Double that with a fluorine coating on the front element and it becomes a lens that could be taken anywhere. - Source: Internet
  • This lens has a minimal focus, making it easy to get cinematic focusing effects when videoing! With this Sony GM 70-200mm zoom lens, photographers can take close-ups of subjects both near and far. It is also an excellent macro lens that provides beautiful image quality and sharpness even at its widest F2.8 setting. - Source: Internet
  • It is a great zoom lens for Sony a7III and other full-frame mirrorless cameras with E-mount. The lens provides perfect image quality even in low-light conditions throughout the zoom range, which is possible thanks to its f/2.8 aperture. - Source: Internet
  • If you’re looking to travel with your Sony a7III, you’ll want a small and lightweight lens that’s easy to carry. A good, versatile zoom range might also come in handy if you want to shoot a variety of things. Here are the best Sony a7III lenses to bring on your trips. - Source: Internet
  • The tripod foot doesn’t fit Arca-Swiss mounts. But that’s not too much of a problem at a medium focal range. And I like that you can remove it to save even more weight. This is a must-have lens for Sony a7III. - Source: Internet
  • Build quality is excellent and it weighs just 565 g, which is 47 g more than the popular Sony 16-35 f/4 FE lens. The lens has very impressive corner sharpness even when wide-open at f/4, there’s minimal distortion and almost no COMA for night photography. However with a widest aperture of f/4 the 16-35 F2.8 GM lens or the 24mm F1.4 GM lens are more likely to be the first choice for astro shooters. - Source: Internet
  • On the downside, autofocus is a bit slow, and even more so in dim lighting. That’s another reason why this is not the best lens for insects and bugs; these fast-moving subjects may fly away before this lens has had a chance to focus. This lens also isn’t weather-sealed. - Source: Internet
  • Its bright F2.8 maximum aperture takes in more light and offers the flexibility to create gorgeous, soft background effects—perfect for portraits. This medium-telephoto prime lens construction is crafted to harness the power of Sony’s E-mount camera system, which provides an extra-shallow depth of field and intense bokeh effects. - Source: Internet
  • The Samyang SY14M-E 14mm F2.8 Ultra Wide Lens for Sony E-Mount is a budget lens that will give you wide-angle capabilities. It features a durable design and has a built-in hood. - Source: Internet
  • OUR TOP PICK Tamron 28-75mm F2.8 A top-value everyday lens that’s lightweight, beginner-friendly, versatile, and impressively sharp. It can shoot everything from portraits and landscapes to starry skies. CHECK PRICE ON AMAZON - Source: Internet
  • Further on, this lens is one of the few full-frame lenses that offers a maximum aperture reach beyond 35mm or, more specifically, a max aperture reaches throughout its focal length range. The wide aperture allows users to work with lower ISO settings and slow shutter speeds. Another advantage of this feature is that the shallow depth of field omits useless background details from the frame: this works best at 70mm. - Source: Internet
  • 🔮 If you’re interested in more portrait lenses, check out my review for the Sony FE 55mm F1.8 ZA. Though it has a shorter focal length, it’s great for environmental portraits, street photography, and top-notch videography. - Source: Internet
  • This is because it blends remarkable optical quality with a consistent F4 max aperture throughout the entirety of the zoom range. It does this while still having fast and precise AF for the best performance and the most professional reliability. The lens is also fully resistant to dust and moisture thanks to its mixture of standard sealing and mount sealing, making it ideal in harsher environmental conditions. - Source: Internet
  • This lens delivers very sharp results in the center throughout the zoom range, even when shooting wide-open at f/2.8. It also focuses very quickly, accurately, and quietly, and is great for portraits too. - Source: Internet
  • The Sony FE 70-200mm f/2.8 GM OSS Lens is on top of our list of the best telephoto lenses. Sony has come a long way in producing premium quality lenses, and this particular lens delivers incredible AF performance while featuring some high-end features: much better than the rivals. - Source: Internet
  • Thankfully the build quality is excellent and it’s weather sealed against dust and moisture. The 11 circular aperture blades delivers ultra-smooth bokeh, focusing is fast and silent, and the sharpness is excellent across the frame. I own this lens myself and it very rarely leaves my gear bag. - Source: Internet
  • This lens is also compatible with the Sony FE 1.4x and 2.0x teleconverters helping to extend its reach up to 280mm with the 1.4x and up to 400mm with the 2x. - Source: Internet
  • The build quality is as good as it gets for a Sony lens and it is weather sealed against dust and moisture. It is really only the autofocus performance that lets this lens down a little, as it’s most definitely not the fastest. However, eye auto focus works well and unless your subject is moving very fast you shouldn’t have any issues with nailing razor sharp images. - Source: Internet
  • When most people picture the stereotypical photographer with their massive lenses, they are picturing a telephoto lens. With a range between 100mm and 600mm or more, this type of lens can zoom in extremely far. It’s usually used in professional sports and wildlife photography. - Source: Internet
  • This is not only a dedicated macro lens that is perfect for the a7iii, but it is also phenomenal for portrait photography. The sharpness can hardly be described. In fact, it is a little bit ridiculous. Every last blemish, wrinkle, and scar is going to be beautifully exposed on all your portrait subjects. - Source: Internet
  • This is our top choice of the best Sigma lenses for Sony a7III. Overall, this wide-angle camera lens offers you stunning sharpness. And it’s a fraction of the price of the Sony G Master model. - Source: Internet
  • I find that Sony a7III is a full-frame mirrorless digital camera with a Sony E-mount; any FE (complete-body) lens with a Sony or 0.33-party E-mount is well suited to this digital camera. I have a fantastic range of options that enhances the Sony A7iii digital camera. These lenses have given me complete liberty to click portraits and wildlife images. - Source: Internet
  • We believe it will be able to withstand light rain, and the fluorine coating on its body makes it easy to clean. It has a very impressive zoom range that’ll take advantage of your Sony’s excellent megapixels. Price-wise, some might find this lens expensive for them but its fantastic optical performance is worth every penny! - Source: Internet
  • Sigma 24-70mm f/2.8 ART is genuinely an outstanding lens and also happens to be my lens of choice for most of my travel photography. I’ve already mentioned Sigma 24-70mm as the overall best travel lens, but this Sigma ART lens is also an excellent, if not the best, lens for video Sony a7iii. - Source: Internet
  • If you are looking for a dedicated macro lens, or a lens that can combine both macro and portrait photography roles, then look no further than the 90mm F2.8 Macro G OSS lens. I own this lens myself and love using it for macro work and the odd portrait. - Source: Internet
  • The FE 24mm F1.4 GM is another premium lens from Sony’s G Master Series that allows you to take stunning photographs at night or in low light. Weighing 445g (15.7 oz), it is certainly heavier than a lot of other prime travel lenses but it’s certainly worth the extra weight if you’re going to want to shoot in these types of conditions. - Source: Internet
  • It is very hard to find fault with this lens but if I’m being very picky then AF performance could be faster and the manual focus ring adjustments could be finer for more precision. That said, for macro work I’ll normally adjust the focus by moving the camera back and forth and whilst making use of focus peaking to let me know when the focus is where I’d like it to be. This lens also has optical stabilization built in, making it even easier to get tack sharp images with slower shutter speeds. - Source: Internet
  • I think this lens is the perfect combination of performance and size. You can read more about it in my Sony 35mm f/1.8 review. - Source: Internet
  • If you’re looking to travel with your Sony a7III, you’ll want a small and lightweight lens that’s easy to carry. A versatile zoom range will also come in handy if you want to shoot a variety of things. If you want to capture starry nights or architecture, consider a low-light lens too. - Source: Internet
  • The a7iii is undoubtedly Sony’s most famous camera currently on the market. The a7iii has revolutionized the way people are taking photographs. It produces amazing images, it has an impressive full-frame BSI image sensor, and it is basically perfect down to the most minuscule operational detail. Everyone who owns one of these cameras is in love. - Source: Internet
  • There are a lot of factors to consider when choosing the best product. But at the end of the day, it’s up to you to decide what’s best for you. So take your time, do your research, and choose the best lens for video sony a7iii that you think is the best for you. - Source: Internet
  • The Sony FE 85mm f/1.8 is a spectacular portrait lens that offers exceptional value for money. It’s amazingly sharp, has stunning bokeh, focuses fast, and is distortion-free. On top of that, it’s also small, lightweight, and portable. - Source: Internet
  • Although the Sony FE 90mm f/2.8 Macro G OSS is a specialized macro lens, it doubles as a fantastic portrait lens as well. It’s also one of the sharpest Sony lenses ever made and will allow you to capture incredibly fine details on your subjects. - Source: Internet
  • It’s, without a doubt, among the most excellent mirrorless cameras available. It is adaptable, inexpensive, and user-friendly for beginners, especially as a camera for blogging. However, the default lens that comes with the a7iii is insufficient if you want to up your photography and filmmaking game. Happy news There are several lenses that I can use with Sony A7III. - Source: Internet
  • However, what’s most brilliant about this lens is its stunning bokeh and excellent autofocus. It’s fast, reliable, and silent. You can also use this in low light situations and get breathtaking results. - Source: Internet
  • Its fast aperture – f/2.8 will allow you to create a beautiful bokeh effect. Sigma 14-24mm F/2.8 is also an excellent lens for low light photography, such as indoors or at night. The fast aperture will make it possible to use lower ISO settings minimising the noise. - Source: Internet
  • When Tamron launched their 28-75mm F2.8 Di III RXD for Sony E-mount they really hit a home run. This lens has been sold out everywhere since launch and it’s really not surprising since it offers excellent sharpness and autofocus performance in a compact and lightweight body. - Source: Internet
  • Budget lenses are those lenses that have less than 3x zoom and a small aperture (lower than f/1.8). These lenses usually cost less than $250, but they produce soft corners, chromatic aberrations and require to stop down metering. - Source: Internet
  • The only downside to this lens is that it’s in the pricier range. However, it’s still the least expensive, lightest, sharpest, and best 24mm f/1.4 ever made — it’s worth every penny of its price tag, especially if you’re serious about low-light wide-angle photography. - Source: Internet
  • It takes super sharp images at all focal lengths and even when shooting wide open. The lens can produce typical lens distortions such as ghosting, flares and chromatic aberration that can be fixed in editing software. Tamron 70-180 F.28 can take images with a decent amount of bokeh for beautiful portraits and close-ups with smooth background. - Source: Internet
  • Indoor shots and low light shots with the 35mm f/2.8 are outstanding. The f/2.8 aperture works wonders in low light. Night photos and video are going to be awesome with this lens. - Source: Internet
  • The lens is sharp from 24mm all the way up to 105mm even when you are shooting wide open at f/4. If you like MTF charts then Roger Cicala has some over at LensRentals.com. Sony has really gone to town on this lens and it certainly shows. I don’t own this lens myself, but if I had money to burn I would certainly pick one up. - Source: Internet
  • It has an internal zoom mechanism, which means it doesn’t get longer or shorter as you zoom in and out. It accepts 77 mm screw-in filters. And a handy window in the lens hood lets you rotate a circular polarizing filter if you have one. - Source: Internet
  • This list of Sony a7III lenses is fairly extensive. But there are plenty of zooms and prime lenses out there. There are lower price points and different zoom ranges. - Source: Internet
  • Wide-open at f/2.5 and the lens is already incredibly sharp both centrally and even towards the edges of the frame. Bokeh is very smooth and free from onion rings, although you will see some cat’s eyes which don’t really improve as you step-down. CA is extremely well controlled. - Source: Internet
  • In fact, this lens is ultra-sharp edge-to-edge even when shooting wide open at f/2.8. Bokeh is absolutely beautiful too, and you’ll be able to create super creamy backgrounds. - Source: Internet
  • The Sony FE 28mm f/2.0 is a very lightweight and travel-friendly budget lens that’s especially good for landscape and architecture shots thanks to its wide focal length. Given its low price, it also offers fantastic value for money. - Source: Internet
  • At 600mm this lens is sharper than the Sony FE 100-400 + 1.4x is at 560mm. At 400mm this lens is also a touch sharper than the 100-400 which considering it’s a G lens and not a GM lens is really quite something. - Source: Internet
  • The Sony FE 70-200mm F2.8 GM OSS lens has a maximum focus range of 200mm, so your subject will need to be reasonably close if you want them to fill the frame. However, with a constant wide-open aperture of f/2.8, this is a great lens to use in low light situations or when you want the smoothest bokeh. - Source: Internet
  • For us, the best wide-angle lens for Sony a7iii has to be the Sony FE 16-35mm f/2.8 GM. Even with the maximum aperture, you will get sharp images on all edges. - Source: Internet
  • The Sony FE 55mm f/1.8 ZA is a ridiculously sharp lens that will take your videos and photos to the next level. In fact, it’s one of the sharpest Sony lenses out there and delivers impeccable image/video quality. - Source: Internet
  • The Sony FE 24mm f/1.4 GM is hands down one of the best prime lenses for Sony a7III simply because it’s rare to find a wide-angle lens with a maximum aperture of f/1.4. Its image quality is also impeccable. - Source: Internet
  • The Sony 100-400mm f/4.5-5.6 is also not the best lens for shooting in low light. Because of its narrow max aperture, focusing on small subjects in low light can be difficult and slow. - Source: Internet
  • Along with its 35mm focal length, this lens also has a close minimum focus distance of 0.22 m (0.73 ft). These factors make it the best wide-angle prime for street photography and environmental portraits. - Source: Internet
  • Those looking for some of the best third-party Sony a7iii compatible lenses would love the Sigma 24-70mm F2.8 DG DN Art. It combines both range and high brightness to deliver a stunning performance, without the exorbitant price tag. - Source: Internet
  • As far as the Sony A7III is concerned, its combination of quality, performance, and value make it a great mirrorless camera. But without a good lens to match the image quality the camera delivers, it may not be that enjoyable to use. Considering the A7III has a generous resolution of 24 megapixels (and has no AA filter), high-tech lenses are inevitable. - Source: Internet
  • Your search for a good lens is over! You will find the Sony’s Full Frame G series has your covered. The FE 70-300mm F4.5-5.6 G OSS telephoto zoom lens offers high quality images that are sharp, clear, and with vivid colors when you want to do tight closeups or even faraway shots of games and animals like birds in flight! What’s more? - Source: Internet
  • The Sony FE 24-70mm F2.8 GM from Sony is a stellar, fascinating, top-tier, and surprising Zoom superb for Sony Alpha A7 III. The 24-70mm lens is extremely popular with every brand, and Sony is no exception. The lens offers a considerable aperture for shooting shallow depth of field shots and for shooting in low-light conditions. - Source: Internet
  • The Sony FE 24-70mm F2.8 GM is one of the very few zoom lenses that can keep up optically with many of the best prime lenses. It’s extremely well built, weather sealed from dust and moisture, and the autofocus is fast and accurate. - Source: Internet
  • The best lenses and sharpest lenses are in Sony’s premium G Master (or Gold Master) range. These figure highly in this list. If needed, you can read our article on Sony lens abbreviations first. - Source: Internet
  • Its f/1.8 maximum aperture makes it ideal for portraits, low-light situations, and shallow depth of field shots. In addition, its internal focusing (IF) mechanism keeps the lens compact and lightweight and accepts 52mm filters×7. - Source: Internet
  • Wide-angle lenses are excellent for landscape and city photography. Shooting with a wide-angle lens gives more depth of field, which means you can capture more detail by keeping elements of your background sharp. Anything between 35 and 24 mm is considered wide-angle. Lenses at 16 mm and below are considered to be ultra wide-angle. - Source: Internet
  • This lightweight and travel-friendly lens combines wide-angle and telephoto reach, taking away the need to switch between multiple lenses. It’s also incredibly sharp and weather-resistant. CHECK PRICE ON AMAZON - Source: Internet
  • It is also important to consider your budget when choosing a lens for video sony a7iii. You don’t want to spend more than you can afford, but you also don’t want to skimp on quality. Be sure to compare prices to get the best value for your money. - Source: Internet
  • With the Sony FE 16-35mm f/2.8 G Master lens, you can have your cake and eat it too when it comes to focal range. This high-quality lens alternates between super wide at 16mm—perfect for astrophotography—with up to 35mm also available for those wider landscape shots. An f/2.8 aperture guarantees low-light capability, while the high-resolution lens means photo details are impressively crisp. - Source: Internet
  • It’s also incredibly useful for video. You’ll cover 99% of your travel videos or vlogs with this lens and it really can’t be beat for those types of applications. The autofocus is lightning fast and quiet. - Source: Internet
  • We test lenses using both real world sample images and lab tests. Our lab tests are carried out scientifically in controlled conditions using the Imatest testing suite, which consists of custom charts and analysis software that measures resolution in line widths/picture height, a measurement widely used in lens and camera testing. We find the combination of lab and real-word testing works best, as each reveals different qualities and characteristics. - Source: Internet
  • And unlike most zoom lenses, the 16-35mm f/2.8 GM has received almost unanimous praise. Even many of the toughest Sony critics have raved about this lens. - Source: Internet
  • Sony FE 24-105mm F4 is relatively compact and light for a zoom lens and, in comparison, to similar zoom lenses. It is fully weather-sealed and comes with a hood. It also has a premium feel with rubberised rings – one for autofocus, one for zoom. - Source: Internet
  • Rokinon AF 14mm f/2.8 FE ($849): An excellent performer! Great quality and a much better price than the native lenses. Blending an ultra-wide angle of view with a relatively fast f/2.8 aperture, this 14mm lens makes a great option for Sony shooters looking to get a unique perspective that is well suited to architecture, landscapes, and more. UMC anti-reactive coatings, three Aspherical and two ED lens elements combine to attenuate chromatic and spherical aberrations for outstanding image clarity, contrast and color fidelity with high resolution from the center to the corners of the image. - Source: Internet
  • Want the best telephoto lens for your Sony a7iii? Look no further than the Sony FE 70-200mm F2.8 GM OSS. It flaunts edge-to-edge sharpness, fast and accurate autofocus, stunning bokeh, and incredible versatility. - Source: Internet
  • Offering outstanding image performance, Zeiss Loxia lenses are all excellent manual focus lenses designed specially for Sony full frame E mount cameras. If you want to get the best sharpness, like using more compact lenses, star flares and old-fashioned zone focusing and the feeling of a mechanical focus ring, the Zeiss Loxia lenses are great choices for you. You can choose the one you need! - Source: Internet
  • It has Nano Porous Coating and Super Multi-Layer Coating. They ensure good contrast and resistance to ghosting and flare. It also has these lens elements. - Source: Internet
  • By creating the Sony FE 24mm F1.4 GM lens Sony has proven that you can build an excellent lens into a very small package. The lens is extremely well built, weather sealed against dust and moisture and weighs in at only 445 g. - Source: Internet
  • If you want to capture images of the sky at night then you will want a lens that works well for low light photography. Some of the most important characteristics of a good lens for astrophotography are a wide maximum aperture like f/1.4, but the lens should also be sharp at this wide-open aperture and offer decent corner resolution and coma correction. Low vignetting is important to, as is the ability to focus manually since autofocus is out of the question at night. - Source: Internet
  • Zeiss makes some pretty great lenses for the Sony a7iii, and the Batis 85mm f/1.8 is no exception. It’s another versatile option you can use for landscape and interior photography. - Source: Internet
  • The Sony FE 200-600mm F5.6-6.3 G OSS lens has not been out for very long but it’s already proving itself to be an exceptional telephoto lens for wildlife photographers. - Source: Internet
  • The bright f/1.8 aperture of this lens is what makes it truly spectacular for videos and photos. It’ll allow you to get super smooth bokeh (even better than the Tamron 28-75mm f/2.8 mentioned above) as well as beautiful, crisp, and noise-free low-light videos/photos. - Source: Internet
  • What is surpizing about this lens is that the autofocus is actually faster than the GM version. The bokeh isn’t quite as smooth as the GM, but it certainly comes very close. I own this lens myself and certainly have no plans to sell it anytime soon. - Source: Internet
  • For vlogging, look for a wide-angle lens (max 35mm focal length) with a minimum focus distance of around 0.30 m (1 ft) or less so that you can easily stay in focus while talking to the camera. Here are the best Sony a7III lenses for videos. - Source: Internet
  • A larger aperture helps the lens to capture more light as well as add depth to background images without having to switch on lenses. This can be done if you buy a lens of F-stops of 1.4 to 5.6. - Source: Internet
  • Image quality is simply impeccable. In fact, this lens is razor-sharp edge-to-edge, even wide-open at f/1.8, which is exactly what you need in an ideal astrophotography lens. - Source: Internet
  • But you can still shoot handheld. And the Sony a7III’s IBIS system can handle camera shake. The lens just wasn’t meant for action photography. There’s also a touch of pincushion distortion. But the camera should correct that internally. - Source: Internet
  • Sony FE 24-105mm F4 takes sharp images with the best result in the middle range of the aperture and throughout the whole range of the zoom, even at 105mm. At the highest aperture f/4, the edges of the frame are a little soft. The lens produces some visible lens distortion such as dark edges (vignetting) that can be corrected in-camera when shooting Jpeg or in Lightroom when shooting RAW. - Source: Internet
  • This lens is ultra-sharp edge-to-edge throughout the focal range. While bokeh is generally not a strong suit of lenses with such narrow apertures, this lens actually delivers really nice bokeh. Moreover, autofocus is fast, accurate, and practically silent. - Source: Internet
  • For this latter category of user, the problem with many modern camera systems – the Sony Alpha series included – is that manufacturers have largely taken to producing lenses that do not offer true mechanical manual focusing. But instead come with a simulated version of manual focus. I.e. turning the focus ring doesn’t directly move the lens’s mechanical components, but instead sends an electronic message to the camera, which in turn relays this to the lens’s focus motors, which then move the lens elements for you. - Source: Internet
  • But there is one lens that gets pretty darn close: the Tamron 28 to 75 F 2.8. This is a perfect description of what this lens is. - Source: Internet
  • The lens has a variable aperture of F4.5-5.6, an extremely fast and silent autofocus motor, and the build quality would make some Ferrari’s blush. The lens is also weather sealed against dust and moisture so you won’t need to pull out your plastic bag when the rain comes down. - Source: Internet
  • The Sony FE 50mm f/1.8 is a very small budget-friendly lens that’s perfect for casual everyday shots. Weighing only 186 g (6.6 oz.), it’s also super portable and travel-friendly. - Source: Internet
  • Understandably, this 200-600mm lens is huge and bulky. At over 2 kg in weight, it completely offsets your a7iii’s lightweight build. This is also not the best lens for shooting in dark conditions. - Source: Internet
  • This lens is one of the best Tamron lenses for Sony a7iii. It’s exceptionally affordable, super versatile – it can take landscape and portrait photos at stellar quality, leaving little things not to like about this lens. If you’re on a budget and looking for the best lens for Sony alpha 7iii – you can’t really go wrong with this Tamron lens. - Source: Internet
  • This lens is very lightweight and compact, making it perfect to travel with. Plus, its versatile zoom range allows you to shoot everything from landscapes, portraits, and close-ups to a sky full of stars. It’s an incredibly multi-purposeful lens. - Source: Internet
  • Try the Sony FE 28mm F2.0, one of the most compact and budget-friendly lenses you can get. It’s great for wide-angle photography of landscapes and everyday scenes, and an overall brilliant prime lens too. - Source: Internet
  • The Sony 24-70mm f/2.8 was designed with quality and performance in mind. If you want the best quality in a mid-range zoom and aren’t concerned about size/weight, it’s an excellent choice among lenses for a7III cameras. - Source: Internet
  • This is a big lens and it weighs 2115g without tripod mount and is 318mm in length. It’s also an internal focusing lens and the short zoom throw makes going from 200mm to 600mm a breeze. Because it doesn’t extend it also balances very well on a gimbal. - Source: Internet
  • What’s considered budget-friendly is quite subjective. Some of these lenses are cheaper than others. Regardless, they’re the most affordable high-quality lenses for their categories. - Source: Internet
  • If you’re new to the world of photography, there’s a lot to take in. You need to have an eye for it, of course, but you also need to know how to use your camera and any lenses you have to capture the best images you can. It’s not an exact science, but there are certainly some things you need to know to become a better photographer. Always look for some good information about camera lenses to help you improve your skills. - Source: Internet
  • Here’s another great telephoto lens for Sony a7iii, which we’d say is best reserved for wildlife or sports photography and shooting objects that are extremely far away. If you want the best focal reach, the Sony FE 200-600mm f/5.6-6.3 G OSS is your answer. - Source: Internet
  • Sony 28mm F/2.0 lens is one of the smallest lenses out there, weighing only 200g while it’s fully weather-sealed, and for that reason, it is one of the best Sony lenses for travel. It also has a physical focus ring that is powered electronically but easy to use. - Source: Internet
  • Sony offers the 85mm f/1.4 GM lens if you want maximum performance but for me, the 85mm f/1.8 is the perfect balance of performance and value! - Source: Internet
  • Note that if you want to print your photos on very large prints or posters, then this lens will fall short, and you’re better off with either of the two previously mentioned wide-angle lenses (the Sigma 14-24mm f/2.8 or the Sony 16-35mm f/2.8), which are much sharper and crispier. - Source: Internet
  • The thing I love most about my Sony 55mm f/1.8 lens is its mid-range focal length. It offers just enough field of view to capture a scene while delivering the ability to bring the viewer into the frame with a hint of compression. - Source: Internet
  • If you were to use a zoom lens at 85mm focal length, you could only go to f/2.8 aperture. But, if you want something with an even wider aperture and are willing to pay twice as much, go for Sigma 85mm f/1.4 DG DN ART lens. - Source: Internet
  • Moreover, if you can’t afford the previous prime lens (Sony 24mm f/1.4 GM), this 35mm wide-angle prime is an amazing alternative — it costs a lot less while still delivering very impressive image quality. It’s also incredibly lightweight and travel-friendly. - Source: Internet
  • Sony FE 24-70mm f/2.8 GM Lens ($2,198): The best 24-70mm lens! The Sony FE 24-70mm F2.8 GM Zoom Lens is the ultimate choice for those seeking the highest possible optical performance for portrait, travel and event photography or even simple everyday shooting. To maximize usability this lens also features a dust/moisture resistant design, AF/MF switch, circular aperture, Nano AR coating, compact, a direct drive SSM (Super Sonic wave Motor) focusing system that is super smooth and quiet, making it an ideal choice for shooting both still images as well as movies. - Source: Internet
  • Ultra-wide-angle lenses start at around 12 mm. They give you a great field of view. But they usually lead to more distortion. That may be a good thing if you can control it. But it’s easy to tilt your camera accidentally and throw off all your vertical lines! - Source: Internet
  • The 11-blade circular aperture offers stunning bokeh that shows why the G Master class is so great in the first place. The focusing is incredibly quick thanks to the DDSSM focus drive system and works amazingly when equipped onto the a7iii. The lens has special Nano AR coating to suppress the annoyance of flares and reflections. The focus button is programmable, while the manual aperture ring comes included with a selectable click to shift between stills and movies. - Source: Internet
  • The Sony FE 90mm f/2.8 Macro G OSS is the absolute best Sony a7III macro lens for shooting very tiny subjects such as insects, bugs, and water droplets. Moreover, this lens doubles as a fantastically sharp portrait lens, too. - Source: Internet
  • A great focal length range, similar to that of the Sony FE 24-105mm f/4 G OSS Lens, means that you can select a manual subject distance for the best perspective. It is not the most extreme range we have worked with, but it does the trick. Whether you want to shoot a stunning portrait or the beautiful scenery while hiking, the lens delivers the best performance. The 24mm perspective is useful for landscape photography, whereas 105mm works for capturing distant objects or portraitures. - Source: Internet
  • In fact, the Sony 24-70mm f/2.8 is the best everyday zoom lens for you if you don’t want to risk missing a single shot. It’s especially worth the investment if you’re a professional wedding or event photographer who can’t afford to miss any important fleeting moments. - Source: Internet
  • More importantly, this lens should have a wide maximum aperture — at least f/2.8 or wider. Otherwise, your shots are likely to come out grainy. Make sure that this lens is also sharp — preferably edge-to-edge — when shooting wide-open. - Source: Internet
  • Telephoto lenses are typically used to shoot wildlife, sports, and other far-away subjects. They also allow you to zoom in on landscapes to capture creative perspectives. Telephoto lenses typically have a minimum focal length of 70mm and can go up to 600mm or more. - Source: Internet
  • Those costs are why it’s helpful to save some money when getting quality camera gear. A good way to do that is to look for budget lenses. In this guide, you will find some of the best affordable options for the Sony A7iii. Each one will provide you with great performance and increase the camera’s inherent versatility. - Source: Internet
  • And if we had to nitpick, there might be some slight color fringing (which is easily fixable through post-processing). It also has no image stabilization, though again the Sony a7iii already comes with great IBIS. For further stabilisation, consider picking up one of these great gimbals for DSLR cameras. - Source: Internet
  • Overall, Sony 70-200mm F2.8 is hands down the best telephoto lens for Sony a7iii available on the market with stellar sharp images edge to edge, super-fast autofocus and excellent performance in low light. If you’re a professional or a serious hobbyist, this lens is for you. Otherwise, go for the cheaper alternative listed below. - Source: Internet
  • If budget isn’t a concern or you merely want the best for your camera, the Sony FE 85mm F1.4 GM is the way to go. Combined with the F1.4 aperture, your background will look blurry, and that’s what makes your subject stand out. Overall, this enhanced and modified Sony lens should be in every Sony Alpha A7 III owner’s collection. - Source: Internet
  • 📸 Which lens to choose: If you shoot for fun and value travel-friendliness, then go for the Tamron 28-75mm f/2.8. But if you’re looking for a more professional option and want the utmost image sharpness and the smoothest bokeh, then go for this heavier Sigma lens. - Source: Internet
  • But this is a good lens if you’re not obsessed with smooth bokeh and don’t often shoot in low-light conditions. It’s not part of the G Master series, Yet it has a useful focal range. And the internal zoom mechanism makes it easy to balance on a gimbal tripod head. - Source: Internet
  • The Sony 2x teleconverter (SEL20TC) is currently only compatible with the Sony FE 70-200mm F2.8 GM, Sony 100-400mm GM, Sony FE 200-600 G, Sony FE 400mm F2.8 GM and Sony FE 600 F4 GM lenses. It will not physically fit any other Sony E-mount lenses. - Source: Internet
  • This lens is quite expensive. You can get the Sony 200-600mm f/5.6-6.3 for a lower price and get 200mm more zoom reach, although that’s not a good lens for macro shots. - Source: Internet
  • This lens has an excellent build quality and central sharpness, which is very impressive even wide-open. Autofocus is ultrafast, accurate, and essentially silent. Focusing manually is also very easy; you can do so with just a fingertip. - Source: Internet
  • The lens has quality built, comes with a hood and a case and a handy focus hold button that can be customised. However, it is pretty heavy, weighing 680g and a tad bulky. It also does not come with built-in stabilisation, but that is not a deal-breaker paired with Sony a7iii that comes with one. - Source: Internet
  • The lens is exceptionally sharp across the frame. And the autofocus performance is lighting-fast. That makes it ideal for wildlife and sports photography. - Source: Internet
  • While this lens is not as sharp as the much more expensive Sony 100-400mm f/4.5-5.6, it still shows impressive image quality. It delivers excellent central sharpness throughout the zoom range, although at 300mm, corner sharpness is quite poor. - Source: Internet
  • Wide-angle lenses make good choices for astrophotography because they have a larger field of view (FOV). This allows you to capture much more in one shot, such as the Milky Way and also some foreground interest. Also the wider the angle of your lens the longer you will be able to expose for before star trails become a concern. - Source: Internet
  • If you have heard about the Sony A7III, you already know that this 24 megapixels camera gives you amazing clicks. Now imagine adding a lens to it that increases the sharpness and clarity of the image even better than before. Well, we will let the article itself speak for itself. We know that you are here to find the best suitable match from different budget lenses for your Sony A7III but do not worry, we have you covered. - Source: Internet
  • An incredibly sharp super-wide-angle lens that’s perfect for both landscape shots and astrophotography. It boasts spectacular image quality and a weather-sealed build. CHECK PRICE ON AMAZON - Source: Internet
  • References: (1) https://digital-photography-school.com/brand-name-versus-third-party-photography-gear-which-is-better/ (2) https://www.sony.com/electronics/lenses - Source: Internet
  • The Sony FE 70-200mm f/2.8 GM OSS Lens features 11 rounded aperture blades to create a pleasing 22-point aesthetic effect. With Advanced Nano AR Coating technology, the lens suppresses reflections for enhanced image quality. Moreover, the additional fluorine coating helps to repel contaminants for a clean lens surface. - Source: Internet
  • Included in this list are fast ultra-wide angle lenses for astrophotography, landscapes, and real estate photography but also super sharp primes ideal for isolating beautiful portrait subjects against a busy background. Longer lenses are important too and help reach out and capture the action when taking wildlife, sports, or action shots so we’ve picked the best of those as well. Of course, many of these lenses will also prove perfect for other Sony full-frame lenses from the original A7 to the A7R IV (opens in new tab), and even the pro A9 II (opens in new tab). - Source: Internet
  • This lens is ultra-sharp even at f/2.8 across the whole frame. Bokeh is beautifully smooth especially if you shoot at f/2.8, although you might see some onion rings from time to time. Autofocus is impressively fast and very silent too. - Source: Internet
  • With its nice compact design and awesome performance, the lens will be a great tool to express your creativity. In addition, it can withstand severe weather conditions, which makes it a wonderful choice for travelers. Taking photos of bright stars or amazing landscapes with this Sony lens will bring you a lot of pleasure. - Source: Internet
  • The only real downside of this lens is that it’s not the cheapest thing in the world. With that said, given its top-notch video/image quality, travel-friendliness, and fast f/1.8 aperture, you definitely get incredible value for what you pay for. - Source: Internet
  • This lens is explicitly designed for full-frame E mount mirrorless cameras and can also be used on APS size image sensors. The crop factor will vary depending on which you are using. This lens provides excellent exposure and depth of field control so that you can shoot with the intent from near or far distances, even in extreme low light conditions. - Source: Internet
  • That f/2.8 also brings some seriously good bokeh to the table. It’s some of the best you’ll see from a zoom lens. - Source: Internet
  • While a zoom lens can’t compete with a quality prime lens in taking portrait shots, with a zoom lens, you will be able to capture people and objects being far away from them. If you like taking photos of local people going about their daily lives, zoom lenses will allow you to be more discrete. In most cases, however, always ask before taking pictures of people on your travels. Zoom lenses are also great at capturing moving objects in wildlife and city. - Source: Internet
  • The Sony Zeiss 35mm f/2.8 is the first prime lens on this list and it’s rockstar. If you want the image quality of a prime lens in a versatile focal length, the 35mm f/2.8 is hard to beat. - Source: Internet
  • A spectacularly sharp, fast, and portable prime lens that delivers stunning bokeh and premium image quality. A must-have for anyone serious about portraits. CHECK PRICE ON AMAZON - Source: Internet
  • I really can’t say enough good things about the 16-35mm GM. There’s a reason why this lens rarely leaves my A7III when traveling. It’s absolutely one of the best travel lenses on the market, Sony or otherwise. - Source: Internet
  • The Sony FE 135mm f/1.8 GM is the ultimate portrait lens to get if you want the most top-notch optics and image quality possible. In fact, expert Roger Cicala from LensRentals said that out of 300+ lenses, this is the sharpest lens he’s ever tested. - Source: Internet
  • Choosing third party Tamron lenses for Sony cameras usually means cost savings. This is also true in case of this lens! Tamron 70-180mm F2.8 comes with excellent quality at a very affordable price point. - Source: Internet
  • The Sigma 24-70mm f/2.8 DG DN Art is a great alternative to the above-mentioned Tamron 28-75mm f/2.8 if you don’t mind a heavier lens in exchange for even better image quality. - Source: Internet
  • Sony A7iii users will find the FE 12-24mm f/2.8 GM Lens to be a perfect wide-angle zoom lens for landscape photography or shooting architecture in confined spaces like small streets or indoor settings. It’s also an uncompromising high performance lens that provides photographers with top of the line sharpness and detail in any type of setting, even challenging lighting conditions. - Source: Internet
  • If you own a Sony A7iii camera, you own a great camera that will surely open up new horizons within your photography career. That being said, you need to get a variety of lenses in order to open up the camera’s true potential. Most lenses are not cheap and the budget options you’ll find here offer great value at a more inviting price. If you’re on a budget or just looking to save some cash, the models here are great for both. - Source: Internet
  • 🔮 As you may remember from earlier, the Sony FE 100-400mm F4.5-5.6 GM is an amazing telephoto lens that also doubles as a macro lens. It’s another great option to consider if you’re planning to shoot wildlife or sports too! - Source: Internet
  • Depending on your photography style, you will need a different focal length. For instance, you need a longer lens for shooting wildlife and a wide lens for capturing landscapes. To take photos of people, you might want something that’s close to a human’s natural viewing angle. - Source: Internet
  • One of the sharpest lenses Sony has ever made. With this prime lens, you’ll never have to sharpen photos in post-processing again. Bokeh is also super smooth and creamy. CHECK PRICE ON AMAZON - Source: Internet
  • Additionally, 35mm lenses are quite popular because of their versatility, enabling photographers to capture a wide variety of subjects at just half the price. It is excellent for capturing a realistic perspective of the scenario without distorting the other objects in the frame. As a photojournalist, this is your best bet. Sports photographers get tonnes of uses out of this 35mm lens by capturing a broader view of the events and enlarging the action figures. - Source: Internet
  • I’ve never owned a Sony FE 85mm F1.4 GM portrait lens (or any other 85mm lens, for that matter!). But that’s because I don’t often find myself shooting portraits or still life shots. - Source: Internet
  • The Voigtlander 110mm F2.5 Macro APO Lanthar is an incredibly sharp macro lens that offers the Sony FE 90mm F2.8 G Macro lens a good run for its money. With a comfortable working distance of 17cm and superb build quality, this lens is most definitely on my wish list. - Source: Internet
  • Also, this lens is provided with the best Sony protection from weather conditions. With it, you can take outstanding shots of landscapes and nature, though it is also good for street photography. The wide viewing angle and a bright design attract many professional photographers. - Source: Internet
  • A focal length of 55mm is close to what the human eye sees. This means that Sony 55mm f/1.8 can be used in various scenarios – primely as a landscape and city lens due to its wide-angle but also for casual portraits and some close-ups. - Source: Internet
  • The Sony FE 100-400mm f/4.5-5.6 GM OSS is the absolute best super-telephoto zoom lens you can get in terms of image quality, performance, and versatility. As a matter of fact, it also doubles as a macro lens thanks to its maximum magnification ratio of 0.35x. - Source: Internet
  • If you’re looking for the absolute best travel lens that will act as a telephoto lens, look no further. Sony 70-200mm F2.8 is a premium telephoto lens with unbeatable performance and quality. - Source: Internet
  • The ultimate wide-angle lens for the best image quality. It has a flexible focal range, is razor-sharp, performs well in low-light situations, and creates stunning bokeh. CHECK PRICE ON AMAZON - Source: Internet
  • Tamron 70-180mm F2.8 is very compact and light for a telephoto lens with a bright aperture. It’s made well and comes with a hood and all the weather sealing, which is super important when shooting outdoors. - Source: Internet
  • This lens can do for photos, and it does seek highly sharp images can. This is one of the sharpest lenses in the Sony lineup, the GM 16-35 F 2.8. - Source: Internet
  • Prime lenses from Sony are usually more expensive, as they’re faster and require a more complex design. They are manufactured in lower quantities which naturally drive up the cost more. However, this also means they have a better build quality. - Source: Internet
  • Weight & Size – Don’t forget that telephoto lenses are the heaviest of a tripod or at least a monopod; it is a must if you want to shoot for hours. Investing in a high-quality lens will get you more bang for your buck than putting that money toward a new body. It does offer a lot of zooms but nothing unrealistic, the aperture stays at f/4 throughout the whole zoom, and Vibration Reduction is a big plus when working with longer lengths. - Source: Internet
  • Tamron 70-180mm F2.8 can focus as close as 0.27m to the subject, meaning you can use this lens for some casual macro shots for 1:2 life-size images too. - Source: Internet
  • The Sony FE 70-200mm F2.8 GM OSS II zoom lens is an updated (and more expensive) version of its predecessor. I bought mine for three reasons: - Source: Internet
  • On a related note, photographers who appreciate the finer qualities of a good bokeh – i.e. the way in which a lens renders out of focus areas of an image – will likely prefer to go for a lens with a fast maximum aperture. - Source: Internet
  • Weighing just under 300g, Sony 55mm f/1.8 is exceptionally light and portable, which is good news for all the minimalists and those wanting to travel light. It is also weather-sealed. Sony 55mm f/1.8, however, does not come with optical image stabilisation, but that should not be a deal-breaker because Sony a7iii comes already with the Sony IBIS system (In-body image stabilisation). - Source: Internet
  • Tamron 28-75mm F/2.8 takes stellar sharp images with excellent contrast through the entire zoom range. Because it’s been built with quality glass, it produces minimal lens distortion such as ghosting, chromatic aberration and flare. Some colour fringing towards the corners of the frame and vignetting is present but can be easily corrected in-camera menu or in post-production software. - Source: Internet
  • The Tamron 28-75mm f/2.8 is a high quality lens that never lets you down! This lens will always provide the best shot when it comes to taking photographs. The zoom feature of this product make tourists want to travel great distances without ever being consumed by society’s hectic noise. - Source: Internet
  • To capture subjects far away from you, you’ll need a telephoto lens, which typically has a minimum focal length of 70mm. You can also get a super-telephoto lens, which typically has a focal length of 300mm or more. Here are the best Sony a7III telephoto lenses. - Source: Internet
  • Sony FE 16-35mm f/2.8 GM Lens is an excellent lens to accompany your mirrorless camera. Sony never fails to satisfy photographers with its wide range of premium lenses, and the Sony FE 16-35mm f/2.8 GM Lens is a great example. It manages to cover a significant focal length in a wide aperture without deteriorating the image quality. - Source: Internet
  • Imagine a large aperture lens that fits so easily into your bag you barely know it’s there. That’s what you get with the Sony 28-70mm lens. It has a form factor that is smaller than typical lenses of its range and class, yet it delivers consistent performance across the frame. It’s a perfect pairing for cropped sensor digital cameras. - Source: Internet
  • Overall, Sony 55mm f/1.8 is one of the best landscape lenses for Sony a7iii versatile enough also to be used for portraits, close-ups and architecture. It has a premium built and produces the sharpest images seen at this focal length, all for not the cheapest but a reasonable price tag. - Source: Internet
  • The Sigma 105mm f/1.4 DG HSM Art Lens for Sony full-frame E-mount is an exceptionally sharp lens even when shooting wide-open at f/1.4. Autofocus works almost as fast as Sony native lenses in good lighting, but in poor light autofocus starts to struggle a little more. There is very little in the way of vignetting and almost nonexistent chromatic aberrations. - Source: Internet
  • It’s difficult to find a good macro lens that also works well for portrait photography. If this combination is something that interests you, you can’t go wrong with this 90mm F2.8 from Sony. - Source: Internet
  • The Sony FE 2.0x Teleconverter extends the reach of some of the best Sony a7III telephoto lenses to the following lengths. Keep in mind, though, that it’ll do so by sacrificing two full aperture stops. - Source: Internet
  • To find the best astrophotography lens for Sony a7iii, you want a wide-angle lens with a wide max aperture, as well as edge-to-edge sharpness. The Sony FE 24mm f/1.4 GM checks all these boxes - Source: Internet
  • Autofocus is also very fast and reliable. Additionally, this lens performs beautifully in low-light situations and delivers stunning bokeh. Sharpness is flawless from edge to edge at every aperture, and there are also no distortions, flares, or ghosts. - Source: Internet
  • Note that this lens offers 20mm less focal reach than the Sony 70-200mm f/2.8. This might be an issue if you’re planning to shoot far away subjects, such as wildlife. - Source: Internet
  • I often go on game drives with two lenses. I bring my Sony FE 24-70mm F2.8 GM lens on one camera and my Sony FE 600mm F4 GM OSS lens on the other. So I’m ready for anything! - Source: Internet
  • One of the most significant factors to consider while purchasing a lens is the focal length range, as it determines the overall perspective of your subject. Tamron offers a decent range of 28-75mm, which suits most purposes; whether you are a landscape photographer or paid to cover the next wedding event, Tamron would not disappoint you. This versatile range makes the lens popular amongst photojournalists. Moreover, the 75mm length is perfect for shooting landscape shots at a distance, while a combination of the wide aperture and 28mm is ideal for night-time shots. - Source: Internet
  • Sigma 14-24mm F/2.8 DG DN Art is a superb lens producing stellar sharp images at all zoom lengths. In addition, its autofocus is precise and fast, although not entirely silent, which makes Sigma one of the best wide lenses for Sony a7iii. - Source: Internet
  • With an incredibly fast aperture of f/1.8, it lets you control the depth of field and focus on your subject with incredible speed and precision. This lens features internal focusing to keep the lens compact, making it perfect for travel or street photography. - Source: Internet
  • The Sony FE 24-70mm f/2.8 GM Lens is an excellent addition to your lens collection. It belongs to their signature GM range famous for its general purpose focal length range, brilliant results, and reliable performance. As a result, users experience an outstanding shooting experience when they pair the Sony FE 24-70mm f/2.8 GM Lens with Sony’s innovative sensor technology. - Source: Internet
  • Further on, the max aperture of f/4 and 105mm is an excellent combination for a blurred background effect. Moreover, the 1-stop narrower max aperture works favoring the lens body even though it reduces low light photography potential. Most lenses face an issue with the aperture narrowing down with every increase in the focal length. Fortunately, Sony retains the f/4 aperture throughout the range for your ease. - Source: Internet
  • When there isn’t time for switching from one prime to the next, the adaptable and powerful Sony FE 24-105mm f/4 G OSS E-Mount lens comes into play. This renowned zoom lens boasts an f/4 aperture throughout the zoom, ensuring low-light capability and speed, not to mention high image quality. This E-mount lens is also speedy when it comes to autofocus, meaning everyone from travelers to street photographers will enjoy this Sony A7III lens. - Source: Internet
  • This large-aperture prime lens is designed for Sony E-mount APS-C type cameras. With an F1.8 maximum aperture, it’s ideal for portraiture and low-light shooting. - Source: Internet
  • The Tamron 28-75mm F2.8 is the best all-round lens for Sony a7iii and one of our top picks for today. It’s made of durable polycarbonate casing that’s compact and lightweight, while still being versatile. - Source: Internet
  • One initial consideration to take into account when getting a budget lens for any camera is compatibility. You always want to ensure the lens you purchase will actually fit on your camera. When you get a lens from a different manufacturer than your camera, there’s always a possibility the two won’t be compatible. The lenses on this list are all compatible with the A7iii but if you look at other options, make sure they are as well. - Source: Internet
  • It has a wide-angle view and works well with the low light of the night sky. With F2 maximum aperture, considerable light is gathered in the camera sensor, allowing for a stunning low light shot. This lens can also be used for shooting indoors. Its wide aperture will allow for lower ISO settings and faster shutter speed, producing sharper images with less noise. - Source: Internet
  • Both this Sony lens and the Sigma 24-70mm f/2.8 have better build quality than the Tamron 28-75mm f/2.8, which is another reason why they’re pricier. - Source: Internet
  • Keep in mind that its f/4 aperture makes it less of a low-light performer than the previously mentioned f/2.8 zoom lenses. Bokeh also isn’t as smooth as it is on those f/2.8 lenses. - Source: Internet
  • It can be hard to find a wide-angle lens with a low aperture number, and in this case f/1.4 is magnificent. This means it’s the perfect lens for shooting beautiful bokeh! - Source: Internet
  • Additionally, the lens features a 5-axis image stabilization system, i.e., a built-in Optical SteadyShot system for crystal clear images. While the narrow max aperture ruins the chances of low light photography, the stabilization system saves the day by enhancing the image quality. - Source: Internet
  • This lens has a very practical autofocus system. To switch between autofocus and manual focus, all you need to do is push the focus ring out or pull it back in. There’s no need to flip a switch (in fact, there’s no AF/MF switch on this lens) and it’s very intuitive. - Source: Internet
  • Sony has designed this lens to be high-quality and durable without compromising the overall performance. For this reason, you’ll notice the high price point. This lens works well in low light conditions thanks to the consistent aperture and you’ll appreciate the focusing speed. - Source: Internet
  • This Sigma lens has a super solid build, and it’s completely weather-sealed. Its focus ring is super smooth and allows for very precise adjustments. It also has been enhanced from its previous models by an autofocus lock button on the side of the barrel that is customisable in the camera menu. It is, however, a further 100g heavier than the Sony FE 16-35mm F/2.8. - Source: Internet
  • But it’s a great option. It’s only 20 mm long and weighs 4.4 oz (126 g). And it’s compatible with the following Sony lenses for Sony a7III: - Source: Internet
  • Overall, Sony FE 135 mm F1.8 is for you if you’re looking for a premium lens for shooting stellar sharp portraits and achieving a very smooth bokeh effect. It is one of the best portrait lenses for Sony a7iii if you can handle a bit of specialised long focal length. - Source: Internet
  • On an A7III platform, you’d have to be comparing this lens to the Sony 24-70mm f/2.8 GM. That is definitely another incredible lens (and it’s also on this list), but I can’t quite justify it for travel over the 24-105mm. - Source: Internet
  • Also, because it goes as low as f/1.4, this lens performs exceptionally well in all low light scenarios. If you’re looking to take photos indoors, such as churches or museums, hotels this lens will give you some quality results being able to capture more light than other lenses. Sony 24 mm F1.4 will also let you shoot handheld street lights and city views at night with stellar results. - Source: Internet
  • The Sony FE 24mm F1.4 GM is a wide angle lens for Sony a7III that covers an image circle of approximately 32mm. It delivers unexpectedly amazing results in low light, the autofocus is extremely accurate and consistent. - Source: Internet
  • best portrait lens Sony 85mm F1.8 In terms of value-for-money, it’s hard to go wrong here with this lens.It offers super high quality shots as well as surprisingly fast and accurate autofocus. $548 at Amazon$548 at B&H Photo - Source: Internet
  • FE stands for “Full-frame E mount,” which is Sony’s saying that the lens will work with both APS-C and full-frame cameras. What does this mean? It means you can use your Sony lenses on cropped sensors and full-frame cameras without any issues. FE lenses are high quality, versatile, and offer great value! - Source: Internet
  • It has an Internal Focus (IF) system, which means the lens doesn’t change length when focusing. And the lens minimizes focus breathing, focus shift, and axial shift for zoom for video. This means a more stable and accurate composition when recording. - Source: Internet
  • Weight may also influence your decision if you prefer to use a smaller gimbal setup for video. You can get away with a heavier lens than the Vario-Tessar 16-35mm f/4 on something as small as a Zhiyun Crane, but you’ll be pushing the limits. The Vario-Tessar is still in a good weight class for most small-to-mid-size gimbals. - Source: Internet
  • Testing this lens, I have found only one disadvantage. If you want to use the lens with the filters, it won’t be easy. Nevertheless, I consider it to be one of the best lenses for Sony a7III. - Source: Internet
  • This one of the best lenses for Sony a7III was designed especially to shoot macro and close-up subjects. This macro lens is perfectly compatible with Sony E-mount cameras. The Sigma 70mm f2.8 DG Macro Art has limited autofocus settings, such as full range, macro range and the further range. - Source: Internet
  • It’s a nice size, quite light, AF on recent Sony cameras is as you would expect, fantastic. although, I personally don’t really value AF that highly on a wide angle lens. I like that it has the ability to declick the aperture, I like the provision of a button on the lens. - Source: Internet
    1. Sigma 105mm f/2.8 DG DN Macro Art This is the best macro lens for the Sony A7 III Specifications Aperture range: Constant f/2.8 Image stabilization: No Lens construction: 17 elements in 12 groups Dimensions: 74 x 135.6mm Weight: 710g Filter size: 62mm Today’s Best Deals View at Walmart (opens in new tab) View at Amazon (opens in new tab) View at Moment (opens in new tab) Reasons to buy + Minimal chromatic aberration + Doubles as a portrait lens + Reasonably priced Reasons to avoid - Physically large - Source: Internet
  • This lens does show signs of coma from f/1.8 to f/2.5 and you might even see traces of coma at f/2.8 if you have very bright stars at the edges of the frame. However, coma is still not as prominent as on many other wide-angle lenses, and also you are unlikely to have very bright stars at the edge of the frame, so I still think it’s a very good choice for astro shooters. - Source: Internet
  • With a 24MP sensor and 4K video, few cameras can match the power and practicality of the Sony A7III. This mirrorless camera is a must-have for everyone from travel and landscape photographers to wedding and event videographers. It’s the best of all creative worlds, made even better by the vast array of lens options available. No matter your creative endeavors, here are 10 of the best lenses for the Sony A7III. - Source: Internet
  • On the downside, this lens is quite costly for a lens of its type. There are also some visible chromatic aberrations at wider apertures, especially if there’s a high contrast between the subject and the background. However, this is easy to remove with Adobe Photoshop. - Source: Internet
  • The Sony 1.4x teleconverter (SEL14TC) is currently only compatible with the Sony FE 70-200mm F2.8 GM, Sony 100-400mm GM, Sony FE 200-600 G, Sony FE 400mm F2.8 GM and Sony FE 600 F4 GM lenses. It will not physically fit any other Sony E-mount lenses. - Source: Internet
  • Weighing a mere 281 g (10 oz.), this lens is also really small, lightweight, and easy to take everywhere. Autofocus is also very fast, reliable, and silent. - Source: Internet
  • Sony 200-600MM F5.6-6.3 – Super tele lens for Sony with even wider zoom range ideal for photographing sports events but weighing over 2 kg, which is a little too bulky for being the best travel lens. - Source: Internet
  • This Sony FE 40mm Lens is specially designed for full-frame E-mount mirrorless cameras, with a focal length equivalent of 60mm. This lens features a short minimum focus distance of just 0.2m which allows it to create attractive background blur effects. - Source: Internet
  • What is also really great about this lens is its excellent super fast and silent autofocus. With almost 100% precision, this lens will allow you to capture unforgettable moments on your adventures fast. It also comes with in-built image stabilisation, which will correct those handshakes when shooting at higher ISO in low light or with slower shutter speed. - Source: Internet
  • The Tamron 17-28mm f/2.8 Di III RXD is the best wide lens for Sony a7III when it comes to size and portability. In fact, this lens is almost half the weight of the previous two wide-angle zoom lenses, making it an excellent travel-friendly gear. - Source: Internet
  • In addition, you’ll get beautiful bokeh effects and excellent low-light performance thanks to the bright f/1.8 aperture. This lens is also ultra-sharp from corner to corner even when shooting wide open, and autofocus is super fast and reliable. - Source: Internet
    1. Sony FE 12-24mm f/2.8 G Master Sony FE lenses don’t get any wider, or any better, than this Specifications Mount: Sony FE Elements/groups: 17/14 Diaphragm blades: 9 Autofocus: 4x XD Linear Motors Stabiliser: No Min focus distance: 0.28m Max magnification: 0.14x Filter thread: N/A Dimensions (WxL): 98x137mm Weight: 847g Today’s Best Deals View at Amazon (opens in new tab) View at Walmart (opens in new tab) View at Best Buy (opens in new tab) Reasons to buy + Impeccable image quality and handling + Ultra-wide maximum viewing angle Reasons to avoid - Non-removable hood - Very expensive - Source: Internet
  • This lens is razor-sharp edge-to-edge. Its wide f/2.8 aperture also helps deliver super creamy and smooth bokeh as well as excellent low-light performance. - Source: Internet
  • You can shoot flowers, insects, and other tiny subjects with this lens and capture the finest details. Even at the maximum aperture, the Sony 90mm F2.8 is incredibly sharp. - Source: Internet
  • A common issue with lenses exploring several territories with their long focal length range is substandard image quality. However, Sony does a great job of delivering images with thorough sharpness. On the other hand, linear distortion and vignetting are two nuisances at 24mm, but the superior sharpness takes our mind off these issues. - Source: Internet
  • The Sony FE 14mm F1.8 GM truly has everything you’d dream of in an astrophotography lens and more. First off, it’s very lightweight and travel-friendly. In fact, it’s the smallest, lightest, and sharpest 14mm in the world. - Source: Internet
  • The Sony lenses are lightweight enough to be handheld. But the exact focal length depends on what kind of subjects you generally photograph. The smaller the focal length, the longer the lens you need. - Source: Internet
  • Well, those days are no more – the Sony FE 70-200mm F2.8 GM OSS is just as sharp as a prime lens. Very minimal barrel distortion is present near the edges of photos shot with this lens. Somewhat, the Sony FE 70-200mm F2.8 GM OSS is a gem of a lens to have in your camera bag. - Source: Internet
  • There’s also great ghost control and minimal flares. The wide aperture of this lens will also help you get high-quality, noise-free shots in low light. In addition, the build quality is very sturdy and weather-sealed. - Source: Internet
  • I decided not to compromise on image quality when I bought two Sony a1 mirrorless cameras. I covered all my bases by buying the 12-24mm, 24-70mm, 70-200mm, 400mm, and 600mm G Master lenses. Plus, I bought the 1.4x and 2.0x teleconverters! - Source: Internet
  • Aperture is how much light a lens can let through its sensor, where more light allows you to shoot in the dark without too much blurring. The lower aperture number (f/1.4) means more light can get in, while a higher aperture (f/22) denotes the opposite. - Source: Internet
  • However, choosing the widest aperture you can find may not always be the wisest choice. After all, these lenses would be large, bulky, and more expensive. If you’re travelling a lot and shooting mostly the scenery, you might want to choose a higher aperture number just to save space. Check our travel photography tips for a better travel photography experience! - Source: Internet
  • Along with the incredible image quality, the other defining feature of this lens is its f/2.8 aperture. It’s awesome for low light shooting and getting mouth-watering bokeh in your portraits. - Source: Internet
  • Every lens needs an effective image stabilization system, and Sony meets the need. The lens utilizes a built-in Steady Shot system rather than optical stabilization, which stabilizes the imaging sensor. As a result, the image displayed on the EVF appears relatively stable. The final images were brilliant: they had an excellent resolution, minimal to no distortion with remarkable clarity and contrast. - Source: Internet
  • At one point or another, almost everyone wants a mid-range zoom lens. When Sony released the 24-70mm f/2.8 GM lens in 2016, it was immediately apparent that quality was their number one priority with this edition! - Source: Internet
  • Our Recommendation If you are looking for budget Sony A7iii Camera Lens. Tamron 28-75mm f/2.8 is the Best budget zoom lens for Sony A7iii. - Source: Internet
  • With a focal range of 200-600mm and a maximum aperture of f/6.3 at 600mm this lens will help you to get closer to wildlife than ever before. If 600mm is not long enough then you can also add the 1.4x or 2.0x teleconverters. - Source: Internet
  • Welcome to the world of high-quality 50mm standard prime lenses. The world is your oyster with a superb F2.8 standard lens that captures outstanding details across the frame and beautifully de-focus the backgrounds for nicely separated subjects. Sony’s 50mm macro lens is a lightweight, compact, and robust interchangeable lens. - Source: Internet
  • For a lens of its kind, it’s very lightweight and compact. In fact, it weighs a whopping 670 g (23.6 oz.) less than the Sony 70-200mm f/2.8! Despite its smaller size and weight, it definitely makes no compromises on image quality. - Source: Internet
  • While the Tamron 28-75mm f/2.8 is our top pick, there are many other fantastic Sony a7III zoom lenses out there. Here are our other top choices. - Source: Internet
  • Usually, lenses of the same manufacturer as a camera, have better build quality, compared to alternatives. It is understandable, as they are designed for one brand. Although, there are decent lenses from Sigma as well. - Source: Internet
  • For shooting portraits, this is the ideal macro lens for your a7iii. The lens comes with optical stabilization, it has superior internal focusing, nano AR coating, a circular aperture to masterfully defocus your background with superb bokeh, and a powerful Direct Drive SSM for precision focusing that is almost always quiet. You can also lock the lens on a particular focusing distance with a convenient button on the lens barrel. - Source: Internet
  • Many people just like programming the focus hold button on this optic to “eye autofocus”, making it that much easier to get tack-sharp images. (See my full Sony 85mm f/1.8 lens review for more sample images.) - Source: Internet
  • The Sony FE 16-35mm F2.8 GM wide-angle lens has excellent sharpness and contrast at all apertures. This is true, especially in the center of the frame. There’s also minimal chromatic aberration, color fringing, and barrel or pincushion distortion. - Source: Internet
  • Another great thing about this lens is its insanely fast and reliable autofocus, which will allow you to get super quick shots of fleeting moments. With your in-camera corrections turned on, you’ll also see no distortions. Ghosts and flares are minimal too. - Source: Internet
  • Sony a7iii camera is a premium full-frame camera that already comes with in-body image stabilisation. In-lens stabilisation tends to be more advantageous in telephoto lenses. Other than telephoto lenses, it is okay to buy a lens without optical stabilisation because the IBIS system in your camera will take care of the handshake. - Source: Internet
  • The Sony FE 24-105mm f/4 G OSS is a very versatile lens with generous wide-angle coverage and a mighty telephoto reach. It’s a fantastic lens to travel with as it takes away the need to carry and switch between different lenses. It is also decently lightweight given its focal range. - Source: Internet
  • The Sony Sonnar T* 55mm F1.8 ZA has a fast f/1.8 aperture, which performs well in low-light conditions. While it can be quite large for a 55m lens, pairing it with the Sony a7iii still makes a relatively compact camera. - Source: Internet
  • Previously, I had been using the Sony 35mm f/2.8 lens which is incredibly compact but I often felt limited in low light by the f/2.8 maximum aperture. It was a very sharp, high-performance lens, except in low light. - Source: Internet
  • It provides a good working distance of 28 cm to the subject, and with an f/2.8 maximum aperture and 90mm focal length, this lens can easily be used as a portrait lens too. It takes stellar sharp images corner to corner even when shooting wide open at its maximum aperture of f/2.8 capturing all different textures and details. This macro lens is also excellent at low light, and it produces virtually no lens distortions. - Source: Internet
  • One of the essential features of a lens is to offer a reliable focal length range to cover a wide variety of perspectives. The Sony FE 24-70mm f/2.8 GM Lens gives you the best of both worlds with its ability to shoot at a wide-angle of view up till the short telephoto end. Sony covers the critical focal lengths, making the lens excellent for capturing the scenery and portrait photography. Moreover, it minimizes linear distortion for a straight view of walls and buildings at 28-30mm. - Source: Internet
  • If you haven’t picked up the 28 to 75 yet, I recommend that lens first. It is so much more versatile and has an F 2.8 in that kind of range is even more important. - Source: Internet
  • Tamron 28-75mm F/2.8 is one of the best budget lenses for Sony a7iii. If you’re looking for a versatile lens that can take quality landscapes and close-ups at a super affordable price – Tamron is your pick. - Source: Internet
  • There really is no one answer for this, as the best lens for your Sony a7iii is the one that meets your photography needs and interests. For example, the Sony 85mm F1.8 would be the perfect choice if you’re into portrait photography, while the Sony FE 70-200mm F2.8 GM OSS is better suited to capture faraway subjects like animals and wildlife. - Source: Internet
  • Get this lens if you truly want the best of the best. Especially if you plan on regularly shooting in low light circumstances. It’s a no-brainer if you think you’ll do a lot of travel shots at night, indoors, or if you plan on doing any astrophotography. - Source: Internet
  • I’m sure you can find an article that describes the detailed specs of how the Sony 28mm f/2 performs, but photographers who make great pictures rarely worry about these details. To summarize, this lens has minimal issues and generally delivers excellent performance. It’s a definite contender for being one of the best lenses for the Sony a7III. - Source: Internet
  • If you are on Facebook then I’d love for you to join one of the many Sony Alpha Shooters groups that I run. There are groups for Sony Alpha landscape, portrait, sports, wildlife, weddings, macro, street, and video shooters, as well as a generic group for everything else Alpha. You can find all of the links here. The groups are a great place to post your shots with your brand new lens! - Source: Internet
  • To be clear, you can still use a prime lens or zoom lens that doesn’t have the E-mount. But you have to fit an adaptor. That’s inconvenient and means you won’t get the most out of your camera. - Source: Internet
  • Zeiss Loxia 85mm f/2.4 ($1,399): An ideal portrait-length lens characterized by its sleek form factor and impressive optical qualities. Despite its compactness the handy ZEISS Loxia 2.4/85, a moderate telephoto lens offers outstanding image performance – across the entire image field of a full-frame sensor. Be it for a portrait or a street or landscape shot, this inconspicuous lens is great for helping you master these photographic disciplines. - Source: Internet
  • When you use this lens, your photos and videos are going to have a rich bokeh effect. This is because it creates beautiful shots from up close or long distant views of cities miles away. If you want to share some footage on social media without breaking the bank, then this telezoom is perfect for filming smooth macros of insects or intricate details at different distances. - Source: Internet
  • This is also a bonus for keeping your camera setup discreet. Whether or not we like it, huge lenses tend to attract more attention when you’re out and about. People can clam up a bit or even become a bit disgruntled if they think someone is potentially snapping super-hi-res close-ups of their face. - Source: Internet
  • Macro photographers, listen up: The Sony FE 90mm f/2.8 Macro G OSS Lens is a stellar pairing with your Sony A7III. This powerful lens, a 90mm telephoto macro lens, boasts image stabilization for clear and crisp photos, even when shooting handheld. It also comes with the G Master line’s beloved nine-blade circular aperture for stunning bokeh, not to mention a nano AR coating for impressive and reliable image quality. - Source: Internet
  • This is one of the Sony lenses that receives mixed reviews. Some people love it whilst others don’t rate is so favorably. I own this lens myself and although it’s certainly not as sharp as the GM version, the images it produces are sharp enough unless you really enjoy a good pixel peeping session. - Source: Internet
  • This Meike 50mm lens is another top option that will provide you with both versatility and durability in a number of different situations. The F1.7 aperture is more than capable of getting quality images in low light and the multi-layered design makes the lens easy to adjust. A multi-coated front element helps to reduce ghosting and flare, while the structure of six elements in five groups helps you capture the perfect image. - Source: Internet
  • Zeiss Batis 135mm f/2.8 ($1,999): This Zeiss Batis 135mm f/2.8 mid-length telephoto prime lens is ideal for portraiture, weddings and travel photography. Characterized as an apochromat, the Sonnar optical design helps to virtually eliminate chromatic aberrations and color fringing, and also benefits overall sharpness and clarity. Additionally, a T* anti-reflective coating has been applied that suppresses lens flare and ghosting when working in strong lighting conditions. - Source: Internet
  • While this lens is a few years old, it has not lost any of its power. For use with the a7iii, this is a fantastic option. It will really boost the power of your photography by enriching all the features of both the lens and the camera. - Source: Internet
  • Even though you’re looking at a budget lens, you don’t want those savings to equate to lesser quality. That can sometimes be the case with budget lenses because cheaper materials are used to pass on savings to the customer. The lenses you’ll see here make the cut because even though they come in at an affordable price, they are still high quality and give you capabilities similar to their Sony-specific counterparts. - Source: Internet
  • The Tamron 28-75mm F2.8 Di III RXD is the best all-round lens for Sony a7iii and one of our top picks for today. It’s made of durable polycarbonate casing that’s compact and lightweight, while still being versatile. - Source: Internet
  • Overall, Sigma 14-24mm F/2.8 is an excellent cheaper alternative to an equivalent Sony lens. It is the best wide lens for Sony a7iii for city and architecture photography. - Source: Internet
  • On the downside, do not expect reliable low-light performance from this lens. Under dim lighting, it’s unable to consistently lock focus. Although this lens has a decently approachable price, it’s also not exactly cheap for a relatively slow lens. - Source: Internet
  • It’s a fast f 2.8, giving you beautifully blurred backgrounds and decent low-light performance. I’d have to say this is one of my most used lenses. - Source: Internet
  • There are literally thousands and thousands of lenses to choose from for your Sony camera, and it is so easy to get overwhelmed. I hope this post helped you choose one or two lenses – suitable for your needs. If you’re still confused, here are my three must have lenses for Sony a7iii: - Source: Internet
  • The images it produces have excellent color, contrast and impressive sharpness across the frame. Sadly the lens is not weather sealed like its larger GM brother, so you need to be a little more careful when the rain comes down. I also own this lens myself although it is collecting dust since I picked up the GM version. - Source: Internet
  • The lens features an aperture ring for manual aperture selection. An ultra-wide max aperture means that the lens is relatively bigger and heavier in size, but the image quality compensates for it. It feels robust and well-designed with a precise focus ring for your ease. Even though the lens is not waterproof, it is dust-resistant and able to bear a few splashes here and there. Sony’s Direct Drive SSM acts as a focusing system with an AF hold button on the lens for composition purposes. - Source: Internet
  • For a small and handy wide-angle lens, it’s hard to beat the ultra-compact Sony FE 24mm f/2.8 G Full-Frame lens. This speedy prime comes with the G Master line’s high-quality promise, meaning corner-to-corner resolution and a seven-blade circular aperture for stunning bokeh. And, at a weight of only 162 grams (less than half a pound), it’s easy to carry this wide-angle lens around the world. - Source: Internet
  • The Zeiss Batis 25mm lens may not be one of the market leaders’ products, but it indeed is not a disappointment. The superior build quality, incredible ergonomic design, and outstanding optical characteristics make it a tough competitor. All it needs is a slightly lower price to be a part of every enthusiast’s bucket list. - Source: Internet
  • Moreover, it has reasonable control over distortion and vignetting with excellent results at f/2.8 (read: no chromatic noise). Chromatic aberrations are present if you view the images at a pixel level but almost unnoticeable otherwise. Zeiss is an excellent lens for landscape photography with superior sharpness at every aperture and exceptional contrast and resolution results. - Source: Internet
  • The image quality of this lens is incredibly close to the Sony FE 24-70 F2.8 G Master lens, which is mind blowing considering the G Master costs double the price! This is Tamron’s first native lens for Sony E-mount and I most definitely hope that it’s the first of many. I don’t own this lens but would certainly like to. - Source: Internet
  • This makes it a good lens for headshots and close-up portraits. The Sony FE 85mm F1.4 GM lens (discussed below) is better suited to full-body portraits. But out of all of the best prime lenses for Sony z7III, this is likely the best one. - Source: Internet
  • Sony FE 16-35mm F/2.8 GM is the best wide angle lens for Sony a7iii producing consistently stellar sharp images at a constant fast aperture. If you have the budget, this is a top pick for a wide angle lens for Sony a7iii. If you’re a cost-conscious buyer, consider going for Sigma 14-24 F/2.8 DG DN Art Lens reviewed in the next section. - Source: Internet
  • This lens also delivers fantastic edge-to-edge sharpness throughout the aperture range, especially wide-open at f/1.4. Autofocus is fast, reliable, and near-silent. On top of all that, this lens is also lightweight and travel-friendly. - Source: Internet
  • 🔮 The Sony FE 16-35mm F2.8 GM (the top overall Sony a7III wide-angle lens) is another amazing lens for astrophotography. It’s sharp edge-to-edge even wide-open and has minimal chromatic aberrations. - Source: Internet
  • Macro lenses have a 1:1 magnification ratio and typically, a minimum focusing distance of around 0.30 m (0.98 ft) or less. This will allow you to get extremely sharp and detailed close-ups of microscopic subjects. - Source: Internet
  • 1: Tamron 17-28mm f/2.8 Di III RXD The best value wide zoom lens for the Sony A7 III Specifications Aperture range: Constant f/2.8 Image stabilization: No Lens construction: 13 elements in 11 groups Dimensions: 73 x 99mm Weight: 420g Filter size: 67mm Today’s Best Deals View at Amazon (opens in new tab) View at Moment (opens in new tab) View at Best Buy (opens in new tab) Reasons to buy + Half the price of Sony equivalent + Bright, constant f/2.8 aperture + Excellent optical sharpness Reasons to avoid - Focal length range limited - No image stabilization - Source: Internet
  • At 70mm, you may notice that the performance is not perfect, though sharpness in the center is still great. The bokeh effect is nice. If you want your photographs to look extraordinary, this lens is just what you are looking for. - Source: Internet
  • This lens is incredibly sharp, starting at even F 1.4, and gets sharper as you go up to F 5.6 When you hit critical sharpness. - Source: Internet
  • Overall, Sony 24 mm F1.4 is an amazing prime lens, an excellent choice for Sony a7iii. It’s great for wide perspective, incredible bokeh effect and low light. It comes with a hefty price tag, but if you’re looking for something professional that produces super sharp images, this lens is for you. - Source: Internet
  • Having a quality macro lens around is always beneficial to a photographer. This particular macro lens, while excelling at exactly what it’s supposed to, is also a phenomenal portrait lens and one of the sharpest lenses in terms of clear detail that Sony has ever developed. In fact, it is generally reviewed more favorably than its competition from both Nikon and Canon. It offers outstanding quality, and because the model is a few years old, it now comes at a very reasonable price. - Source: Internet
  • Street, wedding, and portrait photographers rave about this 50mm G Master prime lens from Sony, starting first and foremost with that f/1.2 aperture. This speed guarantees crisp images, even in low-lit situations. Plus, the dazzling G Master bokeh strikes again, making subjects stunningly pop against a softly blurred background. Fast and accurate autofocus further add to the array of features, making this a must-have lens for the Sony A7III. - Source: Internet
  • Another benefit of this incredible lens is the wide max aperture: better than its rivals. The aperture proves useful for shooting under dark conditions with low ISO or slow shutter speed settings. Fortunately, Sony A7III features a built-in image stabilization system because the lens does not feature any. The lack of an optical stabilization system might be disadvantageous but positively affects the cost, weight, and size. - Source: Internet
  • It’s great if you like to shoot a wide range of subjects but don’t want to carry around many lenses. This Tamron lens is a go-to lens for most beginners or casual photographers. Thanks to its focal range, you can capture portraits, detailed close-ups, landscapes, and even the night sky. This is a perfect lens to capture the varied landscapes and huge diversity of people in places like India. - Source: Internet
  • We all love photos with a crisp, sharp object or person in the foreground and a beautifully blurred background. Those kinds of shots look super professional and are excellent for drawing attention to the subject. In order to achieve the background blur, also called the ‘bokeh effect’, we need a shallow depth of field. The lens will only focus on a small area in the frame taken up by the subject of the image – a person in portrait photography, a flower in macro photography, with the rest of the frame being out of focus. - Source: Internet
  • You can use this lens for indoor events and stage performances, or wildlife photography. The 200mm focal length will give you excellent close-ups of faraway subjects. Not only that, the long focal range makes it ideal for shooting portraits too. - Source: Internet
  • Still, despite this lens being adapted from their SLR versions, it is a beautiful lens that costs almost half the price of the Sony FE 90mm F2.8 G OSS macro lens. The images that it produces are razor sharp across the frame, chromatic aberration is well controlled as is distortion. The bokeh is silky smooth and the lens feels like all Sigma Art lenses do, extremely well built! - Source: Internet
  • These can be night shots of a city or starry sky but also indoor photography and in scenarios where you deal with contrasting shadows. Generally, prime lenses with low max F stop (within f/2.8 to f/1.4 range) have the best ability to capture as much light as possible. - Source: Internet
  • I often use my 2.0x teleconverter to make mine into the equivalent of a 140-400mm lens. That gives me slightly more flexibility to frame the larger animals on safari. But it does mean losing a bit of sharpness and a couple of stops of light. - Source: Internet
  • The Sony FE 16-35mm f/2.8 GM with very little coma and distortion is a great lens for astrophotography. This certainly isn’t a lightweight lens though as it weighs in at a hefty 680g. Thankfully the build quality is excellent and it’s weather sealed against dust and moisture. - Source: Internet
  • The Sony FE 70-200mm F2.8 GM OSS is the absolute best telephoto zoom lens for any Sony full-frame mirrorless. If you’re after the most top-notch image quality and performance, look no further than this lens. - Source: Internet
  • The Sony a7III is a mirrorless camera . It can take any Sony E-mount lens built by Sony or a third-party manufacturer. Sony was amongst the first camera manufacturers to enter the mirrorless market. So you have a wide range of Sony a7III lenses to choose from. - Source: Internet
  • Fortunately, Zeiss Batis comprises an autofocus system instead of a manual focusing system like other Zeiss lenses. The one word to describe the overall performance is ‘sophisticated’ as it is brisk, precise, and silent: perfect for avoiding unwanted attention. The focusing modes of your Sony A7III work well with this lens, but there are certain limitations with the Eye AF mode when the subject is too far away. - Source: Internet
  • If money is not an issue then the Sony FE 400mm F2.8 GM OSS lens already has your name on it. This is the most expensive E-mount lens that you can currently buy and it is most definitely one of my dream lens. - Source: Internet
  • The focal range of 70-200mm is considered a short-mid-telephoto range, and there are definitely many uses in travel photography for it. It can act as a landscape lens, especially if the subject is at a far distance. Sony 70-200mm F2.8 also does an excellent job at shooting portraits. If you enjoy taking photos of the daily life of local people or sports events, this lens will do an excellent job. - Source: Internet
  • STF – Smooth Transition Focus. Lenses that employ special APD lens groups that get thicker towards the edges and, because of that, reduce the amount of light passing through. These lenses are designed to deliver extremely smooth, silky out of focus bokeh. - Source: Internet
  • This is an excellent portrait lens that’s well-built and weather-sealed. Its three extra-low dispersion (ELD) elements ensure extremely sharp images across the frame. These are the “sweet spots” of maximum sharpness: - Source: Internet
    1. Sony FE 85mm f/1.8 A sensibly priced portrait lens for the Sony A7 III Specifications Aperture range: Constant f/1.8 Image stabilization: No Lens construction: 9 elements in 8 groups Dimensions: 78 x 82mm Weight: 371g Filter size: 67mm Today’s Best Deals View at Amazon (opens in new tab) View at Walmart (opens in new tab) View at Best Buy (opens in new tab) Reasons to buy + Creamy bokeh + Fast autofocus + Razor sharp + Fast maximum aperture Reasons to avoid - Characteristic vignetting at wide apertures - No in-built image stabilization - Source: Internet
  • The best product is the one that fits your needs. Do your research, read reviews, and ask around to find the perfect fit for you. There’s no shame in admitting that you need help to find the best lens for video sony a7iii for you – we all do it. So don’t be afraid to ask for help, and you’ll be sure to find the best lens for video sony a7iii for you in no time. - Source: Internet
  • Sony G-Master 24 mm F1.4 lens was designed to produce excellent quality images. The image sharpness is stellar strong from edge to edge, and with the ultra-wide aperture, this lens produces outstanding photos at low light. With its prowess, you will be able to shoot handheld in the city at night and still take sharp images. Its super bright aperture and wide angel focal length make this lens perfect for shooting a starry night. - Source: Internet
  • Without doubt, the Sigma 14mm f/1.8 Art is one of the best ultra-wide angle lenses ever made to this date. This lens has been available in both Canon, Nikon and Sigma mounts for some time, but now Sigma has adapted this lens for Sony E-mount. So you are basically getting an SLR designed lens with an adapter bolted on, this means that it does retain its considerable size and weight. - Source: Internet
  • This lens is beautifully sharp in the center even when shooting wide open at f/2.8. It has very minimal distortions and performs fantastically in low light. - Source: Internet
  • It’s sharper at 400 mm than Sony’s 100-400mm lens. And you can always bolt on a 1.4x or 2.0x teleconverter for extra reach. - Source: Internet
  • If you only had one lens to pick, then let it be the Tamron 28-75mm f/2.8 Di III VXD G2. It’s the perfect entry-level lens for everyday shots and is very beginner-friendly too. - Source: Internet
  • The ultimate telephoto lens for image quality, bokeh, and low-light performance. This lens is ultra-sharp and perfect for shooting indoor events like sports and stage performances. CHECK PRICE ON AMAZON - Source: Internet
  • For those travellers who love to shoot portraits on their adventures, Sony FE 135 mm F1.8 is the best Sony lens for portraits to complement their camera gears. It produces super sharp images with creamy bokeh background that perfectly draws attention to the subject with no distractions whatsoever. - Source: Internet
  • Finally, think about how much you’re willing to spend for a camera lens and what you really need. If an f/2.8 can work well for your photography as an f/2.0 version, there’s no reason to waste the extra money. - Source: Internet
  • But if you’re looking for the best overall lens, you can’t go wrong with the Tamron 28-75mm F2.8. Its wide focal range is extremely versatile. Use it for portraits, low-light, landscapes, and even the night sky. - Source: Internet
  • The Sony FE 24-105 mm Lens is a perfect fit if you are looking for an all-purpose lens that can be used in nearly any situation. Its wide zoom range ensures top quality across the entire zoom angle, giving your image on 35mm format SLR camera a crisp and clear look. The Smooth Autofocus system will let you capture portraits or landscapes without having to change lenses – and with no lag time! - Source: Internet
  • The Sony prime lens has a focal length of 85mm that suits several photography needs with portrait photography at the top. It is ideal for various framing techniques such as tight head-shots, full-body portraits, and event coverage to an extent. However, landscape and low light photography prove successful owing to the ultra-wide aperture. In short, the Sony FE 85mm lens is very versatile. - Source: Internet
  • Sony’s FE 24-70mm f/2.8 GM Wide Angle Zoom Lens is the perfect lens for any photographer who uses a full-frame 35mm camera and wants to capture both close up shots and those that are more significant than life-size on the screen. It will not disappoint you, as it can be used in various situations from wide zoomed out pictures to tight shots which bring everything into focus. - Source: Internet
  • You should look at this telephoto zoom lens because the Sony FE 200-600mm F5.6-6.3 G OSS is spectacular! - Source: Internet
  • A cheaper alternative to this lens is Sony 50mm f/1.8 that is considerably cheaper, providing a similar angle of view but nowhere near as sharp and well-built as Sony 55mm f/1.8. - Source: Internet
  • When it comes to Sony’s G Master lenses, we think the 12-24mm F2.8 lens is one of its best. It may not be the cheapest lens you can get for your a7iii, but its performance at a 12mm focal length is stunning. - Source: Internet
  • The Sony FE 85mm f/1.4 is especially good for mirrorless cameras with E-mount. Being a short telephoto lens, it is a bit longer than a regular one. Its construction and exceptional quality make it one of the best native Sony a7III lenses. - Source: Internet
  • Its shortest focal length might also be a little long for landscape photographers. And it also has no stabilization. But that’s not really a problem as the Sony a7III already has IBIS. This is the best budget lens for Sony a7III. - Source: Internet
  • Look no further than the FE 70-300mm F4.5-5.6 G OSS telephoto zoom lens from Sony’s Full Frame G series! - Source: Internet
  • To take the best portraits, look for a prime lens with a focal length of 85mm or longer. Prime lenses have very wide apertures, allowing you to create stunning bokeh, a shallow depth of field, and better subject-background separation — all of which would enhance your portraits. Here are the best Sony a7III prime lenses for portraits. - Source: Internet
  • It doesn’t have image stabilization. But that’s not a problem with the Sony a7III, which has in-body image stabilization (IBIS). It’s also not this type’s smallest or lightest lens at 1.9 lb (847 g). But that doesn’t stop you from shooting handheld for long periods. - Source: Internet
  • This Rokinon 50mm lens is a great budget option for the A7iii camera. This option’s standard 50mm focal length allows for versatile performance in a range of situations and gives you the ability to capture sharp, clear images thanks to the aspherical and hybrid aspherical lens elements. On top of that, the f1.4 aperture allows you to secure quality images in low lighting. - Source: Internet
  • Basically, you get more features than the average lens. When paired with the a7iii, all these features are advanced even more. The body of the lens is also lightweight and small, making it easier to point and shoot with enhanced mobility and handling. - Source: Internet
  • With an aperture of f/1.4, this lens can perfectly shoot the starry night sky without noise or grain. Meanwhile, the wide 24mm focal length lets you capture the entire scene with razor-like sharpness. - Source: Internet
  • This lens is extremely sharp across the frame even when wide open at its maximum aperture of f/1.4. Distortion is well controlled as is the coma making this a great lens for astro photography. - Source: Internet
  • Any type of lens can be used to capture people, which means they are technically portrait lenses. But specific focal lengths can produce more flattering images. Shorter ones (35-55mm) are great if the backdrop is important to the story you’re telling, while longer focal lengths of 85 to 135mm can be great for general portraits. - Source: Internet
  • This product is perfect for any photographer on a budget and wants premium quality, not only does this camera work well in daylight but it can also hold its own in artificial light as well .This versatile zoom range makes Tamron’s 28-75mm F2.8 Di VC USD Lens one serious contender for the title of consumer champion : anyone looking to buy or change lenses should go running for this option. - Source: Internet
  • Buying the “wrong” teleconverter might mean you can’t even use it with your lens. Or it won’t work with the autofocus (AF) system due to compatibility issues. It might also mean a deterioration in image quality and focusing speed. - Source: Internet
  • In contrast, a prime lens features only a single focal length and doesn’t let you zoom in or out. This means each prime lens caters only to a specific type of use and is not as versatile as a zoom lens. Yet the images it produces are much more high-quality. - Source: Internet
  • With a high aperture, Sony 70-200mm F2.8 also performs strongly in low light scenarios such as indoors, and it’s the best Sony lens for travel to indoor events. Thanks to the high aperture, it is possible to shoot with lower ISO settings, resulting in sharper images captured at low light. - Source: Internet
  • Video quality is super sharp and crisp throughout the zoom range, and for an f/2.8 standard zoom, this lens is also unusually lightweight and compact. Given its reasonable price, this is truly a top-value everyday video lens that’s worth every penny. - Source: Internet
  • The Sigma 70mm f/2.8 DG Macro Art is an affordable and lightweight macro lens that delivers razor-sharp results and outstanding image quality. If you plan to take detailed close-ups of flowers, food, and other medium-sized subjects, then this lens will offer fantastic value. - Source: Internet
  • It’s also quite light for this focal range. Complete with the dust and moisture-resistant feature, you can easily use this on any outdoor trips. Plus, it’s great for capturing landscapes and architecture shots. This is an ideal lens for taking snapshots of places like Thailand where you’ll find incredible landscapes and interesting architectural landmarks! - Source: Internet
  • The bokeh is silky smooth and possibly the best of all the current 24mm f/1.4 lenses available. Autofocus is fast, quiet and super accurate. I own this lens myself and absolutely love it. I’ll be writing a review for it just as soon as I get a little free time. - Source: Internet
  • When you are looking to purchase a new lens for video sony a7iii. it is important to take into account several factors to ensure that you are choosing the best possible option. Here are a few things to keep in mind when making your decision: - Source: Internet
  • This lens has a shorter focal range than the Sony 16-35mm f/2.8 GM and is prone to a bit of vignetting. All in all, it’s a top-value choice for those looking to shoot ultra-wide. - Source: Internet
  • Zeiss Batis 25mm F2 has been made exceptionally well from durable materials that are also super light. This lens weighs just over 300g and is fully weather-sealed. If you’re looking for a wide angle astro lens that won’t weigh you down, look no further. - Source: Internet
  • Here’s what to look for when choosing the best video lens for Sony a7III. First, look for a lens with a fixed aperture. This will allow the exposure level of your video to stay constant even as you zoom in or out — making these transitions smooth and natural. - Source: Internet
  • With a max f/stop of 2.8, you will also be able to capture the beautiful bokeh effect while shooting steals and videos alike. Thanks to the wide aperture, this lens works extremely well in low light scenarios too, and the fixed f/2.8 aperture will allow you to keep the exposure level of your video constant while zooming in and out on subjects. - Source: Internet
  • With a minimum focus distance of 0.29m, it can’t really be used as a macro lens. There are, however, some adapters that the lens can be paired with to expand its functionality. - Source: Internet
  • Sigma features their signature Super Multi-layer and NanoPorous coating to prevent flare and ghosting. There are two sheets of special low dispersion glass and six “F” low dispersion glass with an overall optical design. Due to the wide max aperture, Sigma is a relatively bulkier lens, but its general-purpose trait covers up for this disadvantage. - Source: Internet
  • (Check out the Sony 24-70mm f/2.8 review for some more shots taken with this lens paired with a Sony a7III.) - Source: Internet
  • In the current digital age, more and more people are shopping online for lens for video sony a7iiis. There are many reasons why someone would choose to shop online rather than in person. Here are some of the best reasons to shop at an online store: - Source: Internet
  • Sony Zeiss FE 16-35mm f/4 ZA OSS ($1,348): Excellent lens for landscape photography! For everyone from landscape professionals to those who want to just dabble in wide-angle photography, this Sony Zeiss FE 16-35mm f/4 is one of best FE-mount lenses: impressive sharpness, fast focusing, reasonable levels of distortion, and a weather-sealed build for protection from the elements. If you want a faster wide-angle lens, try the Sony FE 16-35mm f/2.8 GM lens. - Source: Internet
  • The image sharpness is not as superb as with Sony 24mm f/1.4, but this sacrifice comes with a lower price tag. However, the image resolution is still very good, with some soft edges while shooting wide open at F2. The lens is also prone to lens distortions such as chromatic aberration and vignetting, which means darker corners. - Source: Internet
  • Overall, Zeiss Batis 25mm F2 is a good choice for astrophotography. It is extremely light and portable, which makes it super travel friendly. It produces decently sharp images, and its biggest drawbacks are the lens distortion, especially the vignetting, which may not be ideal for astrophotography. - Source: Internet
  • Again, there’s a cheaper f/1.8 version available. But this list contains the best lenses for Sony a7III, not the cheapest! - Source: Internet
  • Sigma 24-70mm f/2.8 ART is the latest Sigma lens that was designed to outperform Sony and Canon lenses at a much smaller price tag. This lens is super versatile; it can take landscape and city photography to close up portraits and even macro shots. If you only have the budget for one lens, Sigma 24-70mm ART is the best lens for Sony a7iii to take on your travels! - Source: Internet
  • I am a blogger and travel photographer, and taking photos while travelling the world is my full-time job. If you’re reading this post, I’m assuming you are already the proud owner of the Sony a7iii, which is hands down the best camera for travellers. It is a fantastic camera that I also owe and believe it’s the best Sony travel camera out there! - Source: Internet
  • The Sony Sonnar T* FE 35mm F2.8 ZA is essentially the smallest lens for Sony a7III that you can get. Weighing a mere 120 g (4.3 oz.), this lens is the perfect choice for the ultimate minimalists and those who love to pack light. - Source: Internet
  • The Sony SEL E Mount 14TC 1.4x Teleconverter gives you even more flexibility with your E-mount lenses. That’s especially true for lenses with a long focal range. - Source: Internet
  • The Sony FE 85mm f/1.4 lens is an optimal choice for combining a medium telephoto focal length and wide aperture. It is the best 85mm prime lens in the market that performs brilliantly in every department, be it design, performance, or image quality. - Source: Internet
  • If the 85mm G Master is out of budget then you might want to look at the Sony FE 85mm F1.8 lens. This lens is not as large, heavy or as ridiculously sharp as its larger G Master brother, but it certainly does not disappoint. - Source: Internet
  • The best telephoto lens for the Sony a7iii is the Sony FE 200-600mm F5.6-6.3 G OSS. - Source: Internet
  • im planing on buying a Sony A7III. Obviously I dont want to buy it with the Kit Lens, so I will just buy the body. My question now is: What is the best allrounder lens you can get. I will surely buy more lenses in the future but because the camera itself is very expensive im looking for a nice not to expensive allrounder lens for the start. Any Ideas? - Source: Internet
  • The Sony 400mm F/2.8-2.8 is an innovative lens designed to be used with a monopod or for handheld shooting. The original design ensures the perfect balance of this almost weightless lens for Sony a7III. It consists of 3 fluorite elements and some sturdy magnesium alloy components. - Source: Internet
  • It comes in at a svelte 9.9 oz (281g) and balances superbly with the Sony a7III. At one point I thought I had lost this lens because I picked up my satchel and thought it wasn’t in there or had fallen out simply because it was so lightweight! - Source: Internet
  • We also love the fact that it’s the lightest 24mm f/1.4 lens you can get anywhere. Sure, it does come at a higher price point, but if you’re serious about your astrophotography, this is the lens for you to get. - Source: Internet
  • The Sigma 70mm F2.8 DG Macro lens for Sony E-mount (full-frame) is the first macro lens from Sigma that has been adapted to Sony E-mount. However, the word adapted here is very important since the E-mount version of this lens has been adapted from their Canon and Sigma versions that were originally designed for SLR cameras and not mirrorless. - Source: Internet
  • Overall, Sigma 24-70mm f/2.8 ART is the best lens for a7iii Sony camera and the perfect lens for travel photography. It is super versatile, allowing you to shoot landscapes and portraits with top-notch quality and super fast and accurate autofocus. - Source: Internet
  • So the best approach is to use “native” lenses designed for the Sony a7III. That generally means a Sony lens. But one Sigma lens and one Tamron lens do make our list. - Source: Internet
  • Sony FE 70-200mm f/4 G OSS ($1,498): The small size, versatile 35mm focal length, and outstanding overall performance of this lens make it an ideal match for compact 35mm full frame format E-mount bodies. This makes it useful for portraits and sports photography where you want to separate the subject from the background. It is as sharp as the f/2.8 version for less than half the cost, but not great when natural light is low. - Source: Internet
  • A: Sony and Canon are the leaders of the camera industry with a diverse range of consumer imaging equipment. However, they have a few differences in terms of performance, image results, and price. There isn’t a definite answer as your lens’s price depends on the sensor, AF system, and any additional features. However, Sony seems to be slightly pricier than its rival when looking at each lens type’s comparison chart. - Source: Internet
  • If you are looking for the best possible wide-angle zoom lens then you don’t need to look any further than the Sony FE 16-35mm f/2.8 GM. This certainly isn’t a lightweight lens though, as it weighs in at a hefty 680g. - Source: Internet
  • If you are looking for the best native 100-400mm zoom lens for shooting wildlife (my Borneo adventure), sports and action, then look no further than the Sony FE 100-400mm f/4.5-5.6 GM OSS lens. I’ve owned this lens since it was released and it has rarely been off my camera since. - Source: Internet
  • If the Sony FE 35mm f/1.8 Lens does not impress you with its specifications, it will impress you with the minimalistic yet sophisticated design. There is a single aspherical lens element while the body itself is well-built. Moreover, it has thorough dust and moisture seals. As a traveler, you would appreciate the compact, portable body that hardly takes up any space in your bag. - Source: Internet
  • I have many older, manual focus ‘classic’ lenses, that I adapt to modern cameras. I enjoy doing astrophotography & nightscapes. most older wide angle lenses I’ve tried on the night sky do not work that well, giving mis-shapen stars off the central axis, so that was one of the drivers I had for getting one of the Sony wide angles which have a good reputation for use on the night sky. - Source: Internet
  • Pancake lenses sadly have nothing to do with delicious breakfast carbs or maple syrup. They’re simply incredibly small and lightweight lenses — so light that you’ll barely feel their weight at all. These lenses are great for travel and street photography in particular, especially if you’re a minimalist and prefer packing light. - Source: Internet
  • This great lens for Sony a7III has a quick and precise focus. The construction is quite durable, it’s dust- and water-sealed at the mount. The f/2.8 aperture guarantees excellent performance even in low-light situations. This lens allows you to work with selective focus techniques to achieve spectacular results. - Source: Internet
  • I quickly settled on the Sony 55mm f/1.8. My three priorities of performance, size/weight, and affordability made this lens an excellent choice. - Source: Internet
  • Sony FE lenses stand for Sony Full E-mount lenses, which refers to any lens designed for the full-frame Sony mirrorless cameras. This includes the ever-popular Sony a7iii. You can use these lenses on APS-C cameras too, but note that the focal length will increase by 1.5x. - Source: Internet
  • Tamron 28-75mm F/2.8 lens weighing only 550g is exceptionally lightweight and compact, perfect for serving as an all-around travel lens. It is also weather-sealed, which is handy for taking this lens on all sorts of outdoor adventures. - Source: Internet
  • As you will have probably noticed that this lens has found its way into 3 different categories. It’s not only a great lens for landscape, interior, and environmental portrait photography, but with its wide-open aperture of f/1.4 it also excels at astrophotography. - Source: Internet
  • Sony features 17 elements in 14 groups resulting in some flare while shooting bright objects, but it reduces up to a great extent with the Nano AR coating. As we mentioned below, the narrow max aperture means that the lens is more compact and lightweight, thus portable: a treat for people always on the go. Moreover, it is dustproof and splash-proof. - Source: Internet
  • A warranty is a guarantee of the performance of a product or service. It is an assurance that the lens for video sony a7iii will meet the standards set by the manufacturer, and that the service will be performed according to the specifications set by the service provider. A warranty is typically provided by the manufacturer or service provider and is included in the price of the product or service. A guarantee is a promise to repair or replace a lens for video sony a7iii that fails to meet the standards set by the manufacturer or service provider. A guarantee is typically provided by the retailer and is not included in the price of the product or service. - Source: Internet
  • Most native lenses for the Sony a7III are very quiet. But by no means all. Choose wisely. - Source: Internet
  • Zeiss maximizes the potential of the lens for stellar image quality. Their lenses are not here to disappoint when it comes to image sharpness, and the Zeiss Batis 25mm lens remains true to its reputation. The resolution is even throughout the frame, with a more compelling edge-to-edge performance than other lenses in the Batis range. We found the sharpness and contrast at f/2 incredible, to say the least, with an optical performance at f/2.8. - Source: Internet
  • If you’re looking for a budget camera lens, then cost is another important consideration. There are plenty of budget options out there, but some are much better than others. Even though saving money is ideal, you don’t want to end up with a bad product. The lenses in this guide are all affordable, but they manage that lower price tag without sacrificing any quality. - Source: Internet
  • Choosing a camera lens is always a tough decision. There are so many factors that go into making a decision, and it can be hard to know what the best zoom lens for Sony A7iii is. But you don’t need to worry anymore! This article will teach you everything you need to know about choosing the perfect zoom lens for your camera. It includes an explanation of how lenses work and how they affect your photos, as well as reviews of several different zoom lenses that are compatible with your Sony A7III. - Source: Internet
  • The Sony FE 85mm F1.4 G Master is an exceptional lens and one which every portrait photographer should own if they don’t already. Sharpness across the frame is already excellent from f/1.4, flare resistance is very good, as is control of chromatic aberration. - Source: Internet
  • It offers all the top performance characteristics of a G-Master lens and produces spectacular images. The contrast and sharpness of this lens are spectacular – see more in Chad Winstead’s Sony 70-200mm f/2.8 review (the image above was taken by him). - Source: Internet
  • Some of the cheaper lenses may use more plastic, which although is lighter can be less durable. When looking for the best build quality in a lens, pay attention to its weather sealing features too. Especially if you’re looking to shoot outdoors! - Source: Internet
  • Zeiss Loxia 21mm f/2.8 ($1,499): Excellent Manual Focus Wide Angle Prime Lens! Despite its compactness, the super wide-angle Zeiss Loxia 21mm f/2.8 Lens offers outstanding image performance – and it is extremely sharp all the way to the corners. Whether architecture, landscape or also three-dimensional subjects in close-up against a spacious background – this focal length with its large image angle is an excellent addition to the Loxia lens family. It is an absolute must for wide-angle fans who try manual focus often and want to capture even the tiniest details of a special moment in a photo or on film. - Source: Internet
  • Zeiss Batis 25mm f/2 ($1,299): Highly recommended! Ideal for architecture, landscape, and interior photography, this lens’ 82° angle of view pairs with a 7.9″ minimum focusing distance for producing creative perspectives and unique close-up imagery. Bright f/2 maximum aperture benefits working in low-light conditions and also offers control over the focus position when using selective focus or shallow depth of field techniques. - Source: Internet
  • A: Sony A7III was an excellent way for Sony to enter the overcrowded mirrorless market and steal the audience. One of this device’s best features is the unique AF system that delivers superior coverage with impressive speed and accuracy. Another great feature is the 5-point built-in image stabilization that does not need the support of any lens to wow the photographers. Both of these factors are critical in grabbing the perfect shot of the view. 4K full-frame video shooting is another bonus that results in superior footage when coupled with the image stabilization system. - Source: Internet
  • The Sony 90mm F2.8 is hands-down the sharpest Sony lens. It’s also a great option for those interested in macro photography and portraits. Even when shooting wide-open, you can enjoy crisp images that are sharp to the edges. Featuring an impeccable AF system, this lens can produce stunning bokeh and low-light images without any distortion. - Source: Internet
  • The Sigma 50mm F1.4 Art DG HSM Lens is a good option if you think that you still want a wider aperture than your standard 50mm F1.8 lens. - Source: Internet
  • If you’re looking for a telephoto lens for your upcoming trip then the FE 70-300mm F4.5-5.6 G OSS (also available from B&H Photo here or from Adorama here) is a fantastic option. - Source: Internet
  • As expected, the 55mm f/1.8 offers excellent edge-to-edge sharpness throughout the aperture range. Sometimes sacrifices must be made to make a lens affordable, but I can’t seem to find anything to complain about with this model! - Source: Internet
  • The Sony FE 90mm f/2.8 Macro G OSS lens is one of the sharpest lenses that Sony has ever built. DxOMark reviewed this lens and said that its outstanding, scoring higher marks than both the Canon and Nikon equivalents. - Source: Internet
  • Sony G-Master Lens 24 mm F1.4 lens was designed to produce excellent quality images. With the maximum aperture of f/1.4 coupled with wide-angle, this lens can achieve very interesting images – an attractive bokeh effect with a wide-angle view of the background. If you have a travel Instagram account – this is a tremendous professional lens for taking unique photos of yourself and showing a lot of scenery at the same time. - Source: Internet
  • The Tamron 28-75mm f/2.8 Di III RXD Lens is a top-favorite amongst photographers, with most retailers stocked out soon after its release. Only compatible with Sony A7III, Tamron offers a versatile focal length range in a travel-friendly and moderately priced body. The final results boast superior sharpness throughout the frame, so there is no reason why one does not need to invest in this lens. - Source: Internet
  • If you’re deciding between this lens and the Sony 100-400mm f/4.5-5.6 GM, note that if you primarily shoot wildlife, then you’ll largely benefit from the 600mm focal length of this lens. On the other hand, the 100-400mm is a better lens for macro and landscapes. - Source: Internet
  • An ultra-fast, budget-friendly, and portable lens that takes incredible videos and vlogs. It delivers super sharp results, stunning bokeh, and great low-light performance. CHECK PRICE ON AMAZON - Source: Internet
  • We sure think so, which is why we’ve made a guide on the best lenses for Sony a7III you can get. There’s a model for each occasion, whether you’re interested in wide angle lenses for your travel vlog, or need a macro lens for professional-grade insect close-ups. Explore each of our choices and get even more awe-inspiring results from your camera. - Source: Internet
  • The FE 16–35mm F2.8 GM also has a few built-in controls on the lens such as a focus hold button and auto/manual focus switch. All in all, this is a great choice for the best travel lens for Sony A7III cameras if you love shooting at wide-angles and are happy to invest in a premium camera lens for your next trip. - Source: Internet
  • The lens is lightweight and ideal for people who are hiking to get that perfect shot. It weighs only 518 grams and is pretty much invisible when stuffed into your backpack. Its lightweight body also helps with handling and aiming. You will always get excellent images with phenomenal color, mesmerizing contrast, and unbelievable sharpness across the entire frame. This is not a lens to sneeze at. - Source: Internet
  • Its ultra-wide angle of view makes this lens the perfect lens for shooting in tight spaces in the city when it’s impossible to move away from the photographed buildings. The 14mm angle will push the background away substantially. The wide angle will also bring more background into the frame and exaggerated image perspective allowing for some creative captures on your adventures. - Source: Internet
  • Moving on, Sigma manages to deliver pleasing images with the right combination of resolution, sharpness, and contrast. Vignetting is an issue with most lenses and Sigma, but it gets much better at longer focal lengths. However, color separation is quite strong, at 70mm. There is a stepping motor as an AF system for a fast, precise, and silent focusing process. - Source: Internet
  • When it comes to the drawbacks, we really can’t think of any major red flags. This Sony lens is quite expensive compared to the other options, but it’s still the sharpest and most lightweight 24mm f/1.4 you can find. - Source: Internet
  • BEST ZOOM LENS Tamron 28-200mm F2.8-5.6 This powerful superzoom is a wide-angle, standard zoom, and telephoto lens all at once. It’s the most travel-friendly and affordable all-in-one lens for Sony a7 cameras. CHECK PRICE ON AMAZON - Source: Internet
  • The FE 16–35mm F2.8 GM works both as a sole travel lens if you want to take a combination of landscapes and street photography or possibly paired with a portrait lens with a longer focal length or even your standard kit lens if you’re happy to travel with two zoom lenses. Weighing 680g (24oz), this lens is once again fairly lightweight for a zoom lens. - Source: Internet
  • Despite being called a macro lens, the Sony FE 90mm f/2.8 Macro G OSS lens is also an excellent portrait lens and one of the sharpest lenses that Sony has ever built. DxOMark reviewed this lens and said that its outstanding, scoring higher marks than both the Canon and Nikon equivalents. - Source: Internet
  • Something I have come to love about the Sony alpha mirrorless cameras is how fast their autofocus system works. It’s great to have a lens that can keep up with this amazing performance. Well, the Autofocus on this lens is really fast and silent! - Source: Internet
  • Portrait lenses don’t come much better than this. The wide maximum aperture is perfect for working in low light. And the 11-blade diaphragm and high-precision eXtreme Aspherical element? They provide smooth, circular bokeh highlights. (Sony built a new mold-making machine. That way, the lens wouldn’t produce ugly ones shaped like onion rings!) - Source: Internet
  • The only real negative thing about this lens is the price. At $11,998.00 in the US or £10,499.00 in the UK, this lens will leave a very noticeable hole in your bank account. - Source: Internet
  • The a7iii in itself is quite small and compact, considering it is a mirrorless camera. If travel and portability is important for you, then you might not want to buy a lens that adds too much to the weight you have to carry. Besides, this will completely nullify the size benefits of a mirrorless in the first place. And it’s always smart to pack light when you’re planning to travel. - Source: Internet
  • Other than that, the Batis’ wide field of view doesn’t let it take the best macro shots. Still, you can get pretty close to your subject. It also features no optical image stabilization, but then again your a7iii already comes with excellent IBIS. - Source: Internet
  • The Sony A7III is a fantastic camera. It has impressive features, and it’s priced to sell. Can you use Sigma lenses on Sony A7iii? Can you use other third-party lenses with the Sony A7III? The answer depends on the lens mount that your specific Sigma lens uses, but in general, yes! - Source: Internet
  • The Sony FE 24mm lens features 13 elements in 10 groups with Nano AR coating to minimize ghosting and flare. It feels robust, while the layout includes rings and switches with precise markings. Moreover, the fluorine-coated exterior makes the lens dust and moisture resistant. - Source: Internet
  • The Sony FE 24-105mm f/4 G OSS Lens is an excellent traveling companion considering its general purpose focal length range, average body dimensions, and exceptional image quality. The lens sounds too good to be true, especially after considering the modest price. This versatile device deserves to be a part of your Sony A7III kit. - Source: Internet
  • Sony 85mm f/1.4 lens uses a linear SSM focus system and packs one XA element, combined with three ED elements. On top of that, there is a Nano AR coating. The lens in the matter has the minimum focusing distance of 2,79 feet for auto, and 2,62 feet for manual focus. - Source: Internet
  • Sony makes some great ultra-wide zooms of its own, but they cost a packet. This wide-angle Tamron zoom puts its money where its mouth is and competes well against all other lenses in its class at a much lower price. A useful zoom range makes it perfect for landscape photographers who need a little more flexibility when it comes to recomposing shots or wish to shift perspectives a little. A fast, constant f/2.8 aperture also suits low-light subjects and astrophotography. - Source: Internet
  • Sony FE 85mm F1.8 is one of the most affordable Sony lenses out there. It is perfect for portraits and creating the bokeh effect. If you’re looking for a quality portrait lens but are on the budget, look no further. - Source: Internet
  • This lens offers superb bokeh. It also performs well even in low light conditions. Not to mention it offers crisp images. - Source: Internet
  • However, I am very tempted to sell it so that I can afford the Tamron 28-75mm F2.8 Di III RXD lens. So my recommendation would be to buy the Tamron if you don’t want to spend the money on the GM 24-70 lens. - Source: Internet
  • Good video lenses should have a fixed aperture for smooth transitions and a wide max aperture (f/2.8 or wider) for beautiful bokeh and low-light performance. If you’re planning to vlog, go for a wide-angle lens with a minimum focus distance of around 0.30 m (1 ft) or less. - Source: Internet
  • best macro lens Sony 90mm F2.8 Arguably the sharpest Sony lens ever made, this is definitely your best bet if you’re in the market for a new Sony a7iii macro lens. Perfect for shooting top quality photos of tiny subjects, including insects and all other objects. $998 at Amazon$998 at B&H Photo - Source: Internet
  • This lens is durable enough, as it is securely protected from dust and water. You will take marvelous portraits with it, as it has a focal length of 85mm. At the maximum aperture, you will see a beautiful bokeh effect. - Source: Internet
  • Sony FE 100mm f/2.8 STF GM OSS ($1,498): A unique 100mm mid-telephoto lens featuring STF (Smooth Trans Focus) technology that can elevate portraits and subjects that benefit from smooth background bokeh to new artistic heights while boasting G Master resolution. It features fast, precise, quiet DDSSM autofocus, and close-up capability up to 0.25x magnification. Built-in Optical SteadyShot image stabilization minimizes blur that can occur during low light or macro shooting. - Source: Internet
  • This is not a cheap lens though, so it’s definitely not perfect for anyone on a tight photography budget. But if the price tag doesn’t scare you off, this thing is an absolute beast and one of the best lenses on the market, period. You’ll always find it in my camera bag (we’ve got travel camera bag recommendations too). - Source: Internet
  • Sony launched the FE 12-24mm F2.8 GM ultra-wide-angle lens as the “world’s widest f/2.8 zoom.” It’s suitable for astrophotography, landscapes, and architecture. Outside, you can get dramatic leading lines and distorted-perspective views of skyscrapers. - Source: Internet
  • A variable aperture is such designed that it keeps the weight and dimension of the lens compact and light. Thanks to retractability down to a mere 29.9 mm. The lens is known for its full-range zoom. - Source: Internet
  • Those extra aperture blades also allow you to get some killer sunstars in your shots when you stop down. It’s a unique sunstar look, as the stars will have 22 points on them. Some love the look, while some still prefer the sunstars produced be lenses with fewer blades. - Source: Internet
  • Sony FE 90mm F2.8 is a premium lens and one of the best macro lenses for Sony a7iii. It’s one of the sharpest lenses out there, and it hits the sweet range of 90mm to 105mm, perfect for macro photography. - Source: Internet
  • Sony FE 24-105mm f/4 G OSS ($1,298): Ideal Travel and Walkaround Lens for Sony a7 III. Sony’s new FE 24-105mm F4 G OSS lens delivers excellent corner-to-corner sharpness throughout the entirety of its zoom range, while also producing beautifully rendered ‘bokeh’ or background defocus at all focal lengths. This lens also features fast, precise and quiet autofocus capabilities in both still and video shooting, making it an ideal complement for versatile shooting such as landscape, portrait, wedding and so on. - Source: Internet
  • The Sigma 30mm F1.4 Contemporary is another brilliant 3rd party portrait lens worth considering. The wide angle can give you stunning shots of people. It’s also relatively cheap and so perfect for beginners looking for a solid prime lens. - Source: Internet
  • This lens is a much more recent addition to my camera bag. When the Sony 35mm f/1.8 was released I immediately knew it would be added to my kit. - Source: Internet
  • The Sony FE 200-600mm F5.6-6.3 G OSS lens is the perfect companion for your A7iii digital camera! - Source: Internet
  • I love shooting with the Sony A7III, its incredible image quality, and its E-mount lens mount ease of use. I also love to photograph wildlife, birds, the beautiful outdoors, and nature. So for both photo and video, I need a lens that I can get to many different focal points to get the close-up or wide-angle shots I want. - Source: Internet
  • With this lens, you can take pictures of the highest quality even in low-light conditions. It is possible thanks to the f/2.8 aperture, which ensures a superb depth of field control and allows you to make your subject stand out. - Source: Internet
  • If you’re looking for something more affordable than the Sony FE 70-200mm F2.8 mentioned in the previous section, I recommend considering Tamron 70-180 F.28 as your telephoto lens of choice. - Source: Internet
  • For people looking for a reliable lens other than Sony and Canon, we recommend them to opt for the Sigma 24-70mm f/2.8 DG DN Art Lens. This budget-friendly lens features a decent ergonomic design and delivers excellent performance. Moreover, the max aperture pairs well with the focal length range for incredible image results. - Source: Internet
  • When a lens is used properly, it delivers a better result. That’s why in this guide I have indicated if a lens is great for a full-frame, APS-C camera or both of them. Though, the majority of lenses are suitable for any type. - Source: Internet
  • Here we have another example of budget meeting performance. Compared to some similar Sony lenses, the Vario-Tessar is practically being given away for free. It may not be as sharp as other G Master lenses, and it does only have a maximum aperture of F4, but it is still an extremely popular lens used by many professional landscape photographers. You simply cannot capture the same type of stunning panoramas with your a7iii unless you have this lens equipped. - Source: Internet
  • A: The simple answer is Yes, Sony A7III and other Sony mirrorless cameras are compatible with most Canon lenses. However, the results may not be similar to Sony or the lenses mentioned above. There are minor issues when it comes to continuous tracking of erratically moving objects or off-center focusing points. Nevertheless, Canon lenses work great while shooting stationary objects. - Source: Internet
  • Zeiss Batis 85mm f/1.8 ($1,199): An ideal portrait-length lens, this Zeiss Batis 85mm short telephoto has been designed specifically for full-frame E-mount mirrorless cameras: superb sharpness, fast & quiet auto focus and Dust and weather sealed. Fast f/1.8 maximum aperture benefits working in low-light conditions and also offers extensive control over depth of field for selective focus applications. - Source: Internet
  • This is an incredibly versatile lens, that in my opinion, is at the ideal focal length of 35mm if you want a prime that can take a variety of different shots. Weighing only 120g (4.3oz), the Sonnar T* FE 35mm F2.8 ZA is the ideal option if you’re a bare-bones traveller who is looking to minimise every inch of space in their suitcase but doesn’t want to sacrifice any image quality. - Source: Internet
  • Sony FE 35mm f/1.8 lens features a linear motor that drives the AF system of Sony A7III with remarkable speed and accuracy. Moreover, low light photography produces excellent results, while the silent motor allows photographers to shoot without grabbing unnecessary attention. There is an AF/MF switch to make quick changes between the two modes. - Source: Internet
  • The bokeh is gorgeous, the Nano AR coating effectively suppresses flare, ghosting, and reflections, and the focus range limiter is spot on. The focus hold button works flawlessly to keep your lens locked, while the internal focusing keeps your AF quick and give you a short minimum focusing distance. The aluminum alloy used to build this lens makes it lightweight, resistant to temperature changes, and extremely durable. - Source: Internet
  • The FE 70-300mm F4.5-5.6 G OSS is an all in one telephoto lens that offers both speed and detail to ensure clarity in any situation. From the challenging sports arena to the more intimate environment of nature, photography captures special moments with friends and family close up without fear of missing anything! - Source: Internet
  • The Sony 12-24mm F4 is a perfect match for full-frame E-mount mirrorless cameras. It has a flexible zoom and a wide aperture of f/4. This wide angle lens for Sony a7III delivers fantastic sharpness of the image and exceptional IQ. - Source: Internet
  • Sony 55mm f/1.8 is an excellent quality prime lens with a versatile focal length. It is also super compact and light, and for that reason, it is one of the best Sony lenses for landscape and one of the top lenses for travel photography. - Source: Internet
  • Due to its size, telephoto lenses often need a tripod to prop up. They are heavy, not portable, and very expensive, making it less ideal for beginners. If you do go for one, research your camera backpacks carefully to make sure you have enough room to store this and the rest of your lenses/accessories. - Source: Internet
  • When you compare the somewhat steep price point with having a series of prime lenses, the Sony 24-70mm f/2.8 becomes a lot more affordable. It also offers the advantage of not having to switch lenses to get a variety of focal lengths. - Source: Internet
  • Aside from the lens flare, the Sony 16-35mm f/2.8 is my current favorite optic and arguably a key, best lens for Sony a7III cameras. If you want a very versatile wide-angle optic among Sony lenses for A7III cameras, this is an excellent choice! - Source: Internet
  • It also captures stunning bokeh and performs well in low-light, thanks to the f/2.8 max aperture. With the fast, silent, and accurate autofocus, this lens doesn’t disappoint. - Source: Internet
  • It’s compact, lightweight, and extremely versatile. Making this our top pick lens for the Sony a7iii for the most people’s needs. It’s certainly not the cheapest lens on the list, but it’s also not the most expensive. Truly an epic all-round lens for those looking to upgrade their camera quickly. - Source: Internet
  • older lenses just go on & on & on. More than this though, most modern lenses drop in value instantly & continue to drop. older ‘classic’ lenses on the other hand are appreciating, some crazily so. It feels better for me to put my money into those than modern lenses in most cases. - Source: Internet
  • Meanwhile, a wide aperture is recommended as it allows you to focus just on the subject and blur out any distracting background elements. In portrait photography, it’s important to draw the attention of viewers to the subject, including their eyes and facial features. If you are planning for a romantic getaway with your significant other a portrait lens would be a great gear to pack for capturing those sweet and candid moments! - Source: Internet
  • Overall, Sony 24 mm F1.4 is an amazing prime lens, an excellent choice for Sony a7iii and one of the best lenses for Sony Alpha cameras. It’s great for wide perspective, incredible bokeh effect and low light. It comes with a hefty price tag, but if you’re looking for something professional that produces super sharp images, this lens is for you. - Source: Internet
  • When it comes to choosing the best lens for video sony a7iii, one of the most important things to consider is the return policy. If you’re not satisfied with your purchase or something goes wrong, you’ll want to know that you have some way to get your money back. Fortunately, there are plenty of reputable brands out there that offer great return policies and excellent customer service. To help you find the best intake valve cleaner for your needs, we’ve compiled a list of the best brands out there. - Source: Internet
  • In general, I’d highly recommend the Sony 35mm f/1.8 prime lens if you’re looking for a fast prime that can do anything well. It may not be the best lens for a Sony a7III or most Sony cameras, but it’s one of them and a key optic to keep in your collection. - Source: Internet
  • 2 Sony G-Master Lens 24 mm F1.4 – Stellar prime lens with wide angle excellent for landscape, city and architecture. Excellent at low light and able to create fantastic bokeh. It can be used for videos and astrophotography of a night sky. It’s also great for Instagram travel photos. - Source: Internet
  • One of the most important factors to consider when choosing a lens for video sony a7iii is quality. You want to make sure that you are getting a lens for video sony a7iii that is well-made and will last. Be sure to read reviews to get an idea of the quality of the lens for video sony a7iii before you buy it. - Source: Internet
  • After Tamron’s success with their 28-75mm F2.8 Di III RXD lens they now bring us a wider alternative in the Tamron 17-28mm F2.8 Di III RXD. Similar to the 28-75mm this lens offers great sharpness wide-open in a compact lightweight body and at a very reasonable price point. - Source: Internet
  • The Sony FE 200-600mm f/5.6-6.3 G OSS is the best value Sony a7III lens you can get if you want to shoot subjects very far away from you, such as wildlife. Despite the mighty telephoto reach of this lens, there’s barely any compromise on image quality. - Source: Internet
  • When you enable in-camera corrections, you will barely notice the chromatic aberrations from this lens. Still, they can be visible at wide apertures. The same goes with vignetting. - Source: Internet
  • Sony FE 12-24mm f/4 G ($1,698): Sony’s widest full-frame E-mount lens. Its ultra-wide 12-24mm range features cutting-edge refinements for stunning corner-to-corner G Lens resolution at all apertures, while quiet, fast, precise autofocus make it ideal for movies as well as stills. It is an excellent choice for landscapes and architecture, and is compact, lightweight, and mobile so it can go wherever the great shots are without slowing you down. - Source: Internet
  • Another excellent portrait lens you can get is the Sony 90mm F2.8, which also happens to be our top pick as the best macro lens for Sony a7iii. It’s user-friendly, has brilliant autofocusing, and perhaps the sharpest Sony lens to date. - Source: Internet
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